- unitid
-
{"value"=>"3628415", "type"=>"local_mss"}
{"value"=>"663264", "type"=>"local_mss_av"}
- unitdate
-
{"value"=>"1980 February 14", "type"=>"inclusive", "normal"=>"1980-02-14"}
- unittitle
-
{"value"=>"Vincent Canby -- Part II; Emile de Antonio"}
- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"1 audio recording", "unit"=>"audio_recordings"}]}
- bioghist
-
{"value"=>"<p>Vincent Canby (1924-2000) was an American film and theatre critic for <span class=\"title\">The New York Times</span>, then its chief theatre critic until his death.</p> <p>Emile de Antonio (1919-1989) was an American director and producer of documentary films, usually detailing political, social, and counterculture events circa 1960s–1980s.</p>"}
- scopecontent
-
{"value"=>"<ol class=\"list\"> <div class=\"head\">Side A</div> <li>Vincent Canby -- Part II: Canby discusses the influence of being the critic for <span class=\"title\">The New York Times</span>.</li></ol> <ol class=\"list\"> <div class=\"head\">Side B</div> <li>Emile de Antonio discusses his televised films, his 1972 film <span class=\"title\">Painters Painting</span>, and his 1971 film <span class=\"title\">Millhouse: A White Comedy</span>.</li></ol>"}
- date_start
-
1980-02-14
- keydate
-
1980-02-14
- date_end
-
1980-02-14
- date_inclusive_start
-
1980
- date_inclusive_end
-
1980