- unitid
-
{"value"=>"701526", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1956 - 1973", "type"=>"inclusive", "normal"=>"1956/1973"}
{"value"=>"undated", "type"=>"inclusive"}
{"value"=>"1973", "type"=>"inclusive", "normal"=>"1973"}
{"value"=>"1967-1969", "type"=>"inclusive", "normal"=>"1967/1969"}
{"value"=>"1964", "type"=>"inclusive", "normal"=>"1964"}
{"value"=>"1971", "type"=>"inclusive", "normal"=>"1971"}
- unittitle
-
{"value"=>"Sub-series 3 - Unproduced"}
- physdesc
-
{"format"=>"simple", "value"=>"3 boxes"}
- scopecontent
-
{"value"=>"<p>This sub-series consists of scripts written mostly for television by Mosel, such as <span class=\"title\">Forty Miles Up the Delaware</span> (undated), a project possibly for Jackie Gleason. Several works have a number of script revisions, including <span class=\"title\">The Gioconda Smile</span>, a television play based on an Aldous Huxley play (1973), <span class=\"title\">Great Expectations</span>, a musical version (for film and stage) of the novel by Charles Dickens, written with André and Dory Previn (1967-1969), and <span class=\"title\">The Wapshot Chronicle</span> (a.k.a. <span class=\"title\">The Wapshot Scandals</span>) [sic], based on John Cheever’s novel (1964). There are two untitled works filed at the end of the series, both dramatizations of the letters of John and Abigail Adams—one script is by Mosel (1971), the other is an undated script by William Gibson, and includes a note from Anne Bancroft.</p>"}
- arrangement
-
{"value"=>"<p>Alphabetical</p>"}
- date_start
-
1956
- keydate
-
1956
- date_end
-
1973
- date_inclusive_start
-
1956
- date_inclusive_end
-
1973