{"value"=>"<p>The photographs detail Channing's multi-faceted career as an entertainer, relationships with colleagues in the arts, and personal life. It is arranged into Concerts and Tours, Film and Television, Other People, Personal and Family, Portraits, and Theater. The majority of photographs are 8\" x 10\" prints. Some negatives and slides accompany the prints.</p> <p>Photographs of concerts and tours, ordered chronologically, mostly depict Channing's performances during the 1960s and 1970s. There are photographs of Channing's nightclub act in New York City in 1963, and a performance with Alan King in the 1970s. A 1971 performance in Kansas City, Missouri is documented here; additional materials related to this performance are located with the Carol Channing Show materials in Series I: Professional Files.</p> <p>Film and television photographs are arranged alphabetically by title, and chronicle Channing's starring roles and guest appearances from 1956 to the 1980s. <span class=\"title\">Carol Channing and 101 Men</span> is well-represented, with many stills from the special. Two of Channing's films, <span class=\"title\">The First Traveling Saleslady</span> and <span class=\"title\">Thoroughly Modern Millie</span>, feature here. Other photographs depict television programs on which Channing guested, such as <span class=\"title\">The Dick Cavett Show</span> and <span class=\"title\">The Flip Wilson Show</span>.</p> <p>Photographs of other people are organized into photographs of others with Channing, and others without Channing, the former being the most prominent. Photographs of others with Channing are arranged alphabetically by name, with a large group of chronologically arranged prints ordered at the beginning. The vast majority of these photographs show Channing with colleagues in the arts at formal events. Those depicted with Channing include Pearl Bailey, George Burns, John Gielgud, Al Pacino, and Barbra Streisand. There are significant photographs of Channing with Jerry Herman, as well as photographs of Channing with politicians, mostly United States presidents and members of the British royal family. Photographs of others without Channing are fewer, and also largely depict colleagues in the arts.</p> <p>The small number of personal photographs mainly depict Channing with Charles Lowe at their wedding, at home, and traveling. Accompanying these photographs are 1944 prints of the United States Signal Corps, in which Lowe served. There is also a photograph of Channing's aunt, Alice Estelle Stucker, along with Stucker's school forms.</p> <p>Portraits of Channing, all of which portray her alone, are numerous. The vast majority date from the 1960s and were taken by Wallace Seawell. There is one portrait of Channing as a child from the 1920s. Caricatures of Channing by Al Hirschfield are contained here as well.</p> <p>Theater photographs, arranged alphabetically by title, document most of Channing's major roles. Many photographs of <span class=\"title\">Hello, Dolly!</span> performances are present, spanning its 1964 debut to its 1995 revival; there are prints of pre-Broadway <span class=\"title\">Dolly</span> performances at the National Theatre in Washington, D.C. from early January 1964, located in box 89. Other productions represented include <span class=\"title\">The Bed Before Yesterday</span>, <span class=\"title\">Gentlemen Prefer Blondes</span>, <span class=\"title\">Jerry's Girls</span>, <span class=\"title\">The Millionairess</span>, and <span class=\"title\">Show Girl</span>. There are also significant rehearsal photographs of <span class=\"title\">Lorelei</span> from 1973.</p>"}