{"value"=>"<p>The largest in the collection, the Haiti series includes material related to Williams's work as a dance teacher and choreographer at the National School for the Arts (ENARTS) from 1984 to 1989. Earlier materials include a 1954 proposal for a dance studio-theater, and a later proposal for a National Opera House (1972). Williams maintained individual files on the career of her students who later became professional dancers and choreographers, most notably Regine Maximilien, Regine Montrosier, and her own daughter, Sara Yarborough. Williams's work was strongly influenced by Vodou (voodoo) dances and rituals, and there is a fair amount of documentation that she collected on that religion, as well as on Haitian music and folklore.</p>"}