{"value"=>"<p>The largest series, Writing, consists of drafts, manuscripts, research material, interview transcripts, proofs, galleys, and final versions of Crouch's various writing. The first subseries, Published, is divided into further subgroups by the type of writing (articles, books, and other). The articles subgroup contains drafts, manuscripts, research material, and final versions of articles written for various publications, including his columns for <span class=\"title\">The Village Voice</span> and the <span class=\"title\">New York Daily News</span>. The books subgroup is organized chronologically by publication date, and also consists of drafts, manuscripts, and research material. The <span class=\"title\">Kansas City Lightning</span> material also contains correspondence, contract, and numerous interview transcripts with such prominent musicians as Art Farmer, Dizzy Gillespie, and Max Roach, among others. The last subgroup, Other, contains manuscripts and final versions of Jazz at Lincoln Center's \"Notes on the Program\"; liner notes; and a draft foreword for Tom Piazza's <span class=\"title\">Blues and Trouble: Twelve Stories</span>, among other writings. The second subseries, Unpublished, is similarly subdivided into subgroups as the Published subseries. The material included in this subgroup also consists of drafts and manuscripts, and includes a complete typescript of \"First Snow in Kokomo\", an unpublished novel. Additionally, there are multiple reporter's notebooks and journals with handwritten notes and drafts. The last subseries, Other people's work, consists of publications, such as articles, essays, books, and sheet music, by other authors, some of which was used by Crouch as research for his writing and many of which are inscribed.</p>"}