In Saylor Bibliography

Description data TOP

unitid

{"value"=>"857822", "type"=>"local_mss"}

unitdate

{"value"=>"1921-1964", "type"=>"inclusive", "normal"=>"1921/1964"}

{"value"=>"undated", "type"=>"inclusive"}

unittitle

{"value"=>"In Saylor Bibliography"}

date_start

1921

keydate

1921

date_end

1964

date_inclusive_start

1921

date_inclusive_end

1964

Child components TOP

1. S.4 Harmonic Development In Music
2. S.5 Modernism Needs No Excuse, Says Cowell
3. S.6 America Takes A Front Rank In Year's Modernist Output
4. S.7 The Value of Eclecticism
5. S.8 The Process Of Musical Creation
6. S.9 Experiments With Ultra-Modernist Songs
7. S.10 Our Inadequate Notation
8. S.11 Modern Amerikai Zeneszerzök [2/1]
9. S.12 Moravian Music
10. S.13 How Young Hungary Expresses Individuality
11. S.14 The Impasse of Modern Music
12. S.15 Unlocking The Secrets Of 'Modern' Scores
13. S.16 Music
14. S.17 The Music of Edgar Varèse
15. S.18 New Terms For New Music
16. S.19 Carlos Chávez
17. S.20 Analysis Of An Unfamiliar Modern Composer
18. S. 21 Four Little-Known Modern Composers
19. S.23 Music
20. S.24 Why The Ultra-Modernists Frown On Krenek's Opera
21. S.25 Music Of The Hemispheres
22. S.26 Hidden Irish Treasure
23. S.29 Conservative Music In Radical Russia
24. S.30 Abstract Versus Programmatic Music
25. S.31 Music [2/1]
26. S. 32 Who Are The Composers In America?
27. S.33 Vocal Innovators Of Central Europe
28. S.34 A Musician's Experiences In Russia
29. S.35 Three Native Composers
30. S.36 Nuevox Polifonistas Norteamericanos
31. S.37 Batons Are Scepters
32. S.38 Bericht Aus Amerika: Amerikanische Musid?
33. S.39 Bericht Aus Amerika: Die Beiden Wirklichen Amerikaner: Ives Und Ruggles
34. S.40 The New Music Society
35. S.41 A Protest
36. S.42 Adventures In Soviet Russia [2/1]
37. S.43 Bericht Aus Amerika: Die Kleineren Kompostinen
38. S.44 Music
39. S.45 The 'Sones' Of Cuba
40. S. 46 Music Of And For The Records
41. S.47 Playing Concerts In Moscow
42. S.48 What Constitutes Modern Music?
43. S.49 Bericht Aus Amerika: Die Eingewanderten
44. S.50 The Development Of Modern Music
45. S.51 The Basis Of Musical Pleasure
46. S.52 Creation And Imitation
47. S.53 Why Modern Music?
48. S.54 Music
49. S.55 Charles Louis Seeger, Jr.
50. S.56 Roy Harris, An American Composer
51. S.57 Elbow Music!
52. S.58 Statement printed in Maandblad Van De Nederlandsche Vereeniging Voor Hedendaagsche Muziek
53. S.59 Charles E. Ives
54. S.60 American Composers IX: Charles Ives
55. S.61 Music
56. S.62 Who Is The Greatest Living Composer
57. S.63 Towards Neo-Primitivism
58. S.64 Article in The American Annual
59. S.67 Recent Creative Tendencies In American Music
60. S.68 How Relate Music And Dance?
61. S.69 Jazz Today
62. S.70 Kept Music
63. S.71 Music
64. S.73 The Scientific Approach To Non-European Music
65. S.74 An American Composer On Yugoslav Folk Music
66. S.75 Useful Music
67. S.76 Music
68. S.77 The Music Of Iceland
69. S. 79 Relating Music And Concert Dance
70. S.80 Hudební Tuorba Proamericky Narod
71. S.81 Creative Music In The South Today
72. S.82 John J. Becker: A Crusader From Kentucky
73. S.83 Teaching Children To Create Music
74. S.84 Wallingford Riegger Leaves The South
75. S.85 Music In Films: A Symposium Of Composers
76. S.86 Drums Along The Pacific
77. S.88 Creating A Dance: Form And Composition
78. S.90 The Leagues Evening Of Films
79. S.91 New Sounds In Music For The Dance
80. S.92 Community Music Festival
81. S.94 Summer Music Festivals In The USA
82. S.95 In Time Of Bitter War
83. S.96 Music In Soviet Russia
84. S.97 Centenário Da Sociedade Filarmônica Sinfônica De Nova York
85. S.98 A New Opera On A American Theme
86. S.99 Improving Pan-American Relations
87. S.100 A Conservative Interprets The Modern
88. S.101 Eastman School Presents Works Of North And South America In Programs Featuring Premieres
89. S.102 Our Country Music
90. S.103 Whither Music In America
91. S.104 Folk Music In A Democracy
92. S.105 Bartók And His Violin Concerto
93. S.107 The Contemporary Composer And His Attitude Towards Band Music
94. S.108 Cuban Art Music
95. S.109 Serious Composers Of Cuba
96. S.110 Shaping Music For Total War
97. S.112 Concert Music: Critic-Composer, Orchestras, Cross-Country, Earl Robinson Records
98. S.113 Carl Ruggles, A Note
99. S.114 The Case For A System
100. S.115 The Use Of Music By The Owl
101. S.116 The American Scene, Part 3: Folk Music
102. S.117 The Schillinger Case: Charting The Musical Range
103. S.118 Ding Dong Deng Doong Dang
104. S.120 Review of Music In Our Time by Adolfo Salazar
105. S.121 Music Around The World
106. S.122 Joseph Schillinger As Composer
107. S.124 Review of Bruckner, Mahler, Schoenberg by Dika Newlin
108. S.126 Review of Excentriade and Five Pieces For Piano by Joseph Schillinger
109. S.127 Goldman's Influence
110. S.128 Review of The Mother Of Us All by Virgil Thomson
111. S.129 Review of Charles Ives Second Piano Sonata [2/1]
112. S.130 Current Chronicle: New York
113. S.131 Music As Propaganda
114. S.132 Current Chronicle: New York and S.133 Paul Creston
115. S.133 Paul Creston
116. S.134 Wallingford Riegger [2/1]
117. S.135 Current Chronicle: New York
118. S.137 Review of Peter Mennin Symphony No. 3
119. S.138 Current Chronicle: New York
120. S.139 Current Chronicle: Hartford, New York
121. S.140 Current Chronicle: New York
122. S.141 43-Tone Minstrelsy
123. S.142 Collier's Encyclopedia Articles
124. S.143 Current Chronicle: New York
125. S.144 Current Chronicle: New York
126. S.145 Current Chronicle: New York
127. S.146 Current Chronicle: Los Angeles
128. S.147 Review of The Musical Experience of Performer, Composer, Listener by Roger Sessions
129. S.148 Current Chronicle: New York
130. S.149 Current Chronicle: New York
131. S.150 Current Chronicle: New York
132. S.152 Current Chronicle: New York
133. S.153/1 Current Chronicle: Baltimore
134. S.153/2 Current Chronicle: New York
135. S.154 Current Chronicle: New York
136. S.155 What Should Composers Study
137. S.156 Current Chronicle: New York
138. S.157 Current Chronicle: New York
139. S.158 Concert and Recital: Byron and Schumann
140. S.159 Current Chronicle: New York
141. S.160/1 Review of recordings of Ives Violin Sonatas 1 and 3
142. S.160/2 Review of Villa-LobosMass of St. Sebastian
143. S.161 Current Chronicle: New York
144. S. 162 Current Chronicle: New York
145. S.163 Review of recordings by Bela Bartok
146. S.164 New Horizons In Music
147. S.165 This I Believe
148. S.166 Current Chronicle: New York
149. S.167 Current Chronicle: New York
150. S.168 Current Chronicle: New York
151. S.169 Music And Motives Of Charles Ives
152. S.170 Contemporary Musical Creation In Education
153. S.171 Review of How To Play The 5-String Banjo by Pete Seeger
154. S.172 Review of recording of Paul Creston Symphonies No. 2 and No. 3
155. S.173 If You Like To Play: Musical Instrument's A Good Companion
156. S.174 Current Chronicle: New York
157. S.175 A Note On Wallingford Riegger
158. S.176 Current Chronicle: Louisville
159. S.177 Review of recordings of Bartok Rhapsody for Piano and Orchestra and Piano Concerto No. 2
160. S.179 Current Chronicle: New York
161. S.180 Charles Ives
162. S.181 Current Chronicle: New York
163. S.184 From Tone Clusters To Contemporary Listeners
164. S.185 Composing Music With Tape
165. S.186 Current Chronicle: New York
166. S.187 The Program Of Creative Music
167. S.190/1 Review of recording of Charles Ives Songs
168. S.190/2 Review of works by Stefan Wolpe
169. S.191/1 Review of recordings of Bartok piano music by Andor Foldes
170. S.191/2 Review of recordings of violin sonatas by Charles Ives and Quincy Porter
171. S.193 Review of Band Masterpieces
172. S.194 Notes From The East
173. S.195 The Composer's World
174. S.196 Freedom For Young Composers
175. S.197 The Traveling Ear
176. S.198 Homage To Charles Ives
177. S.199 Music Of The Orient
178. S.200 International Music
179. S.218 Liner notes for Piano Music Of Henry Cowell
180. S.221 Liner notes for United Quartet Form
181. S.226 Liner notes for Sonata For Violin And Piano