- unitdate
-
{"value"=>"1972-2005", "type"=>"inclusive", "normal"=>"1972/2005"}
{"value"=>"undated", "type"=>"inclusive"}
- date_inclusive_start
-
1972
- date_inclusive_end
-
2005
- unittitle
-
{"value"=>"Series VI: Scores"}
- physdesc
-
{"value"=>"2 boxes", "format"=>"simple"}
- scopecontent
-
{"value"=>"<p>Scores have never been an important or common part of Monk’s work process; many of her vocal techniques are difficult to notate, and she rarely has proclaimed any of her musical works finished enough to be codified in the form of a score. This series contains full, “finished” scores for <span class=\"title\">Our Lady Of Late</span> and <span class=\"title\">The Politics Of Quiet</span>, and a “working score” for <span class=\"title\">Atlas: an opera in three parts</span>(for rehearsal use only, not for publication). The latter two scores contain explanatory notes from Monk. Other pieces, such as music for <span class=\"title\">Quarry</span> and <span class=\"title\">MATA Chant</span>, consist only of melodic sketches. Other works in this series include<span class=\"title\">Tablet</span> for women’s voices, piano and recorder; <span class=\"title\">Totentanz</span> for six voices and keyboard; and informal pieces like <span class=\"title\">Wedding Song For Andrea And Bert</span>. See also Box 32, Folder 7 and correspondence in Box 38, Folder 3.</p>"}
- arrangement
-
{"value"=>"<p>Alphabetical</p>"}
- unitid
-
{"type"=>"local_mss", "value"=>"864899"}
- date_start
-
1972
- date_end
-
2005
- keydate
-
1972