{"value"=>"<p>Many of the scores in this sub-series can be seen in various stages from sketches to final score. They encompass all of the many forms Gideon composed in, including vocal chamber works such as <span class=\"title\">The Adorable Mouse</span> (1961), <span class=\"title\">Bmischer Krystal</span> (1988), <span class=\"title\">Four Epitaphs From Robert Burns</span> (1957), <span class=\"title\">Seasons of Time</span> (1969), <span class=\"title\">Song from Without the World</span>(1929), <span class=\"title\">Spirit Above The Dust</span> (1981), <span class=\"title\">Steeds of Darkness</span> (1986) and <span class=\"title\">Voices From Elysium</span> (1984); orchestral pieces such as <span class=\"title\">Allegro and Andante for Orchestra</span> (1939), <span class=\"title\">Epigram</span>, (1939), <span class=\"title\">Poem for Orchestra</span> (1931 1939) and <span class=\"title\">Songs of Youth and Madness</span> (1977); instrumental chamber compositions such as <span class=\"title\">Quartet for Strings</span> (1946), <span class=\"title\">Sonata for Cello and Piano</span> (1961), <span class=\"title\">Sonata for Viola and Piano</span> (1987) and <span class=\"title\">Trio for Clarinet, Cello and Piano</span> (1978); piano works such as <span class=\"title\">Dances for Two Pianos</span>(1933), <span class=\"title\">Piano Suite No. 3</span> (1958), and <span class=\"title\">Sonata for Piano</span> (1976); and the Jewish liturgical pieces <span class=\"title\">Sacred Service</span> (1969) and <span class=\"title\">Shirat Miriam LShabbat</span> (1974).</p>"}