{"value"=>"<p>Performed by Dar A Luz, produced by Diane White, directed by Reza Abdoh, set design by Michael Casselli, lighting design by Rand Ryan, costume design by Alix Hester (Hillary Moore for European tour), sound design by Raul Vincent Enriquez, film by Greta Snider (Tal Yarden for European tour), video by Adam Hoch, choreography by Felix Fibich, Nelson Vasquez, Flo Vinger, masques by Joseph Cardona.</p> <p>Opened at 440 Lafayette Street, New York City March 11, 1993 and played through April 17, 1993; at the Festival Americain \"Exit,\" Maison des Arts de Creteil, May 4, 1994 for 4 performances; at the Kunsten Festival des Arts, Brussels, Belgium May 27, 1994 for 4 performances.</p> <p>Papers include 4 <span class=\"genreform\">scripts</span>: 1 marked \"Reza's script\" dated 2/17/93, 1 marked \"Tour Version\" dated 2/17/93, 1 indicated as the New York City version of script dated 2/17/93, 1 marked \"European Tour Version\" dated 4/16/94. For the New York City production, there are flyers and color photocopies of production <span class=\"genreform\">photographs</span>. For the European tour, there are lighting diagrams and for the Festival Americain, Creteil, France, a festival brochure and program, as well as a copy of a \"good luck\" telegram to Reza Abdoh from <span class=\"persname\">Jacques Toubon</span>, French Cultural Minister. For the Kunsten Festival des Arts, Brussels, Belgium, there is a program and a festival booklet.</p> <p>Not related to any specific production, there is a project proposal (1992) and photocopies of the proposal with corrections probably made by Reza Abdoh, ground plans, sound cue sheets, a photocopy of an artist's layout for <span class=\"title\">Let's Get It On--The Politics of Black Performance</span>, and clippings.</p>"}