{"value"=>"<p>Performed by Dar A Luz, produced by Diane White, directed by Reza Abdoh, sets by Sonia Balassanian (Timian Alsaker for Paris), lighting by Rand Ryan (Timian Alsaker for Paris), costumes by Liz Widulski (Alix Hester also listed for Granada and Vienna), sound by Raul Vincent Enriquez (Eric Blank also listed for Paris), video by Adam Soch.</p> <p>Opened at the Hotel Diplomat, New York City, February 15, 1992 and played through March 14, 1992; at the Walker Arts Center Freight House, Minneapolis, October 21, 1992 and played through October 25, 1992; at the Springdance, Utrecht, Holland, April 29, 1993 and played through May 8, 1993; at the XI Festival Internacional Teatro Granada, Spain, May 8, 1993 and played through May 18, 1993; at the Wiener Festwochen 1993, Vienna, May 24, 1993 and played through May 28, 1993; at the Dance '93 festival, Munich, June 3, 1993 and played through June 6, 1993; at the Theater Am Turm, Frankfurt, June 11 through June 13, 1993 and June 15 through 19, 1993; at the Internationales Sommer Theater Festival, Hamburg '93, July 16, 1993 and played July 19, 1993.</p> <p>Papers include 3 <span class=\"genreform\">scripts</span>: 1 marked \"Sabrina\" (135 pages), 1 titled \"Section I: Shot With a Diamond\" (142 pages), <span class=\"persname\">Ariel Herrera</span>'s script which includes sound cues, rehearsal schedules, (probably for the New York City production), a rough draft for a contract and other production notes; for the New York City production, there is a program, postcard, poster, flyer, and 4 opening night \"good luck\" notes to Ariel Herrera. For the Minneapolis production, the papers include a program, a Walker Arts Center brochure, and a sheet of directions to the Freight House.</p> <p>For the Utrecht production, papers include a program, 3 festival brochures, 5 sheets of general and festival information for festival participants. For the Granada production, the papers include a program, a festival brochure, 3 sheets of general and festival information for festival participants, and a festival name tag for Ariel Herrera.</p> <p>For the Vienna production, the papers include a program, a festival booklet, a program for the entire festival, and a cover sheet for \"Previews and Reviews.\"</p> <p>For the Munich production, the papers include a festival postcard, 2 festival booklets, and a packet containing 2 information sheets and a booklet on Munich. For the Frankfurt production, the papers include a festival booklet (oversized), a folder with a contact sheet of Theater Am Turm (TAT) personnel, and a festival name tag for Ariel Herrera. For the Hamburg production, the papers include a festival schedule, a festival business card marked \"Reza Abdoh comp.,\" and 1 sheet for information on Hamburg details signed \"Rupert\" (probably Skinner).</p> <p>For the Paris production, the papers include a festival packet which includes a program, a festival booklet, a Le Monde supplement relating to the festival, and 8 sheets of general and festival information. There is also a single sheet of information signed \"Tom\" (probably Pearl) for company members on accommodations.</p> <p>For the Spring/Summer European tour, the papers include a contact sheet and Ariel Herrera's travel insurance papers. There are also <span class=\"genreform\">sound cue sheets</span>, <span class=\"genreform\">choreographic notes</span>, blocking notes and text development materials not related to any specific production and 2 folders of clippings.</p>"}