- unitid
-
{"value"=>"3101726", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1948-2007", "type"=>"inclusive", "normal"=>"1948/2007"}
- unittitle
-
{"value"=>"Series III: Exhibition and Painting Records"}
- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"13 containers", "unit"=>"containers"}, {"name"=>"extent", "value"=>"4.83 linear feet", "unit"=>"linear_feet"}]}
- scopecontent
-
{"value"=>"<p>These records document Tillim's work as a painter, from his days as a student at Syracuse University to his last exhibition in 2001. The Exhibition records are arranged alphabetically by venue or, in the case of tours, by name of the exhibition. They include correspondence with galleries, curators, collectors, and dealers; programs; catalogs; financial and funding records; slides of art; notes; and, in some cases, photographs of exhibits, galleries, and receptions. The first folder in this file set holds a chronology with a comprehensive list of Tillim's solo and group exhibitions, from 1948 to 2007, as well as a list of the exhibitions' curators and reviewers. Of note are Tillim's correspondence with the Robert Schoelkopf Gallery; files on early exhibitions; and the text of a lecture titled \"Bugs Bunny Meets The Sublime,\" delivered in and filed under Skowhegan, Maine.</p> <p>The Painting records include financial and business records regarding Tillim's studios in New York from the mid-1960s to 2001; a set of sources Tillim used for inspiration (primarily magazine and newspaper clippings); and several clippings of articles and interviews pertaining to Tillim as an artist.</p>"}
- date_start
-
1948
- keydate
-
1948
- date_end
-
2007
- date_inclusive_start
-
1948
- date_inclusive_end
-
2007