Sub-series 7: Books owned by Salzer

Description data TOP

unitdate

{"value"=>"1902-1962", "type"=>"inclusive", "normal"=>"1902/1962"}

date_inclusive_start

1902

date_inclusive_end

1962

unittitle

{"value"=>"Sub-series 7: Books owned by Salzer"}

scopecontent

{"value"=>"<p>This sub-series contains books that Salzer owned. Only books with markings were retained, while all the others were dispersed. In addition to books on music, the sub-series contains the collected letters of Ludwig Wittgenstein and the memoirs of Hermine Wittgenstein, Felix Salzer's aunt and the daughter of Karl Wittgenstein. The memoirs are dedicated to Hermine Wittgenstein's nephews and nieces.</p>"}

unitid

{"type"=>"local_mss", "value"=>"872474"}

date_start

1902

date_end

1962

keydate

1902

Child components TOP

1. Schenker, Heinrich. Das Meisterwerk in der Musik (3 vols.). München: Drei Masken Verlag, 1925 (vol. 1), 1926 (vol. 2), 1930 (vol. 3).
2. Parrish, Carl. An Anthology of Masterworks of the Middles Ages, the Renaissance, and the Baroque Era. New York: W.W. Norton & Co., 1958; slight markings.
3. Piston, Walter. Harmony, 3rd ed. New York: W.W. Norton & Co., 1962; occasional markings; summary of chapter 26 and other notes by Salzer inserted.
4. Adler, Guido. Der Stil in der Musik. Leipzig: Breitkopf und Härtel, 1911; markings; sticker on front cover with Hans Weisse's name
5. Adler, Guido, ed. Handbuch der Musikgeschichte (2 vols.). Berlin: Heinrich Keller Verlag, 1930; mostly markings in vol. 1.
6. Forte, Allen. Tonal Harmony in Concept and Practice. New York: Holt, Rinehart and Winston, 1962; many markings, various notes inserted.
7. Davison, Archibald T. and Willi Apel. Historical Anthology of Music (2 vols.). Cambridge, Mass: Harvard University Press, 1946 (vol. 1), 1950 (vol. 2); many markings; Salzer's name inscribed inside front cover; many notes inserted.
8. Schenker, Heinrich. Der Freie Satz (2 vols.). vol. 1, text, vol. 2 examples. Wien: Universal Ed., 1935. Many markings.
9. Schenker, Heinrich. Ein Beitrag zur Ornamentik. Wien: Universal Ed., 1908; occasional markings
10. Schenker, Heinrich. Five Graphic Music Analyses (with new introduction by Felix Salzer). New York: Dover, 1969; slight annotations.
11. Schönberg, Arnold. Harmonielehre. Wien: Universal Ed., 1922; occasional markings.
12. Salzer, Felix. Structural Hearing (2 vols.). New York: Charles Boni, 1952; F.S. inscribed inside front cover; markings.
13. Bach, Carl Philipp Emanuel. Klavierwerke (score). ed. by Heinrich Schenker. Wien: Universal Ed., 1902; Salzer's name inscribed inside front cover; slight markings.
14. Bach, Carl Philipp Emanuel. Kurze und Leichte Clavierstüke (score). ed. by Otto Vrieslander. Wien: Universal Ed., 1912; markings.
15. Bach, Carl Philipp Emanuel. Die Preussischen Sonaten für Klavier (score). ed. by Rudolf Steglich. Hannover: Adolph Nagel Verlag, 1927; slight markings.
16. Bach, Carl Philipp Emanuel. Die Württembergischen Sonaten für Klavier (score). ed. by Rudolf Steglich. Hannover: Adolph Nagel Verlag, 1928; markings.
17. Kurth, Ernst. Grundlagen des Linearen Kontrapunkts. Berlin: Max Hesses Verlag, 1922; occasional markings.
18. Kurth, Ernst. Romantische Harmonik. Berlin: Max Hesses Verlag, 1923; occasional markings.
19. Wittgenstein, Hermine. Familienerinnerungen. Personal recollections of Hermine Wittgenstein, with autograph
20. Wittgenstein Briefe. Photocopy of letters of Ludwig Wittgenstein, from the Österreichischen Nationalbibliothek. 3 volumes