{"value"=>"<p>The correspondence relating to Grumbach's published books, which is arranged alphabetically by book title, is from editors, publishers, and literary agents including Beacon Press, Coward-McCann, Doubleday & Co., E. P. Dutton, Maxine Groffsky, Hamish Hamilton Limited, Macmillan Publishing Co., W. W. Norton & Co., G. P. Putnam's Sons, Russell & Volkening, Inc. There is also correspondence from readers expressing appreciation. The files also include contracts and agreements, royalty statements, clippings of reviews, publicity materials, dust jackets, and miscellaneous ephemera.</p> <p>The <span class=\"title\">Chamber Music</span> file contains a script of a theatrical adaptation by Donna J. Taylor; and a typescript of an essay entitled \"Chamber Music and Silence,\" by Martha Satz of Southern Methodist University</p> <p><span class=\"title\">The Company She Kept</span> file includes five letters from the novelist Mary McCarthy, at Paris written to Grumbach expressing critical comments on the manuscript draft of her biography of McCarthy. The letters, which are filed chronologically, are dated: 11/2/65 (1 p.); 12/16/65 (1 p.); 2/22/66 (11 p.); 7/4/66 (3 p.); and 9/26/66 (7 p.). Included is a copy of a letter (9/24/66) from Edmund Wilson to John J. Geoghegan.</p> <p><span class=\"title\">The Ladies</span> file contains a typescript (107 p.) of a screenplay adaptation by Jane Barnes.</p> <p><span class=\"title\">The Missing Person</span> file contains a typed publicity blurb by May Sarton dated at York, Maine, December 1980.</p>"}