{"value"=>"<p>Dating from 1965 to 2009, the programs and fliers in this subseries are from Amacher's performances and installations. There are occasional programs for events Amacher attended and places she visited while on tour, as well as for academic institutions at which she was a fellow, resident, or instructor. Merce Cunningham Dance Company programs, which cover all of its major collaborations with Amacher from 1974 to 1982, are ordered separately after the chronological files.</p> <p>Some highlights from Amacher's early career include programs for 1965 performances of <span class=\"title\">Adjacencies</span>; several programs for 1966 performances in Buffalo, New York; and Walker Art Center programs for <span class=\"title\">City-Links</span> installations. Also held in the subseries is a flier for a 1976 performance of <span class=\"title\">Empty Words/Close Up</span>; programs from Amacher's residency at DAAD in Berlin; the first programs for <span class=\"title\">Sound House</span> at Capp Street; and promotional postcards for <span class=\"title\">The Music Rooms</span>. There are 1980s and 1990s Prix Ars Electronica brochures present, as well as programs for <span class=\"title\">Synaptic Island</span> and a performance with Naut Humon in Japan. Of note are fliers for Amacher's final completed work, <span class=\"title\">Brückenfindings</span>, in 2009.</p>"}