{"value"=>"<p>PERSONAL and PROFESSIONAL PAPERS, 1913-1983, n.d., contains Easton's marriage license to Sarah Dooley, his first wife. Other materials in this series are a small amount of career related documents including advertisements for Easton and Howell that appear to have been taken from a scrapbook. This file also includes three programs, one featuring Easton and Howell in Quebec, Canada. The clippings contain information about Easton's performances and activities. There is also a file of sheet and manuscript music written by others that Easton probably performed. Included here are two copies of sheet music for the Alex Rogers and Bert Williams' classic \"Nobody,\" autographed by Eva Jessye. In addition, there are two pieces of manuscript music of \"Judge Roy Hyde\" by Sheldon Brooks, Jr. and Edgar J. Hayes, and \"I'm Taking Back All Those Clothes\" by Sheldon Brooks, Jr. and Clarence Muse. There is also a list of all the performers with whom Easton had some association over the span of fifty years in show business.</p> <p>The Miscellaneous file contains letters from Easton's second wife, Harriet to Helen Armstead-Johnson regarding Sidney Easton's papers. This file also contains printed materials. Of interest is a scrapbook, 1928-1934, n.d., essentially containing numerous reviews of performances by Easton and Howell, Easton and Easton, Easton and Stewart, and Easton and Baby Goins Joyce in the late 1920s and early 1930s. In addition, there is a souvenir program from the S.S. Haiti, aboard which he sailed to Haiti to film a sequence of Drums of the Night, and an article on C. Luckeyth \"Lucky\" Roberts, one of Easton's songwriting contemporaries, by George S. Schuyler.</p>"}