{"value"=>"<p>This Series includes appointment books (1994-2002), clippings (1958-2002), and programs (1951-1996). Correspondence covers 1974-1999, but the bulk of it belongs to the Harkarvy’s time at the Juilliard School of Music's Dance division. The correspondence includes letters from George Balanchine and Lar Lebovitz as well as the letters from the School’s staff and students. There are also Harkarvy’s biographical information such as Curriculum Vitae, choreographic compositions and career information, Last will and testament, his passports and professional writings and speeches, mostly undated, like <span class=\"title\">Dance</span>, <span class=\"title\">February Dance Concert Series</span>, <span class=\"title\">Forward</span> to G. Warren Book, <span class=\"title\">Looking To the Future</span>, <span class=\"title\">The Paris Opera Ballet School - Unparalleled Excellence</span> and others. Among writings by other people are <span class=\"title\">Dancers and Nutrition: Misconception, Misconnection</span> (2001) by E. Disharoon, <span class=\"title\">The Expressive Art of Hans Van Manen</span> (undated) by D. L. Horwitz, <span class=\"title\">Six Questions Acting Technique for Dance Performance</span> (1995-1996) by Daniel Nagrin and others.</p>"}