- unitid
-
{"value"=>"634988", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1951-1999", "type"=>"inclusive", "normal"=>"1951/1999"}
{"value"=>"undated", "type"=>"inclusive"}
- unittitle
-
{"value"=>"Sub - series 1: Specific Dance Companies"}
- physdesc
-
{"format"=>"simple", "value"=>"58 Boxes"}
- scopecontent
-
{"value"=>"<p>This sub-series shows Jerome Robbins vast influence in the world of dance. Ballet companies from all parts of America and from many countries in the world are represented. Of particular note are the papers representing his own company Ballets: U.S.A. and the New York City Ballet, which give a picture of the administrative work of Robbins covering a variety of behind the scenes work, such as auditions, royalties, contracts, and schedules. Mention is made of specific ballets wherever possible, such as <span class=\"title\">Afternoon of a Faun</span> contracts or correspondence, under the name of the dance company. New York City Ballet has the best examples of this. The papers in this series for the other dance companies are primarily of an administrative nature representing often the correspondence from national and international ballets, often asking permission to perform a work of Robbins for example.</p>"}
- arrangement
-
{"value"=>"<p>Alphabetical</p>"}
- date_start
-
1951
- keydate
-
1951
- date_end
-
1999
- date_inclusive_start
-
1951
- date_inclusive_end
-
1999