Notes

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2013-05-02 19:39:26 UTC
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2018-06-05 02:40:25 UTC

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{"value"=>"Undated", "type"=>"inclusive"}
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{"value"=>"Notes"}
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{"type"=>"local_mss", "value"=>"848531"}

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  1. Axial Correlation
  2. Chromatic Harmony
  3. Combined Harmonic Continuity
  4. Continuous Imitation-Canon
  5. Contrapuntal Modulation
  6. Correlated Melodies
  7. Couplings
  8. Elements of Composition
  9. Evolution of Rhythm
  10. Final Scoring
  11. The Fourth Group
  12. Fugal Exposition and Development
  13. Fugal Themes
  14. General Notes, Undated [3/1]
  15. Generalization of Systematic Progressions
  16. Generalization of the Passing Seventh
  17. Geometrical ExpansionTelephone number listings
  18. Geometrical Inversion
  19. Grouping Methods
  20. Harmonization of Melody
  21. Hybrid Five-Part Harmony
  22. Hybrid Four-Part Harmony
  23. Hybrid Harmonic Continuity
  24. Indirect Modulation
  25. Instrumental Forms
  26. Involution
  27. Melodic Figuration
  28. Melodization of Harmony
  29. Modulation
  30. Modulation by Means of Generalization of Systematic Progressions
  31. Passing of Sixth Chord
  32. Pedal Points
  33. Relationship of M and H
  34. Relationship of Scales
  35. Relationships of Scales/Modal Signatures
  36. The Second Group Expansion
  37. Seventh Chords
  38. Sixth Chord
  39. Some of the 7 Unit Scales
  40. Special Theory of Harmony
  41. Squares and Cubes
  42. Structures S(5)
  43. Symetric Systems of Pitch
  44. Table of 13
  45. Theory of Melody
  46. Theory of Rhythm
  47. Theory of Scales-The First Group
  48. The Third Group
  49. Three and More Generators
  50. Two-Part Harmonization
  51. Two-Part Melodization
  52. Variable Doublings
  53. Variations
  54. Voice Leading