{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"20 boxes", "unit"=>"containers"}, {"name"=>"extent", "value"=>"8.0 linear feet", "unit"=>"linear_feet"}]}
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"34 computer files", "unit"=>"computer_files"}, {"name"=>"extent", "value"=>"118.0 kilobytes", "unit"=>"kilobytes"}]}
{"value"=>"<p>This series documents Lucier's history, personal and professional friendships, and his family life through correspondence; an autobiographical manuscript; notebooks; datebooks, calendars, and diaries; and school yearbooks, diplomas, and memorabilia. The series is arranged alphabetically by subject or format.</p> <p>The correspondence mixes personal and professional matters and is mostly organized chronologically, with a small amount filed by name. These include letters from David Behrman, Gordon Mumma, and Frederic Rzewski. A separate file titled \"Composer Letters\" includes letters from Morton Feldman, Karlheinz Stockhausen, Luigi Dallapiccola, John Cage, John Adams, Anthony Braxton, James Tenney, Roger Reynolds, John Tilbury, Christian Wolff, Quincy Porter, Pierre Boulez, and Niccolò Castiglioni. Some letters from these individuals can also be found in the chronological correspondence, as well as in the Subject Files in Series I. The chronologically-arranged correspondence is with presenters, funders, musicians, and friends, and relates to particular works, installations, concerts, exhibitions, or other events. Some contracts can also be found in the correspondence, though most are in Series I. Researchers should consult both the correspondence here and the subject files for information on particular topics or people.</p>"}