{"value"=>"<p>This series contains correspondence, notes, partial scripts, cast lists, contracts and financial reports arranged alphabetically by production title. It includes correspondence discussing scripts with authors <span class=\"persname\">Morris West</span> on <span class=\"title\">Daughter of Silence</span>, <span class=\"persname\">Gore Vidal</span> on <span class=\"title\">Honor</span> which was shown on television's <span class=\"title\">Playwrights 56</span>, and <span class=\"persname\">Robert Penn Warren</span> on <span class=\"title\">Listen to the Mocking Bird</span> which was not produced. Particularly rich are the detailed discussions in notes and letters by Donehue, <span class=\"persname\">Richard Halliday</span>, <span class=\"persname\">Leland Hayward</span> and <span class=\"persname\">Howard Lindsay</span> illuminating the research that went into the development and script changes of <span class=\"title\">The Sound of Music</span>, including notes and transcripts from phone conversations with the <span class=\"persname\">Baroness Maria Von Trapp</span>, whose life was fictionalized in the story, and with Sister Gregory, a nun at Rosary College, who gave guidance on the convent scene. Other productions included are <span class=\"title\">Annie Get Your Gun</span>, <span class=\"title\">Catch Me If You Can</span>, <span class=\"title\">Jennie</span>, <span class=\"title\">Lord Pengo</span>, <span class=\"title\">Lonelyhearts</span>, and <span class=\"title\">Sunrise at Campobello</span>.</p>"}