{"value"=>"1923 - 1998", "type"=>"inclusive", "normal"=>"1923/1998"}
{"value"=>"undated", "type"=>"inclusive"}
{"value"=>"1949", "type"=>"inclusive", "normal"=>"1949"}
{"value"=>"1987", "type"=>"inclusive", "normal"=>"1987"}
{"value"=>"1981", "type"=>"inclusive", "normal"=>"1981"}
{"value"=>"1986", "type"=>"inclusive", "normal"=>"1986"}
{"value"=>"1950", "type"=>"inclusive", "normal"=>"1950"}
{"value"=>"1996", "type"=>"inclusive", "normal"=>"1996"}
{"value"=>"1998", "type"=>"inclusive", "normal"=>"1998"}
{"value"=>"1939", "type"=>"inclusive", "normal"=>"1939"}
{"value"=>"1956", "type"=>"inclusive", "normal"=>"1956"}
{"value"=>"1958", "type"=>"inclusive", "normal"=>"1958"}
{"value"=>"1975", "type"=>"inclusive", "normal"=>"1975"}
{"value"=>"1968", "type"=>"inclusive", "normal"=>"1968"}
{"value"=>"1952", "type"=>"inclusive", "normal"=>"1952"}
{"value"=>"1951", "type"=>"inclusive", "normal"=>"1951"}
{"value"=>"1965", "type"=>"inclusive", "normal"=>"1965"}
{"value"=>"1954", "type"=>"inclusive", "normal"=>"1954"}
{"value"=>"1962", "type"=>"inclusive", "normal"=>"1962"}
{"value"=>"<p>This series comprises both Hagen's and Berghof's papers and contains artwork, awards, scripts, photographs, research material, one set sketch, blueprints, posters, and clippings relating to professional activities. The artwork consists of a pencil caricature of Hagen and an unidentified man, probably during the tour of <span class=\"title\">A Streetcar Named Desire</span> (1949) and ink sketches by Hagen of flowers. Two of Hagen's many awards are found in this series: the Compostela Award (1987) and the Theater Hall of Fame Scroll of Honor (1981). Clippings include the 50th anniversary issue of Life magazine, with a 1942 photo of <span class=\"title\">Othello</span> (1986), as well as a mounted Blatz Beer ad (1950). There also two calendars (1996 and 1998) belonging to Hagen.</p> <p> Berghof's papers include scripts (in German) for <span class=\"title\">The Lost Melody</span> (ca. 1939), a pencil sketch of the <span class=\"title\">Waiting for Godot</span>set (ca. 1956), Ming Cho Lee blueprints for <span class=\"title\">The Infernal Machine</span> (1958), Lester Polakov blueprints for <span class=\"title\">The Sponsor</span>(1975), and an unidentified production.</p> <p>Photographs are mostly of Hagen or related to productions on which she worked, such as <span class=\"title\">The Cherry Orchard</span>(1968), <span class=\"title\">The Country Girl</span>(1950), <span class=\"title\">In Any Language</span>(1952), <span class=\"title\">Saint Joan</span> (1951), and <span class=\"title\">A Streetcar Named Desire</span>, (ca. 1949). There are publicity photos of Hagen with her father (probably during the <span class=\"title\">A Streetcar Named Desire</span> tour, 1949), as well as photos taken in Montauk and while teaching, around the time of <span class=\"title\">Who's Afraid of Virginia Woolf?</span>There is also an autographed portrait of Berghof taken by Paul Draper (ca. 1965), as well as a negative of an unknown workman, probably taken in one of the Bank Street buildings (undated). Two posters (<span class=\"title\">The Magic and the Loss</span>, 1954 and <span class=\"title\">This Side of Paradise</span>, 1962) are also included.</p>"}