Series 6: Offprints

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1. Adler, Israel, Synagogue Chants of the Twelfth Century: Music Notations of Obadiah the Proselyte
2. Adler, Israel, Musique juive
3. Adler, Israel, Une source hébraïque de 1602 relative à la musica reservata?
4. The Jewish Music Research Centre
5. Adler, Israel, Les mensurations des tuyaux d'orgue dans le ms. Héb. 1037 de la Bibliothèque Nationale de Paris
6. Adler, Israel, The Rise of Art Music in the Italian Ghetto: The Influence of Segregation on Jewish Musical Praxis
7. Albrecht, Otto Edwin, 18th-century Music in the University Library
8. Aldrich, Putnam, Musical Analysis
9. Anglès, Higini, Die Mehrstimmigkeit des Calixtinus von Compostela und seine Rhythmik
10. Anglès, Higini, Una collecció de polifonia del segle XVI
11. Anglès, Higini, Die Instrumentalmusik bis zum 16. Jahrhundert in Spanien
12. Anglès, Higini, La música a veus anterior al segle XV dins l'Espanya
13. Anglès, Higini, El "Chansonnier Français" de la Colombina de Sevilla
14. Anglès, Higini, La música en la corte real de Aragón y de Nápoles durante el reinado de Alfonso V el mágnanimo
15. Apel, Willi, The Partial Signatures in the Sources up to 1450
16. Arnese, Raffaele, Alcuni codici inediti della Biblioteca Nazionale di Napoli
17. Atøayan, R. A., Komitas comme collectionneur et explorateur des chansons populaires arméniennes
18. Atlas, Allan W., Some 18th-century Transcriptions of 15th-century Chansons
19. Atlas, Allan W., Heinrich Isaac's "Palle, palle": A New Interpretation
20. Atlas, Allan W., A Note on Isaac's "Quis dabit capiti meo aquam"
21. Atlas, Allan W., Review of Edwin Gamble, Renaissance Lieder
22. Babitz, Sol, Differences Between 18th-century and Modern Violin Bowing
23. Tartini, Giuseppe, Treatise on the Ornaments of Music
24. Babitz, Sol, Modern Errors in Mozart Performance
25. Babitz, Sol, Concerning the Length of Time that Every Note Must Be Held
26. Baralli, Raffaello, Un frammento inedito di discantus
27. Barbeau, Marius, Two Centuries of Wood Carving in French Canada
28. Barbeau, Marius, Modalité dans nos mélodies populaires
29. Barblan, Guglielmo, Sui rapporti italo-tedeschi nella musica strumentale del settecento
30. Barblan, Guglielmo, Un ignoto "Lamento d'Arianna" mantovano
31. Barblan, Guglielmo, Rossini e il suo tempo
32. Barbour, J. Murray, The Persistence of the Pythagorean Tuning System
33. Barbour, J. Murray, Musical Logarithms
34. Barbour, J. Murray, Musical Scales and Their Classification
35. Barbour, J. Murray, Unusual Brass Notation in the Eighteenth Century
36. Barbour, J. Murray, The Texts of Billings' Church Music
37. Barbour, J. Murray, Pokorny und der "Schacht-Katalog": Ein Beitrag zur Geschicht der fürstlichen Hofmusik
38. Bartholomew, Wilmer, When Is an Organ an Organ?
39. Belaiev, Viktor, Folk Music and the History of Music
40. Belaiev, Viktor, The Formation of Folk Modal Systems
41. Bennett, Josephine, Waters, Topicality and the Date of the Court Production of Twelfth Night
42. Bent, Margaret, The Old Hall Manuscript
43. Bergmans, Paul, L'organiste des Archiducs Albert et Isabelle Peter Philips
44. Bernstein, Lawrence F., The cantus-firmus chansons of Tylman Susato
45. Bernstein, Lawrence F., Claude Gervaise as chanson composer
46. Bernstein, Lawrence F., The bibliography of music in Conrad Gesner's Pandectae (1548)
47. Bernstein, Lawrence F., La courone et fleur des chansons a troys: A Mirror of the French Chanson in Italy in the Years Between Ottaviano Petrucci and Antonio Gardano
48. Besseler, Heinrich, Von Dufay bis Josquin
49. Besseler, Heinrich, Grundfragen des musikalischen Hörens
50. Besseler, Heinrich, Musik der Mittelalters in der Hamburger Musikhalle 1. - 8. April 1924-5
51. Besseler, Heinrich, Umgangsmusik und Darbietungsmusik im 16. Jahrhundert
52. Besseler, Heinrich, 1900-1969, Zum Problem der Tenorgeige
53. Blackburn, Bonnie J., Johannes Lupi and Lupus Hellinck: A Double Portrait
54. Besseler, Heinrich, 1900-1969, Der Ursprung des Fauxbourdons
55. Besseler, Heinrich, Das Lochamer Liederbuch aus Nürnberg
56. Brazhnikov, Maxim Viktorovich, Pamiatniki Znamennogo Raspera
57. Blume, Friedrich, Josquin des Prés
58. [Bonvin, Ludwig], On Gregorian Rhythm: The Old manuscripts and the Two Gregorian schools / Alexandre Fleury; translation by Ludwig Bonvin; Rhythm as taught by the Gregorian masters up to the twelfth century and in accordance with the oriental usage / Ludw
59. Bonvin, Ludwig, Liturgical Music from the Rhythmical Standpoint up to the Twelfth Century
60. Bouvillers, Dom Adelard, Gregorian Chant Discography
61. Brenet, Michel, La musique dans les processions: Conférence faite a Niort le 26 mai 1896, pendant les fêtes de la société d'ethnographie nationale et d'art populaire
62. Brenet, Michel, Deux traductions françaises inédites des institutions harmoniques de Zarlino
63. Brennecke, Ernest, Dryden's Odes and Draghi's Music
64. Brody, Elaine, Unexpected Dividends of Doctoral Research
65. Brofsky, Howard, Padre Martini's Sonata for Four Trumpets and Strings
66. Brook, Barry S., Music Literature and Modern Communication: Some Revolutionary Potentials of the RILM Project
67. Buchanan, Anabel Morris, A Neutral Mode in Anglo-American Folk Music
68. Buelow, George J., The Loci topici and Affect in Late Baroque Music: Heinichen's Practical Demonstration
69. Bukofzer, Manfred, John Dunstable and the Music of His Time
70. Bukofzer, Manfred, Music of the Classic Period, 1750-1827
71. Bukofzer, Manfred, Allegory in Baroque Music
72. Bukofzer, Manfred, On the Performance of Renaissance Music
73. Burrows, John, Style in Culture: Vivaldi, Zeno, and Ricci
74. Burrows, John, Music and the Biology of Time
75. Bush, Helen Evelyn, The Emergence of the Chordal Concept in the Polyphonic Period
76. Cross, Ronald, The Life and Works of Matthaeus Pipelare
77. Carapetyan, Armen, In Reply to an Incorrect Statement
78. Casimiri, Raffaele Casimiro, I "XXVII Responsoria" di M. A. Ingegneri attributi A. G. Pierlugi da Palestrina
79. Catta, Dominique, Aux origines du Kyriale
80. Chaillon, Paule, Le chansonnier de françoise
81. Chapman, Catherine Weeks, Printed Collections of Polyphonic Music Owned by Ferdinand Columbus
82. Chusid, Martin, The Signifigance of D Minor in Mozart's Dramatic Music
83. Chusid, Martin, Drama and the Key of F Major in La traviata
84. Clercx, Suzanne, La Chapelle Royale de Bruxelles sous l'ancien régime
85. Clercx, Suzanne, Redde Caesari... a propos de la musique dite "flamande"
86. Cobin, Marian W., Aspects of Stylistic Evolution in Two Mozart Concertos: K. 271 and K. 482
87. Cohen, Albert, A study of instrumental ensemble practice in seventeenth-century France
88. Cohen, Albert, Jean le Maire and la musique almérique
89. Collins, Henry Bird, Latin Church Music by Early English Composers
90. Collins, Michael B., The Performance of Sesquialtera and Hemiola in the 16th Century
91. Conant, Kenneth John, Cluny II and St. Bénigne at Dijon
92. Conant, Kenneth John, Measurements and proportions of the Great Church at Cluny
93. Coover, James B., The "Rainbeau" Catalog
94. Correll, Linda E., Structural Revisions in the String Quartets opus 41 of Robert Schumann
95. Crawford, Richard and H. Wiley Hitchcock, Andrew Law, Tunesmith
96. Crevel, Marcus van, Verwante Sequensmodulaties bij Obrecht, Josquin en Coclico
97. Crevel, Marcus van, Het Sterfjaar van Clemens non Papa
98. Crevel, Marcus van, Secret Chromatic Art in the Netherlands Motet?
99. Crocker, Richard L., Some Ninth-Century Sequences
100. Crocker, Richard L., The Sequence
101. D'Accone, Frank A., Some Neglected Composers in the Florentine Chapels, ca. 1475-1525
102. D'Accone, Frank A., The Musical Chapels at the Florentine Cathedral and Baptistry During the First Half of the 16th Century
103. D'Accone, Frank A., Transitional Text Forms and Settings in an Early 16th-century Florentine Manuscript
104. Dahnk, E., L'Hérésie de Fauvel
105. Daniel, Oliver, Henry Cowell
106. Davari, Stefano, La musica a Mantova
107. David, Hans Theodore, Goethe on Music
108. Davis, Natalie Zemon, The Protestant Printing Workers of Lyons in 1551
109. Davis, Shelley, The solus tenor in the 14th and 15th centuries
110. Davis, Shelley, The solus tenor: an addendum
111. Davis, Shelley, Harmonic Rhythm in Mozart's Sonata Form
112. de la Torre, Lillian, New Light on Smollett and the Annesley Cause
113. Denecke, Ludwig, Hermann, der Monch von Salzburg
114. Denecke, Ludwig, Adam von Fulda
115. Densmore, Frances, A Study of Indian Music in the Gulf States
116. Disertori, Benvenuto, Un primitivo esempio di variazione nei codici musicali tridentini
117. Disertori, Benvenuto, L'unica composizione sicuramente strumentale nei codici tridentini
118. Disertori, Benvenuto, Il domenichino pittore trascrittore di musiche e musicologo
119. Disertori, Benvenuto, Una storica mistificazione mensurale di Josquin des Prés: sua affinità con Leonardo da Vinci
120. Disertori, Benvenuto, Un magnificat del quattro cento in istile di falsobordone
121. Disertori, Benvenuto, Folclore poetico - musicale tridentino
122. Disertori, Benvenuto, Tyling, musico inglese nei codici tridentini
123. Disertori, Benvenuto, Un primitvo esempio di variazione nei codici musicali tridentini
124. Disertori, Benvenuto, Il manoscritto 1947-4 di Trento e la canzone "i'ay prins amours"
125. Disertori, Benvenuto, Le canzoni strumentali da sonar a quattro di Claudio Merulo
126. Dittmer, Luther A., Review: Trouvères und minnesänger, II (Wendelin Müller-Blattan)
127. Dittmer, Luther A., The Worchester Music - Fragments
128. Dolmetsch, Arnold, Preliminary Discourse, the Eleventh Haselmere Festival of Ancient Music
129. Drinker, Henry S., Bach's Use of slurs in Recitativo Secco
130. Drinker, Henry S., The Amateur in Music
131. Dunning, Albert, Joquini antiqous, musae, memoremus amores: a Mantuan Motet from 1554 in Homage to Josquin
132. Dunning, Albert, Tubingensia, Ein vierhundertjahre altes Preslied auf die Alma Mater Tubingensis
133. Einstein, Alfred, Die mehrstrimmige weltliche Musik von 1450-1600
134. Einstein, Alfred, Der "stile nuovo" auf dem Gebiet der profanen Kammermusik
135. Einstein, Alfred, Vincent Ruffo's Operas nova di musica
136. Einstein, Alfred, Die Aria di Ruggiero
137. Engel, Hans, Adam von Fulda
138. Engel, Hans, Aribo Scholasticus
139. Engel, Hans, Berno von Reichenau
140. Engel, Carl, Modern: Amerika
141. Engel, Hans, Contributo alla storia del madrigale
142. Engel, Hans, Luca Marenzio, saggio biografico
143. Engel, Carl, O. G. Sonneck, ein Characterbild
144. Epstein, Peter, Zur Geschichte der deutschen Choralpassion
145. Fallows, David, Ciconia padre e figlio
146. Fallows, David, Two More Dufay Songs Reconstucted
147. Fallows, David, Words and Music in Two English Songs of the mid-15th Century: Charles d'Orleans and John Lydgate
148. Farmer, Henry George, Music: The Princess Jewel
149. Farnsworth, Paul R., Stereotypes in the Field of Musical Eminence
150. Federhofer, von Hellmut, Beiträge zur älteren Musikgeschichte Kärntens
151. Federhofer, von Hellmut, Die älteste schriftliche Überlieferung deutscher geistlicher Lieder in Steiermark
152. Federhofer, von Hellmut, Zur Chiavetten-Frage
153. Fellerer, Karl Gustave, Zur Melodielehre im 18. Jahrhundert
154. Ferand, Ernest T., Ein neuer Frottole-Fund
155. Ferand, Ernest T., Die motetti, madrigali, et canzoni Francese... Diminuiti... des Giovanni Bassano
156. Ferand, Ernest T., A History of Music Seen in the Light of Ornamentation
157. Ferand, Ernest T., Improvisation in Music History and Education
158. Ferand, Ernest T., Communications
159. Ferand, Ernest T., Zum Begriff der "composite" im 15. 16. Jahrhundert
160. Ferand, Ernest T., "Zufallsmusik" und "Komposition" in der Musiklehre der Renaissance
161. Ferand, Ernest T., Sodaine and Unexpected Music in the Renaissance
162. Ferand, Ernest T., Anchor che col partire: Die Schicksale eines berühmten Madrigals
163. Ferand, Ernest T., Guillaume Guerson's Rules of Improvised Counterpoint (c. 1500)
164. Ferand, Ernest T., Begegnungen mit Béla Bartók
165. Ferand, Ernest T., Improvisation
166. Ferguson, Wallace K., The Interpretation of Italian Humanism: The Contribution of Hans Baron
167. Ferguson, Wallace K., The Revival of Classical Antiquity of the First Century of Humanism: A Reappraisal
168. Ferguson, Wallace K., Recent Trends in the Economic Historiography of the Renaissance
169. Ferguson, Wallace K., Presidential Address
170. Ferguson, Wallace K., Renaissance Tendencies in the Religious Thought of Erasmus
171. Georgiades, Thrasybulos, Rudolf von Ficker (1886-1954)
172. Finney, Gretchen, Medical Theories of Vocal Excercise and Health
173. Finney, Gretchen, Vocal Excercise in the Sixteenth Century Related to Theories of Physiology and Disease
174. Finney, Gretchen L., A World of Instruments
175. Finney, Ross Lee, Analysis and the Creative Process
176. Finney, Gretchen L., Comus, Dramma per musica
177. Finney, Gretchen L., Chorus in Samson Agonistes
178. Fischer, Kurt von, Eine neue suddeutsche Quelle des fruhen 15. Jahrhunderts
179. Fischer, Kurt von, Die Musik des Trecento
180. Fischer, Kurt von, Repertorium der Quellen tschechischer Mehrstimmigkeit des 14. bis 16. Jahrhunderts
181. Fischer, Kurt von, Die Lauda "Ave Maria" und ihre verschiedenen Fassungen
182. Fischer, Kurt von, Zum Entstehungsneschichte der Orgelchoralvariation
183. Fischer, Kurt von, Orlando di Lasso - sämtliche Werke
184. Fischer, Kurt von, Neue Quellen zum einstimmigen Ordinariumszyklus des 14. und 15. Jahrhunderts aus Italien
185. Fischer, Kurt von, Neue Quellen zur Musik des 13. 14. und 15. Jahrhunderts
186. Fischer, Kurt von, Gesualdos "Atonalität" und das Problem des musikalischen Manierismus
187. Forkel, Johann Nikolaus, Von der wahren Güte der Clavichore. Eine Abhandlung
188. Forsberg, Suzanne, Beth Anna Mekota - The solo and ensemble keyboard works of Johann Christian Bach
189. Fox, Charles Warren, Barbireau and Barbingant: A Review
190. Françon, Marcel, Note on Chaucer's Roundel and his French Models
191. Friedheim, Philip, Formal Patterns in Verdi's Il trovatore
192. Friedheim, Philip, Radical Harmonic Procedures in Berlioz
193. Friedheim, Philip, The Piano Transcriptions of Franz Liszt
194. Friedland, Bea, Italy's Ottocento: Notes from the Musical Underground
195. Galpin, Francis William, The Sackbut, Its Evolution and History
196. Garside, Charles Jr., Some Attitudes of the Major Reformers Toward the Role of Music in the Liturgy
197. Geiringer, Karl, Symbolism in the Music of Bach
198. Gerstenberg, Walter, Eröffnung einer deutschen musikwissenschaftlichen Arbeitsstätte in Rom
199. Gervers, Hilda, Béla Bartók's Öt dal (five songs) opus 15
200. Gervers, Hilda, Franz Liszt as Pedagogue
201. Ghisi, Federico, Un processionale inedito per la Settimana Santa nell'Opera del Duomo di Firenze
202. Ghisi, Federico, Frammenti di un nuovo codice musicale dell'Ars-Nova italiana e due saggi inediti di cacce del secondo Quattrocentro
203. Ghisi, Federico, Poesie musicali italiane
204. Ghisi, Federico, Le musiche di Isaac per il "San Giovanne e Paulo" di Lorenzo il Magnifico
205. Glahn, Heinrich, Et Musikhandskrift Fra begyndelsen af det 16. Arhundreded
206. Godt, Irving, Motivic Integration in Josquin's Motets
207. Godt, Irving, The Case Against Certain Cautionary Accidentals: The Sharp that Flats
208. Godt, Irving, The Restoration of Josquin's Ave Mundi Spes, Maria, and some Observations on Restoration
209. Golos, George S., "Apollo prawodawca" - opera Szkolna Z czasow oswiecenia
210. Golos, George S., Z Problematyki obrzadku Slowianskiego W Polsce
211. Golos, George S., Tre intavolature manoscritte di musica vocale rintracciate in Polonia
212. Golos, George S., Il manoscritto I/220 della societa di musica di vausavia, importante fonte di musica organistica cinquecentesca
213. Golos, George S., Liber missarum z archiwum kapituly Warszawkiej
214. Golos, George S., Traces of Byzantino-Slavonic Influence in Polish Medieval Hymnody
215. Golos, George S., Antyfonarz ambrozjanski Biblioteki Jagiellonskiej w Krakowie
216. Golos, George S., Note di storia organaria polacca
217. Gombosi, Otto Johannes, Zur frühgeschichte der Folia
218. Gordon, Philip, The Music of the Ballads
219. Gottlieb, Louis Edward, The Cyclic Masses of Trent Codex 89
220. Grame, Theodore C., An Historical View of Musicology and Performance
221. Grout, Donald Jay, On Historical Authenticity in the Performance of Old Music
222. Günther, Ursula, Zitate in französischen Liedsätzen der Ars Nova und Ars Subtilior
223. Günther, Ursula, Die anonymen Komposition des Manuskrips Paris, B. N., fonds it. 568
224. Gurlitt, Wilibald, Zur Bedeutungsgeschichte von Musicus und Cantor bei Isidor von Sevilla
225. Gurlitt, Wilibald, Form in der Musik als Zeitgestaltung
226. Gurlitt, Wilibald, Musikwissenschaft forschung und Lehre in Pädagogischer Sicht
227. Gurlitt, Wilibald, Die Kompositionslehre des deutschen 16. und 17. Jahrhunderts
228. Gurlitt, Wilibald, Robert Schumann und die Romantik in der Musik
229. Gurlitt, Wilibald, Bach in seiner Zeit und Heute
230. Gurlitt, Wilibald, Zu Bachs Ostinatotechnik
231. Haar, James, A Diatonic Duo by Willaert
232. Hall, Robert A. Jr., La struttura della musica e del linguaggio
233. Haberl, Franz Xaver, Orfeo Vecchi
234. Handschin, Jacques, Zur Geschichte von Notre Dame
235. Handschin, Jacques, Ein Autograph des Franchino Gafori
236. Handschin, Jacques, De différentes conceptions de Bach
237. Handschin, Jacques, Die Kirchenmusik und die Wiedervereinigung der Kirchen
238. Handschin, Jacques, Über das Studium der Musikwissenschaft
239. Handschin, Jacques, Das Problem der Musiktheorie
240. Handschin, Jacques, Über William Byrd und den Begriff der Fortgeschrittenheit
241. Handschin, Jacques, Zur Musikästhetik des 19. Jahrhunderts
242. Hannas, Ruth, Humanistic Light on "What is Res facta?"
243. Hannas, Ruth, Cerone, Philosopher and Teacher
244. Harich-Schneider, Eta, Koromogae, one of the Saibara of Japanese Court Music
245. Harrier, Richard C., Review: The Arundel Harington Manuscript of Tudor Poetry
246. Harrison, Frank, and Joan Harrison, Spanish Elements in the Music of Two Maya Groups in Chiapas
247. Haydon, Glen, The Scope and Function of Musicology
248. Haydon, Glen, Musicology in the United States: A Survey of Recent Trends
249. Haydon, Glen, The Cadence: Its Role in Musical Theory and Practice with Particular Reference to the Works of Monteverdi
250. Haydon, Glen, The Adjustment to the College Student of Teaching Methods in Theory
251. Haydon, Glen, Music Research and Modal Counterpoint
252. Haydon, Glen, The Lateran Codex 61
253. Haydon, Glen, Review: Fourteenth-century Italian Cacce/ W. Thomas Marrocco, ed
254. Haywood, Charles, The Songs & Masque in the New Tempest: An Incident in the Battle of the Two Theaters, 1674
255. Haywood, Charles, William Boyce's "Soleme Dirge" in Garrick's Romeo and Juiliet Production
256. Haywood, Charles, Cervantes and Music
257. Heartz, Daniel, An Elizabethan Tutor for the Guitar
258. Heartz, Daniel, Un divertissement de palais pour Charles Quint a binche
259. Heartz, Daniel, La chronologie des recueils imprimés par Pierre Attaingnant
260. Heartz, Daniel, A New Attaingnant Book and the Beginnings of French Music Printing
261. Heckmann, Harold, Musikgeschichtliche Quellen auf Mikrofilmen
262. Heins, E. I., Inleiding tot de Modale Ethiek in de Middeleeuwen
263. Hermelink, Seigfried, Ein Musikalienverzeichnis der Heidelberger Hofkapelle aus dem Jahre 1544
264. Hertzmann, Erich, Zur Frage der Mehrchorigkeit in der ersten Hälfte des 16. Jarhunderts
265. Hess, Willy, Welche Werke Beethovens fehlen in der Breitkopf & Härtelschen Gesamtausgabe
266. Hewitt, Helen, The Two Puzzle Canons in Busnois's Maintes femmes
267. Hewitt, Helen, Fors seulement and the Cantus Firmus Technique of the Fifteenth Century
268. Hewitt, Helen, Malmaridade and Meshouwet
269. Hewitt, Helen, A study in proportions
270. Hibberd, Lloyd, A note on musical styles
271. Hickmann, Hans, Les harpes de la tombe de Ramsés III
272. Hickmann, Hans, Abrégé de l'histoire de la musique en Égypte
273. Hickmann, Hans, Zur Geschichte der altägyptischen Glocken
274. Higginson, Vincent J., Hymnody in the American Indian Missions
275. Hill, Richard S., The Melody of the "Star Spangled Banner" in the United States before 1820
276. Hitschmann, Eduard, Franz Schuberts Schmerz und Liebe
277. Hitschmann, Eduard, Johannes Brahms und die Frauen
278. Holland, Jeanette B., The Pierpont Morgan Lute Manuscript: A Stylistic Survey
279. Holland, Jeanette B., Notes on a Lute Manuscript in the Pierpont Morgan Library
280. Holland, Jeanette B. and Jan LaRue, Stimmer's Women Musicians: A Unique Series of Woodcuts
281. Hornik, Henry, Three Interpretations of the French Renaissance
282. Houghton, Edward F., Rhythm and Meter in 15th-century Polyphony
283. Hughes, Anselm, The Eton Manuscript
284. Hughes, Charles W., Music and its audiences two hundred years ago
285. Husmann, Heinrich, Les époques de la musique provencale au moyen-age
286. Jacobs, Charles, Spanish renaissance discussion of musica ficta
287. Jiránek, Jaroslav, Die philosophischen Grundlagen des Ringdramas
288. Jiránek, Jaroslav, Beitrag zum vergleich des Klavierstils von Fryderyk Chopin und Bedrich Smetana
289. Jiránek, Jaroslav, Zu einigen Grundbegriffen der marxistischen Ästhetik
290. Jiránek, Jaroslav, Liszt und Smetana
291. Jeppesen, Knud, Pierluigi da Palestrina, Herzog Guglielmo Gonzaga, und die neugefundenen Mantovaner-messen Palestrina's: Ein ergänzender Bericht
292. Jeppesen, Knud, Népi Dallamelemek Octavio Petrucci Prottola-Kiadvany Alban (1504-1514)
293. Jeppesen, Knud, Die Textlegung in der Chansonmusik des späteren 15. Jahrhunderts
294. Jeppesen, Knud, Ein venezianisches Laudenmanuskript
295. Jeppesen, Knud, Marcellus-Probleme
296. Jeppesen, Knud, Über einige unbekannte Frottolenhandschriften
297. Jeppesen, Knud, Die 3 Gafurius-Kodizes der Fabbrica del Duomo, Milano
298. Joaquim, Manuel, Os "concertos brandenbergueses" de João Sebastiao Bach
299. Joaquim, Manuel, A musica militar através dos tempos
300. Joaquim, Manuel, A "missa de fária" do padre Manuel Mendes
301. Joaquim, Manuel, O "te-deum" do licenciado Lopes Morago
302. Joaquim, Manuel, Um madrigal de Vicente Lusitano
303. Joaquim, Manuel, A missa "pro-defunctis" de Manuel Mendes (1547? -1605)
304. Joaquim, Manuel, Algumas palavras acerca de música antiga portuguesa
305. Joaquim, Manuel, A proposito dos livros de polifonia existentes no Paço Ducal de Vila Viçosa (Portugal)
306. Joaquim, Manuel, O "Passionarium" de Fernandes Formoso
307. Joaquim, Manuel, Em louvor do grande polifonista Estêvao Lopes Morago
308. Josephson, David, John Taverner: An English Renaissance Master
309. Josephson, David, John Taverner: Smaller Liturgical Works
310. Josephson, David, The Festal Masses of John Taverner
311. Jones, George Morton, The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing 15th-century Music
312. Karp, Theodore, Towards a Critical Edition of Notre Dame Organa Dupla
313. Kendall, Raymond, Notes on Arnold Schlick
314. Kerman, Joseph, Byrd's Motets: Chronology and Canon
315. Kinkeldey, Otto, Music and Music Printing in Incunabula
316. Kinkeldey, Otto, Luzzasco Luzzaschi's Solo-madrigal mit Klavier-begleitung
317. Kirkpatrick, Ralph, On Re-reading Couperin's L'art de toucher le clavecin
318. Kos, Koraljka, Geschichte, Stand und Persrektiven der Forschungen zur mittelalterichen Kirchenmusik in Kroatien
319. Kos, Koraljka, "Appariran per me le stell' in cielo" von O. di Lasso und J. Skjavetic: Stilkritischer Vergleich
320. Kowadlo, Sheldon N., Philippe de Rogier and His Polyphonic Antiphon "Salva nos domine"
321. Kravitt, Edward F., The Influence of Theatrical Declamation Upon Composers of the Late Romantic Lied
322. Kremlev, Julii, La place historique de l'harmonie de Chopin
323. Kremlev, Julii, L'importance mondiale de l'esthétique de Chopin
324. Kristeller, Paul Oskar, The Moral Thought of Renaissance Humanism
325. Krohn, Ernest C., Some Solo Cantatas of Alessandro Stradella
326. Krohn, Ernest C., The Nova musica of Johannes Ciconia
327. Kühn, Hellmut, Analysen einzelner Kompositionen
328. La Rue, Jan and Howard Brofsky, Parisian Brass Players, 1751-1793
329. La Rue, Jan, Ten Rediscovered Sale-Catalogues: Leuckart's Supplements, Breslar 1787-1792
330. La Rue, Jan, Symbols for Analysis: Some Revisions and Extensions
331. La Rue, Jan and Jeanette B. Holland, Stimmer's Women Musicians: A Unique Series of Woodcuts
332. La Rue, Jan and Gene Wolf, A Bibliographical Index to Robert Sondheimer's Die Theorie der Sinfonie
333. La Rue, Jan, A Union Thematic Catalogue of 18th-Century Composers
334. La Rue, Jan, The Okinawan Notation System
335. La Rue, Jan, Harmonic Rhythm in the Beethoven Symphonies
336. Lenaerts, René Bernard, Notes sur Adrien Willaert maître de chapelle de Saint Marc à Venise 1527 à 1562
337. Lenaerts, René Bernard, Le chapelle de Saint-Marc à Venise sous Adriaen Willaert (1527-1562)
338. Lesure, François, La Communauté des Jouers d'instruments au XVI siècle
339. Lesure, François, Un musicien d'Hippolyte d'Este: Pierre Sandrin
340. Lesure, François, Recherches sur les Luthistes Parisiens a l'époque de Louis XIII
341. Lesure, François, Danses et chansons a danser au début du XVI siècle
342. Lesure, François, Les chansons a trois voix de Clément Janequin
343. Levy, Kenneth J., Vaudeville, vers mesurés et airs de cour
344. Levy, Kenneth J., A Dominican Organum Duplum
345. Levy, Kenneth J., A Hymn for Thursday in Holy Week
346. Engel, Carl, The Library of Congress Division of Music
347. Strunk, Oliver, The Library of Congress Division of Music
348. Spivacke, Harold, The Library of Congress Division of Music
349. Spivacke, Harold, The Library of Congress Division of Music
350. Lissa, Zofia von, Die ästhetischen Funktionen der Stelle und Pause in der Musik
351. Liuzzi, Fernando, Le relazioni musicali tra Fiandra e Italia nel secolo XV
352. Kohut, Heinze and Siegmund Levarie, On the Enjoyment of Listening to Music
353. Levitan, Joseph S., Adrian Willaert's Famous Duo Quidnam Ebrietas, part 1
354. Levitan, Joseph S., Adrian Willaert's Famous Duo Quidnam Ebrietas, part 2
355. Llorens, José M., El codice 2. 856 identificado como el cancionero de Isabella d'Este (Ferrara), esposa de Francesco Gonzaga (Mantua)
356. Lloyd, Llewellyn S., The Problem of the Keyboard Instruments
357. Lockwood, Lewis, A Sample Problem of Musica Ficta: Willaert's Paer Noster
358. Lockwood, Lewis, Music at Ferrara in the Period of Ercole I d'Este
359. Loewenberg, Alfred, Paisiello's and Rossini's Barber of Siviglia
360. Lowinsky, Edward E., Adrian Willaert's Chromatic Duo Re-examined
361. Lowinsky, Edward E., English Organ Music of the Renaissance
362. Lowinsky, Edward E., Music of the Renaissance as Viewed by Renaissance Musicians
363. Lowinsky, Edward E., On Mozart's Rhythm
364. Lowinsky, Edward E., A Music Book for Anne Boleyn
365. Lowinsky, Edward E., Musical Genius - Evolution and Origins of a Concept
366. Lowinsky, Edward E., Character and Purpose of American Musicology: A Reply to Joseph Kerman
367. Lowinsky, Edward E., Taste, Style, and Ideology in Eighteenth-Century Music
368. Lowinsky, Edward E., MS 1070 of the Royal College of Music in London
369. Lowinsky, Edward E., The Concept of Physical and Musical Space in the Renaissance
370. Ludwig, Friedrich, Joh. Wolfs Ausgabe der weltlichen Werke H. Issacs
371. McAll, Reginald L., The Hymn Festival Movement in America
372. Malm, William P., The Modern Music of Meiji Japan
373. Mann, Alfred, Beethoven's Contrapuntal Studies with Haydn
374. Mann, Alfred, Haydns Kontrapuntlehre und Beethovens Studien
375. Marix-Spire, Thérèse, Vicissitudes d'un opera-comique: la mare au diable, de George Sand et de Pauline Viardot
376. Mendel, Aurthur, Spengler's Quarrel with the Methods of Music History
377. Meyer-Baer, Kathi, Some Remarks on the Problems of the Basse-Dance
378. Meyer-Baer, Kathi, Musical Iconography in Raphael's Parnassus
379. Mann, Alfred, Händels Fugenlehre: Ein unveroffentlichtes Manuskript
380. Megaw, J. V. S., The Earliest Musical Instruments in Europe
381. Meyers, Ernest Hermann, Die Vorherrschaft der Instrumentalmusik im niederländischen Barock
382. Michel, Artur, The Earliest Dance Manuals
383. Minagawa, Tatsuo, Japanese Noh Music
384. Murray, Gregory, A Reply to Father Smits van Waesberghe, S. J
385. Murray, Gregory, The Authentic Rhythm of Gregorian Chant
386. Murray, Gregory, Accentual Cadences in Gregorian Chant
387. Murray, Gregory, Gregorian Rhythm in the Gregorian Centuries, the Literary Evidence
388. Murray, Gregory, Plainsong Rhythm, the Editorial Methods of Solesmes
389. Müller-Blattau, Joseph M., In Gottes Names fahren wir
390. Müller-Blattau, Joseph M., Kircher und Pindar
391. Müller-Blattau, Joseph M., Besprachungen
392. Nathan, Hans, Luigi Dallapiccola: Fragments from Conversations
393. Nathan, Hans, The Career of a Revival Hymn
394. Noblitt, Thomas von, Die Datierung der Handschrift Mus. Ms. 3154 der Staatsbibliothek München
395. Osthoff, Helmuth, Gedichte von Tomaso Stigliano auf Giulio Caccini, Claudio Monteverdi, Santino Garsi da Parma und Claudio Merulo
396. Osthoff, Helmuth, Das Magnificat bei Josquin Desprez
397. Osthoff, Helmuth, Unità liturgica e artistica nei Vespri del 1610
398. Osthoff, Helmuth, Die Conductus des Codex Calixtinus
399. Osthoff, Helmuth, Domenico Mazzocchis Vergil-Kompositionen
400. Paganuzzi, Enrico, A l'entrada del tens clar e Kalenda maya: arie di danza in notazione non proporzionale
401. Palisca, Claude V., Scientific Empiricism in Musical Thought
402. Perle, George, Symmetrical Formations in the String Quartets of Béla Bartók
403. Pirro, André, Léon X et la musique
404. Pirro, André, Musiciens allemands et auditeurs francais au temps des rois Charles V et Charles VI
405. Pirro, André, Notes sur Jean Braconnier, dit Lourdault
406. Pirro, André, Les frottole et la musique instrumentale
407. Pirro, André, Un manuscrit musical du 15 siècle au Mont-Cassin
408. Pirrotta, Nino, Music and Cultural Tendencies in 15th-Century Italy
409. Pirrotta, Nino, Two Anglo-Italian Pieces in the Manuscript Porto 714
410. Pirrotta, Nino, Ricercare e variazioni su "O rosa bella"
411. Pirrotta, Nino, Note su un codice di antiche musiche per tastiera
412. Piscaer, Anny, Jacob Obrecht geboortedatum en andere bijzonderheden
413. Pope, Isabel, King David and His Musicians in Spanish Romanesque Sculpture
414. Pope, Isabel, The Musical Manuscript Montecassino N 871
415. Pope, Isabel, The secular compositions of Johannes Corago, Part 1
416. Pope, Isabel, La vihuela y su musica en el ambiente humanistico
417. Pope, Isabel, Review of Higini Anglés, la musica a Catalunya fins al segle XII
418. Pope, Isabel, Mediaeval Latin Background of the Thirteenth-Century Galician Lyric
419. Pratt Carroll C., The Design of Music
420. Pratt Carroll C., Structural vs. Expressive Form in Music
421. Pratt Carroll C. and J. G. Beebe-Center, A Test of Birkhoff's Aesthetic Measure
422. Reaney, Gilbert, The Roman de Fauvel and Its Music
423. Reichert, Georg, Der Passamezzo, Probleme der Instrumentalmusik im 16. Jahrhundert
424. Reichert, Georg, Strukturprobleme der älteren Sequenz
425. Riout, Godfrey, Orpheus in Ecclesia, or, the Riven Lute
426. Ringbom, Nils-Eric, De Tva versionerna av Sibelius' tondika en saga
427. Ripin, Edwin M., A Reevaluation of Virdung's Musica getutscht
428. Ripin, Edwin M., Towards the Identification of the Chekker
429. Roberts, Helen H., Musical Areas in Aboriginal North America
430. Roesner, Edward H., The origins of W1
431. Roesner, Edward H., Reviews
432. Rokseth, Yvonne, Un motet de Moulu et ses diverses transcriptions pour orgue
433. Rokseth, Yvonne, Réaction de la réforme contre certains éléments réalistes du culte
434. Riemann, Hugo, Noch zwei verkannte Kanons
435. Rokseth, Yvonne, Othmar Nachtgall, dit Luscinius
436. Salazar, Adolfo, Musica, instrumentos y danzas en la obras de Cervantes
437. Sandberger, Adolf, Orlando di Lasso und die geistigen Stromungen seiner Zeit
438. Sanders, Ernest H., The Question of Perotin's Oevre and Dates
439. Sanders, Ernest H., The Early Motets of Philippe de Vitry
440. Sanders, Ernest H., The Medieval Motet
441. Santiago, Francisco, The Development of Music in the Philippine Islands
442. Schaller, Heinrich, Parodie und Satire der Renaisannce und Reformation
443. Schmidt, Günther, Zur Frage des Cantus Firmus im 14. und beginnenden 15. Jahrhundert
444. Schmidt, Günther, Strukprobleme der Mehrstimmigkeit im Repertoire von St Martial
445. Schmitz, Arnold, Italienische Quellen zur Figuralpassion des 16. Jhs
446. Schmidt, Joseph, Die messen des Clemens non Papa
447. Schrade, Leo, Ein neuer Fund früher Mehrstimmigkeit
448. Schrade, Leo, Joseph Haydn and the Rise of "Classic Music"
449. Schrade, Leo, Quellen und Abhandlungen, das propädeutische Ethos in der Musikanschauung des Boethius
450. Schrade, Leo, L'Edipo tiranno d'Andrea Gabrieli et la renaissance de la tragédie grecque
451. Schrade, Leo, Zur Motettenhandschrift la Clayette
452. Schrade, Leo, Les fêtes du mariage de Francesco dei Medici et de Bianca Capello
453. Schrade, Leo, Strawinsky: Die Synthese einer Epoche
454. Schrade, Leo, Joseph Haydn als Schopfer der klassischen Musik
455. Schrade, Leo, Die Ästhetik Albert Schweitzers - Eine Interpretation J. S. Bachs
456. Schrade, Leo, The Organ and the Organ Music in the Mass of the 15th Century
457. Schrade, Leo, Reviews
458. Schrade, Leo, A Fourteenth-Century Parody Mass
459. Schrade, Leo, Johannes Cochlaeus, Musiktheoretiker in Koln
460. Schrade, Leo, Das musikalische Werk von Heinrich Schütz in der protestantischen Liturgie
461. Schrade, Leo, Bach: The Conflict Between the Sacred and the Secular
462. Schrade, Leo, The Cycle of the Ordinarium Missae
463. Schrade, Leo, Beethoven in France, the Growth of an Idea
464. Seay, Albert, Le Manuscrit 695 de la Bibliothèque Communale d'Assise
465. Seay, Albert, The Declaratio musice discipline of Ugolino of Orvieto: addenda
466. Seay, Albert, Studies and Abstracts: Paolo Orlandi's La musica in istanze vulgari
467. Seay, Albert, The Conditor alme siderum by Busnois
468. Seay, Albert, Gugielmo Roffredi's Summa musicae artis
469. Seay, Albert, French Renaissance Theory and Jean Yssandon
470. Seay, Albert, Two Datable Chansons from an Attaingnant Print
471. Schubiger, Anselm
472. Seay, Albert, The Beginnings of the Coniuncta and Lorenzo Mansini's L'antefana
473. Seay, Albert, Music in the Poetry of Victor Hugo
474. Seay, Albert, Giuseppe Mazzini's Filosofia della musica
475. Seeger, Charles, Selected Reports
476. Seeger, Charles, Preface to the Description of a Music
477. Shaw, Harold Watkins, John Blow, Doctor of Music
478. Silberman, Israel, Teaching Composition via Schenker's Theory
479. Sleeper, Helen Joy, The Alchemical Fugues in Count Michael Maier's Atlanta Fugiens
480. Slim, H. Colin, Musicians on Parnassus
481. Slim, H. Colin, An Anonymous Twice-Texted Motet
482. Slim, H. Colin, The Prodigal Son at the Whore's Music, Art, and Drama
483. Slonimsky, Nicolas, The Plurality of Melodic and Harmonic Systems
484. Smijers, Albert, Vijftiende en zestiende eeuwsche Muziekhandschriften in Italie met werken van Nederlandsche Componisten
485. Smith, F. Joseph, Une philosophie médiévale du nombre: Jacques de Liége et le speculum musicae
486. Smith, Carleton Sprague, Recent Work on Music in the Renaissance
487. Smits van Waesberghe, Joseph, Einleitung zu einer Kausalitätserklärung der Evolution der Kirchenmusik im Mittelalter
488. Smits van Waesberghe, Joseph, Studien über das Lesen (Pronuntiare), das Zitieren und über die Herausgabe lateinischer musiktheoretiscer Traktate (9. - 16. Jahrhundert)
489. Smits van Waesberghe, Joseph, Register zu dem "gegenwärtigen Geschichtsbild der mittelalterlichen Musik" (1957-1969)
490. Smits van Waesberghe, Joseph, Das gegenwärtige Geschichtsbild der mittelalterlichen Musik VIII (1968)
491. Smits van Waesberghe, Joseph, La place exceptionelle de l'ars musica dans le développement des sciences au siècle des Carolingiens
492. Smits van Waesberghe, Joseph, De melodieen van Heindrik van Veldekes liederen
493. Smits van Waesberghe, Joseph, Das gegenwärtige Geschichtesbild der mittelalterlichen Musik II (1960-1962)
494. Smith, F. Joseph, Some Aspects of the Tritone and the Semitritone in the XIV Century
495. Smoldon, William L., The Melodies of the Medieval Church-Dramas and Their Significance
496. Smoldon, William L., The Origins of the Quem Quaritis and the Easter Sepulchre Music-Drama, as Demonstrated by Their Musical Settings
497. Spanke, Hans, Klangspielereien im mittelalterlichen Lieder
498. Spanke, Hans, Über das Fortleben der Sequenzenform in den romanischen Sprachen
499. Stäblein, Bruno, Saint-Martial
500. Stäblein, Bruno, Tropus
501. Stäblein, Bruno, Versus
502. Stäblein, Bruno, Missale
503. Stäblein, Bruno, Messe
504. Stäblein, Bruno, Sequenz
505. Steinhardt, Milton, The Notes de Pinchart and the Flemish Chapel of Charles V
506. Sternfeld, Frederick W., Troilus and Cressida: Music for the Play
507. Sternfeld, Frederick W., The Musical and Rhythmical Sources of Poetry
508. Sternfeld, Frederick W., A New Companion to Shakespeare Studies
509. Sternfeld, Frederick W., Renaissance Music in Goethe
510. Stevens, Denis, Pygott, Richard
511. Stevens, Denis, Unique Italian Instrumental Music in the Bodleian Library
512. Stevens, Denis, A Musical Admonition for Tudor Schoolboys
513. Stevens, Denis, In Nomine Players
514. Stevens, Denis, Some Observations on Performance Practice
515. Stevens, Denis, Festival Music of the Middle Ages
516. Stevens, Denis, Music in Honor of St. Thomas of Canterbury
517. Stevens, Denis, German Lute-Songs of the Early Sixteenth Cntury
518. Stevens, Denis, Discordant Noises in Academe
519. Strunk, Oliver, Two Stichera on the Death of the Emperor Nicephorus Phocas
520. Strunk, Oliver, S. Salvatore di Messina and the Musical Tradition of Magna Graecia
521. Strohm, Reinhart, Ein unbekanntes Chorbuch des 15. Jahrhunderts
522. Strohm, Reinhart, Neue Quellen zur litergischen Mehrstimmigkeit des Mittelalters in Italien
523. Strunk, Oliver, The Byzantine Office at Hagia Sophia
524. Strunk, Oliver, Sources and Problems for Graduate Study in Musicology
525. Strunk, Oliver, A Further Note on the Proper Hymns for Easter
526. Strunk, Oliver, Melody Construction in Byzantine Chant
527. Strunk, Oliver, The Latin Antiphons for the Octave of the Epiphany
528. Strunk, Oliver, Tropus and Troparion
529. Supicic, Ivo, Music with or without a Public
530. Supicic, Ivo, Positive Musikwissenschaft und Wertprobleme der Musik
531. Surian, Elvidio, Review: Musikgeschichte in Bildern
532. Sutkowski, Adam, Una preziosa fonte manoscritta di musica strumentale: l'intavolatura di pelplin
533. Suñol, Gregorio Maria, Canto español del "Pange lingua"
534. Supicic, Ivo, Fromalizem in ekspresionizem v estetiki evropske glasbe
535. Thibault, Geneviève, Anthoine de Bertrand, musicien de ronsard et ses amis toulousains
536. Thibault, Geneviève, La musique
537. Tischler, Hans, New Historical Aspects of the Parisian Organa
538. Trend, John Brande, Salinas: A Sixteenth Century Collector of Folk Songs
539. Tureck, Rosalyn, Toward a Unity of Performance and Musicology
540. Tuve, Rosemond, Sacred "Parody" of Love Poetry, and Herbert
541. Utley, Francis Lee, The Chorister's Lament
542. Borren, Charles van den, The Genius of Dunstable
543. Borren, Charles van den, Compsitions inédites de Guillaume Dufay et de Gilles Binchois
544. Borren, Charles van den, Orlande de Lassus et la musique instrumentale
545. Borren, Charles van den, Benedictus de Opitiis deux de ses oevres récemment publiées
546. Borren, Charles van den, La musique
547. Borren, Charles van den, Inventaire des manuscrits de musique polyphonique qui se trouvent en Belgique
548. Borren, Charles van den, Fausses attributions et trauvestissements musicaux
549. Borren, Charles van den, Johannes Tinctoris
550. Borren, Charles van den, Hugo et Arnold de Lantins
551. Borren, Charles van den, De quelques publications récentes relatives a la musique italienne de moyen age et de la Renaissance
552. Borren, Charles van den, Notes bibliographiques
553. Borren, Charles van den, Note d'actualité sur la production musicologique hollandaise
554. Borren, Charles van den, Mozart, d'après sa correspondance
555. Borren, Charles van den, Bibliographie musical
556. Borren, Charles van den, Actions et reactions de la polyphonie Neerlandaise et de la polyphonie Italienne aux environs de 1500
557. Borren, Charles van den, Horace et la musique
558. Borren, Charles van den, Quelques remarques sur les tendances esthéthiques de la musique du moyen age
559. Borren, Charles van den, A propos de quelques publications musicologiques récentes (manuscrit d'apt, oevres de Costanzo Festa, polyphonie classique portugaise)
560. Borren, Charles van den, De quelques aspects de la parodie musicale
561. Borren, Charles van den, Considérations générales sur la conjonction de la polyphoni italienne et de la polyphonie de Nord pendant la première moitié de XV siècle
562. Borren, Charles van den, Guillaume Dufay centre de rayonnement de la polyphonie européenne a la fin du moyen age
563. Borren, Charles van den, Note sur un essai de M. Federico Ghisi intitulé "Alle fonti della monodia"
564. Werf, Hendrik Van der, The Trouvère Chansons as Creations of a Notationless Musical Culture
565. Doorslaer, George van, Apercu sur la pratique de chant a Malines au XV siècle
566. Doorslaer, George van, La chapelle musicale de Philippe le Beau
567. Doorslaer, George van, Jacobus Peetrinus, composituer malinois (1553-1591)
568. Vaughan, Denis, Impression, vente et location de matériels d'orchestre
569. Vaughan, Denis, Present Practices in the Payment of Royalties on Musical Works
570. Vega, Aurelio de la, The Negative Emotion
571. Velimirovic, Milos, Joakeim Monk of the Harsianites Monastery and Domestikos of Serbia
572. Velimirovic, Milos, Fr. D. V. Razumovskii, Pioneer of Russian Musicology
573. Velimirovic, Milos, Russian Autographs at Harvard
574. Velimirovic, Milos, "Early Roots of Russian Opera" Revisited
575. Verrier, Paul, Le rondeau et formes analogues
576. Vetter, Walther, Musik; Musikunterricht; Metabole; Mesomedes
577. Vindel, Pedro, Las siete canciones de la enamorada
578. Vinton, John, New Light on Bartók's Sixth String Quartet
579. Vinton, John, Toward a Chronology of the Mikrokosmos
580. Vinton, John, The Case of the Miraculous Mandarin
581. Vincent, Alexandre Joseph Hydelphe, Nouvelles considérations sur la musique et sur la versifecation du moyen age
582. Waesberghe, Smits van, A Dutch Easter Play
583. Wager, Willis, Miscellaneous Notes
584. Wagnermée, Robert, Impressions de route et réflexions sur la vie musicale américaine
585. Ward, John M., Passamezzo
586. Ward, John M., Pisador, Diego
587. Ward, John M., Narvaez, Luis de
588. Ward, John M., Mudarra, Alonso
589. Ward, John M., Romanesca
590. Ward, John M., The Lute Music of MS Royal Appendix 58
591. Ward, John M., Tessier and the "Essex Circle"
592. Ward, John M., Simpson: the British Broadside Ballad and Its Music: A Review and an Article
593. Ward, John M., The folia
594. Ward, John M., Music for a Handefull of Pleasant Delites
595. Ward, John M., Barley's Songs without Words
596. Ward, John M., Les sources de la musique pour le clavier en angleterre
597. Ward, John M., The Maner of Dauncynge
598. Ward, John M., Italian Popular Music and the Elizabethan Broadside Ballad
599. Ward, John M., Milan, Luis
600. Warner, Thomas, Two Late Eighteenth-Century Instructions for Making Double Reeds
601. Werner, Eric, Abdias der Proselyt
602. Werner, Eric, Melito of Sardes, the First Poet of Deicide
603. Werner, Eric, Mendelssohn-Wagner: Eine alte Kontrovers in neuer Sicht
604. Werner, Eric, The Common Ground in the Chant of Church and Synagogue
605. Werner, Eric, Grundsätzliche Betrachtungen über Symmetrie in der Musik des Westens
606. Wexler, Richard, Newly Identified Works by Bartolomeo degli Organi
607. White, John R., Original Compositions and Arrangements in the Lublin Keyboard Tablature
608. White, John R., The Tablature of Johannes of Lublin, MS 1716 of the Polish Academy of Sciences in Cracow
609. Winter, Marian Hannah, Theatre of Marvels
610. Winter, John F., Visual Variety and Spatial Grandeur in Rabelais
611. Winternitz, Emanuel, Muses and Music in a Burial Chapel, An Interpretation of Filippino Lippi's Window Wall in the Cappella Strozzi
612. Winternitz, Emanuel, The Survival of the Kithara and the Evolution of the English Cittern: A Study in Morphology
613. Winternitz, Emanuel, Archeologia musicale del rinascimento nel Parnaso di Raffaello
614. Winternitz, Emanuel, Alcune rappresentazioni di antichi strumenti italiani a tastiera
615. Winternitz, Emanuel, Quattro-Intarsien als Quellen der Instrumentengeschichte
616. Winternitz, Emanuel, Leonardo's Invention of the Viola Organista; Melodic, Chordal, and Other Drums Invented by Leonardo da Vinci; Leonardo's Invention of Key-Mechanisms for Wind Instruments
617. Winternitz, Emanuel, Instruments de musique étranges chez Filippino Lippi, Piero di Cosimo et Lorenzo Costa
618. Winternitz, Emanuel, Bagpipes for the Lord
619. Winternitz, Emanuel, Quattrocento Science in the Gubbio Study
620. Winternitz, Emanuel, Italienische Bildzeugnisse der Violine im 16. Jahrhundert
621. Winternitz, Emanuel, Musicali strumenti
622. Winternitz, Emanuel, The Inspired Musician: A Sixteenth-Century Musical Pastiche
623. Wolf, Johannes, Eine neue Quelle zur Musik des 15. Jahrhundert
624. Wolff, Hellmuth Christian, Die Ästhetische Auffassung der Parodiemisse des 16. Jahrhunderts
625. Work, John W., Changing Patterns in Negro Folk Songs
626. Wulstan, David, The Problem of Pitch in Sixteenth-Century English Vocal Music
627. Yasser, Joseph, References to Hebrew Music in Russian Medieval Ballads
628. Yasser, Joseph, New Guide-posts for Jewish Music
629. Yasser, Joseph, The Variation Form and Synthesis of Arts
630. Yasser, Joseph, Foundations of Jewish Harmony
631. Yellin, Victor, America
632. Yellin, Victor, On the pronunciation of "recitative"
633. Yellin, Victor, The Operas of Virgil Thomson [pp. 91-109]
634. Yellin, Victor, Musical Activity in Virginia Before 1620
635. Zenck, Hermann, Die Musik im zeitalter Dantes
636. Zingerle, Hans, Zur Entwicklung der Rhythmik und Textbehandlung in der Chanson von c. 1470 bis. c. 1530
637. Servières, Georges, Documents inédits sur les organistes français des XVII et XVIII siècles
638. Pirro, André, L'Almérie de Jean Lemaire
639. Luciani, Sebastiano Arturo, Domenico Scarlatti
640. Borrel, Eugène, La basse chiffrée dans l'ecole française au XVIII siecle
641. Pirro, André, Frescobaldi et les musiciens de la France et des pays-bas
642. Luciani, Sebastiano Arturo, Alla scoperta degli autografi di Domenico Scarlatti
643. Borren, Charles van den, Les virginalistes anglais
644. Berenzi, Angelo, Per Gerolamo Frescobaldi nel II centanario dalla pubblicazione della sua prima opera musicale 1608-1908
645. Cametti, Alberto, Musicisti del settecento in Roma
646. Virgili, Virgilio, Bernardo Pasquini musicista del secolo XVII