- unitdate
-
{"value"=>"ca. 1942 - 1989", "type"=>"inclusive", "certainty"=>"approximate", "normal"=>"1942/1989"}
{"value"=>"undated", "type"=>"inclusive"}
- date_inclusive_start
-
1942
- date_inclusive_end
-
1989
- unittitle
-
{"value"=>"Sub-series 1: Shows and Projects"}
- physdesc
-
{"value"=>"8 boxes", "format"=>"simple"}
- scopecontent
-
{"value"=>"<p>The shows and project scores in this sub-series parallel the files in Series I, sub-series 2. The earliest show in this sub-series (untitled) was written while Siegel was attending the American Academy of Dramatic Arts. The shows with the most scores are <span class=\"title\">Corkscrews</span>, <span class=\"title\">New Faces Of 1952</span> and <span class=\"title\">A Quarter For The Ladies Room</span>. Though most of the scores are manuscripts, some shows occasionally contain published lead sheets (or reproductions of them), and one cabaret project, <span class=\"title\">The Cat And The Fiddle</span>, consists entirely of published music. Unproduced shows in this sub-series include <span class=\"title\">It’s Nancy!</span> and <span class=\"title\">Serena Blandish</span>.</p>"}
- arrangement
-
{"value"=>"<p>Alphabetical</p>"}
- unitid
-
{"type"=>"local_mss", "value"=>"876856"}
- date_start
-
1942
- date_end
-
1989
- keydate
-
1942