{"calendar"=>"gregorian", "era"=>"ce", "normal"=>"1900/2003", "type"=>"inclusive", "value"=>"1900s - 2003"}
{"calendar"=>"gregorian", "era"=>"ce", "type"=>"inclusive", "value"=>"undated"}
{"calendar"=>"gregorian", "era"=>"ce", "type"=>"inclusive", "value"=>"1942–1945"}
{"calendar"=>"gregorian", "era"=>"ce", "normal"=>"1948/1950", "type"=>"inclusive", "value"=>"1948-1950"}
{"calendar"=>"gregorian", "era"=>"ce", "type"=>"inclusive", "value"=>"1962– 1964"}
{"value"=>"<p>Included in this series are personal and family photos, portraits, and photos representing Hagen and Berghof's productions and professional activities, as well as contact sheets, negatives, and a small number of slides. Production titles for both Hagen and Berghof are interfiled.</p> <p>There are a number of early photos of Hagen and her family, as well as several of Berghof and unidentified photos, possibly of family members. Production-related photos form the largest group in the series. However, the series also includes numerous portraits, spanning several decades, of both Hagen and Berghof by leading photographers such as Alfredo Valente, Vandamm, G. Maillard Kesslere, and Trude Fleischmann.</p> <p>Of particular note are a few photos of Hagen's earliest stage appearances in high school, as well as those from some of her best-known productions: <span class=\"title\">Othello</span>(1942–1945), <span class=\"title\">A Streetcar Named Desire</span> (1948-1950), and <span class=\"title\">Who's Afraid of Virginia Woolf?</span> (1962– 1964). Also of interest are the George de Vincent photos of <span class=\"title\">Enrico IV</span>for the 1964 Arena Stage production starring Berghof, as well as photos from Berghof's early career in Europe.</p> <p>There are a number of candid snapshots of Hagen (and a few of Berghof) at their Montauk home. A number of photos of HB Studio and unidentified projects at HB Playwrights Foundation can also be found. A few photos of actors and other notables are also included.</p>"}