- unitid
-
{"value"=>"3342992", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1927-1986", "type"=>"inclusive", "normal"=>"1927/1986"}
- unittitle
-
{"value"=>"Series X: Early Work"}
- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"12 boxes", "unit"=>"containers"}, {"name"=>"extent", "value"=>"3.38 linear feet", "unit"=>"linear_feet"}]}
- scopecontent
-
{"value"=>"<p>This Series traces Ter-Arutunian's earliest artwork from childhood through his formative years at the Schule Reimann in Berlin, his brief stint in Paris, and his eventual immigration to New York City.</p> <p>His earliest commissioned set designs for productions of <span class=\"title\">The Bartered Bride</span> and <span class=\"title\">Salome</span> are filed under Berlin.</p> <p>The Paris files take account of Ter-Arutunian's brief time spent living and working in the French city which includes artwork made in his leisure time as well as designs for Ballets David Lichine and L'Opéra-Comique.</p> <p>The New York files detail Ter-Arutunian's early life in New York City, namely designing jewelry for Harry Winston and creating window displays for department stores.</p>"}
- date_start
-
1927
- keydate
-
1927
- date_end
-
1986
- date_inclusive_start
-
1927
- date_inclusive_end
-
1986
- extent_statement
-
3.38 linear feet (12 boxes)