- unitid
-
{"value"=>"3532637", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1880-2014", "type"=>"inclusive", "normal"=>"1880/2014"}
- unittitle
-
{"value"=>"Series VI: Art and Artifacts"}
- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"19 boxes, 1 oversize folder", "unit"=>"containers"}, {"name"=>"extent", "value"=>"13.09 linear feet", "unit"=>"linear_feet"}]}
- scopecontent
-
{"value"=>"<p>The Art and Artifacts series, spanning from 1880 to 1994, features a diverse range of objects that address Suzanne Farrell's influence, relationships, and personal interests.</p> <p>This series includes artwork by individuals such as Rouben Ter-Arutunian and Ben Benson, featuring costume designs for <span class=\"title\">Who Cares?</span>, sculptures of Farrell, and a handmade figurine depicting her in <span class=\"title\">Mozartiana</span>.</p> <p>The artifacts encompass antique Eastern European dolls, commemorative souvenir medals, a small tea saucer gifted by a student, and other items of personal significance.</p> <p>The textiles showcase costumes, including the gown Farrell wore to receive the Kennedy Center Honors, a costume from <span class=\"title\">Sophisticated Lady</span>, scarves which Farrell frequently wore to do warm-ups in, and various traditional headwear. Noteworthy items include a pair of pink satin ballet slippers signed by Farrell, a white ballet slipper with a sash inscribed \"To my George, love Suzanne,\" a cast metal baby shoe, and a white leather baby bootie.</p> <p>Additionally, religious items such as a childhood prayer book and a framed Russian Orthodox icon reflect the importance of religion and spirituality in Farrell's life. Many of the Russian Orthodox ornaments and objects were given to her from George Balanchine.</p>"}
- date_start
-
1880
- keydate
-
1880
- date_end
-
2014
- date_inclusive_start
-
1880
- date_inclusive_end
-
2014
- extent_statement
-
13.09 linear feet (19 boxes, 1 oversize folder)