Texts

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1. America Goes West
2. American Cultural Affirmation
3. Analysis and the Creative Process
4. Analysis of Matthias the Painter by Joseph Hindemith
5. The Artist Must Rebel
6. Arts in the University
7. Athens lecture about University of Michigan
8. Balancing the Past Against the Future
9. Changing Attitudes of Students
10. Composers vs. Laymen
11. Composer's Symposium address, Indiana University
12. The Conflict of Science and Artistic Values
13. Criticism: Trade, Profession or Art?
14. Definitions of Music, Recording, and Electronic Music
15. Does Music Have Form?
16. How Composers Approach Choral Texts
17. How A Composer Works
18. The Importance of Music
19. A Keynote Address
20. Landscapes Remembered: Memory and Musical Continuity
21. Never Write for Children
22. New England Conservatory of Music Commencement Address
23. On Being An American Composer
24. Pattern and Meaning in Music
25. Pitch complex in the String Quintet, Second Symphony and The Edge of Shadow
26. Place of the Composer in the American University
27. The Relationship Between Theory and Composition
28. Science, Technology and Music
29. Should a Composer Talk About His Own Music?
30. So Long as the Mind Keeps Silent
31. The Student Looks at Contemporary Music
32. The Surface and the Depth of Music
33. Teaching Music Theory and Analysis
34. Teaching the Piano and Music to Children
35. Theory in a Period of Change
36. Total Serialization
37. The Uniqueness of Musical Craft
38. Vienna 1832
39. What Makes the Arts Liberal?