- unitdate
-
{"value"=>"1910-1933", "type"=>"inclusive", "normal"=>"1910/1933"}
- date_inclusive_start
-
1910
- date_inclusive_end
-
1933
- unittitle
-
{"value"=>"Series 2: Heinrich Schenker Nachlass"}
- scopecontent
-
{"value"=>"<p>The following series contains a portion of the Heinrich Schenker Nachlass, purchased by Salzer from Jeanette Schenker in 1936, and comprises seven boxes (the original list of items and agreement between Salzer and J. Schenker can be found in Box 40, Fol. 2). The original German words \"Nachlass\" and \"Mappe\" have been retained to describe the contents of the papers. \"Nachlass\" refers to all the papers of Schenker, while \"Mappe\" refers to each individual file from the collection. Items in the Schenker Nachlass have been kept in the original order in which they were found, unless otherwise noted. The numbering of each item follows a combination of the original system used by Jeanette Schenker and the system used in the Oster Collection, which itemizes each item in the Papers, both Recto and Verso sides. For example, \"6/11\" Recto refers to the front side of the 11th item in Mappe 6.</p>"}
- note
-
{"type"=>"did", "value"=>"In order to avoid terminological confusion, the word \"Sketch\" has been used as a catch-all term for any musico-analytic mark. \"Sketch\" as a singular noun refers to a single analytical remark on a piece of paper (whether a single bar or an entire movement), and \"Sketches\" as a plural noun refers to multiple musical remarks on a piece of paper. \"In levels\" refers to the special type of sketch known as an Urlinie-Tafel. Mappe 26, an analysis of a Schubert Ländler, was believed to be in the estate of Felix Salzer. On the list owned by Ernst Oster (in the Oster Collection), Oster crosses out Mappe 26 and writes \"s[iehe] 11d.\" This item is located in Mappe 11d/8, Box 54, Fol. 6."}
- unitid
-
{"type"=>"local_mss", "value"=>"872495"}
- date_start
-
1910
- date_end
-
1933
- keydate
-
1910