Sub-series 1: Music Analyses

id
613020
level (num)
2
level (text)
subseries
identifier (local_mss)
871783
max depth
4
boost queries
add/edit
created
2013-05-02 20:20:34 UTC
updated
2018-06-05 03:15:21 UTC

Description data TOP

unitdate
{"value"=>"ca. 1950-1981", "type"=>"inclusive", "certainty"=>"approximate", "normal"=>"1950/1981"}
date_inclusive_start
1950
date_inclusive_end
1981
unittitle
{"value"=>"Sub-series 1: Music Analyses"}
scopecontent
{"value"=>"<p>This sub-series is divided into five parts, lettered a-e: 1a Analyses of music before 1700; 1b Analyses of music after 1700; 1c Analyses of Variations; 1d Analyses for Counterpoint in Composition, a 1969 textbook co-authored with Carl Schachter; 1e Analyses by students and colleagues of Salzer. Within each category analyses are arranged in alphabetical order according to the composer's or collection's name. The division of categories reflects both Salzer's analytic interests and the individual projects with which he was concerned throughout his life.</p>"}
note
{"type"=>"did", "value"=>"Many folders in this sub-series contain analyses that are not intact, as the tape Salzer used to bind pieces of paper together is falling off. Photocopies have been made where necessary in order to preserve the original graph. In addition, Salzer made duplicates of certain analyses, which have in many cases been placed in a separate folder and marked \"duplicate.\""}
unitid
{"type"=>"local_mss", "value"=>"871783"}
date_start
1950
date_end
1981
keydate
1950

Repository Assets

No UUIDs attached.

Resources TOP

File attachments

No files attached.

Child components TOP

  1. 1a) Music before 1700 [18/2]
  2. 1b) Music after 1700 [15/3]
  3. 1c) Analyses of variations [16/2]
  4. 1d) Analyses for Counterpoint in Composition [5/1]
  5. 1e) Analyses by students and colleagues of Salzer [13/1]