{"value"=>"<p>Operas and musicals constitute the bulk of Kalmanoff’s output as a composer. Most if not all of his work in this genre is represented here in the form of sketches, piano/vocal scores, full scores, choral scores, vocal and instrumental parts, libretti and occasional notes. Works that were performed have the most material as they have instrumental parts as well as scores (though some pieces were only ever performed with piano accompaniment). The compositions with the most material are <span class=\"title\">The Insect Comedy</span>, <span class=\"title\">The Empty Bottle</span>, <span class=\"title\">The Bald Prima Donna</span>, <span class=\"title\">Fasten Your Belts</span>, <span class=\"title\">Fit For A King</span>, <span class=\"title\">Godiva</span>, <span class=\"title\">The Great Stone Face</span>, <span class=\"title\">No Bed Of Roses</span>, <span class=\"title\">Noah And The Stowaway</span>, <span class=\"title\">Opera, Opera</span>, <span class=\"title\">A Quiet Game Of Cribble</span>, and <span class=\"title\">The Victory At Masada</span>. Some pieces were never completed, while others may never have been performed. Some of these are untitled. Many of the operas and musicals have corresponding folders of documentation in series I, sub-series 3. There are also scores for popular musicals performed in community theaters in which Kalmanoff was the musical arranger and/or pianist. These scores may be Kalmanoff arrangements.</p>"}