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Rudolf Nureyev photographic scrapbooks
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Book 21
Book 21
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2013-05-01 21:29:39 UTC
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2026-06-25 15:07:49 UTC
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{"value"=>"Book 21"}
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{"type"=>"local_mss", "value"=>"642083"}
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“Swan Lake” curtain call, photo: Judy Cameron
“Moor's Pavane,” curtain call, Uris Theatre, NY, photo: Walter Healy
“Moor's Pavane” curtain call, photo: Beverly Gallegos
Interior of Covent Garden
Rehearsing “Spectre” for TV
“Raymonda” with Fonteyn, photo: Louis Peres
“Friends” season ad
Greek magazine article
“Nureyev and Friends” ad
“Marguerite and Armand” rehearsal with Fonteyn, photo: Leslie Spatt
Nureyev Gala review by John Percival, London Times
Canadian Gala review, New York Times
Nureyev book review, La Sylphide” with Ghislane Thesmar
“Hamlet” with Monica Mason, Royal Ballet
“Moor's Pavane” with Fonteyn
Signing autographs; rehearsing “The Idiot” with Valery Panov
At reception after receiving Honorary Doctorate from Philadelphia Academy of Music, and in studio with Fonteyn and Michael Somes
Meeting Rollerina in New York
“Moor's Pavane” with National Ballet of Canada, photos: Judy Cameron
In Monte Carlo
Dressing room portrait
Invitation for Nureyev Symposium, New York
Ads for “I Am A Dancer” and “Don Quixote” films; backstage with Erik Bruhn, Violet Verdy, Maria Tallchief
“Rudi: Ballet's Versatile Genius” by Robert Larkin
“L'Apres Midi d'un Faune,” Joffrey Ballet, photo: Bill Reilly
“Black Swan” for TV with Svetlana Beriosova
“Raymonda,” American Ballet Theatre publicity portrait
“Jazz Calendar” with Antoinette Sibley, Royal Ballet
“Rubies” (Balanchine) curtain call with Zurich Ballet in London
With Queen Elizabeth and Fonteyn
Stage door candid, photo: Janis Emhardt
“Le Jeune Homme et le Mort” film with Zizi Jeanmaire, photos: Jurgen Vollmer
With Royal Ballet, photo: Lord Snowdon
Arriving at London Coliseum stage door, photo: Giselle deMarigny
“Ropes of Time,” Royal Ballet
“La Bayadere,” Kirov Ballet
“Giselle” review by Andrew Porter, candids
“Flower Festival,” “Friends” season, NY, photo: Beverly Gallegos
Wearing Blackgama fur hat, photo: Louis Peres
Stage door candid
“Marguerite and Armand,” with Fonteyn
“Marguerite and Armand” set designs by Cecil Beaton
“Nureyev Mania: The Afterlife,” Los Angeles Times
“Apollo” with Wilfride Piollet, Noella Pontois, Francesca Zumbo, Paris Opera
“Canarsie Venus” (Louis), “Friends” season, Minskoff Theatre, NY
“Moments,” (Louis), photo: Vartoogian
“Cinderella” curtain calls, Paris Opera, The Met, NY, photo: Bill Reilly
“Cinderella,” Paris Opera. The Met, NY, photo: Bill Reilly
Arriving at Korvette's Department store to sign record albums, NY, photo: Vartoogian
Leaving theatre following performance with Martha Graham Company, NY, photo: Bill Reilly
Crossing Lincoln Center Plaza with Douce Francoise and Robert Tracey, NY, photo: Bill Reilly
Candid portraits, photo: Louis Peres
Assorted candids
“Don Quixote,” with Anne-Marie Serrazin and Marie-Christine Mouis, Boston Ballet, and “L'Estasi,”
With Fonteyn in “La Bayadere,” “Giselle” and “Swan Lake,” and with George Balanchine and Frederick Ashton
“Orpheus,” New York City Ballet, photo: Steve Caras
“Sacre du Printemps,” (Bejart); photo: Judy Cameron
Dressing room, New York, photo: Robin Platzer
“Red Dancer Flees to Freedom,” Paquita” with Fonteyn, on beach
Rehearsing “The Overcoat” with Flemming Flindt
Attending premiere in Paris with Robert Tracey and Douce Francoise, From Stage to Podium,” London Sunday Telegraph
“The Lesson” with Anne-Marie Vessel, “Friends” season, NY, photo: Beverly Gallegos
“Prodigal Son” with Royal Ballet, photo: Leslie Spatt
Assorted candids
Drinking tea
Rehearsing with Fonteyn, candid shot, Qaai Voltaire apartment, Paris
Pastel portrait by Schwarz
“The King and I” studio portrait
“The King and I,” O'Keefe Center program, Toronto
“Senza Gianni Alla Guida La Ferrari Esce Di Pista,” Italian Magazine article
Dance Pages cover
Ballet News cover
Dining at El Morocco, New York