{"value"=>"<p>This series contains numerous and varied examples of Briece’s compositions. There are two examples that were not composed by Briece: <span class=\"title\">Face</span>, by Erkki Jokinen, and <span class=\"title\">Missa de angelis</span>, by Jouko Linjama.</p> <p> Many of the scores employ conventional orchestration procedures, such as: <span class=\"title\">Passacaglia and Allegro</span> (1966), <span class=\"title\">Plutonian Rabbit</span> (1987), or <span class=\"title\">Nine Dragons</span> (1987). Other pieces demonstrate modern and experimental techniques using diagrams and/or verbal directions: <span class=\"title\">Lemon Fresh Joy</span> (1971), and <span class=\"title\">Music Walk for Heinz Klaus Metzger</span>. There are examples of both types of approach throughout Briece’s career. Other pieces, like <span class=\"title\">Monkey Eighty</span>, were composed as video music works; these pieces are meant to accompany video, but, in some cases, may also be performed instrumentally.</p> <p> The series also contains notes and studies related to Brice’s process and development as well as an assortment of unidentified scores or pages of music.</p>"}