{"value"=>"<p>This series contains documentation of the operas, operettas, musicals, award ceremonies and other theatrical or television productions on which Levine has worked in some capacity; they also document her work as an educator. The earliest titles featured Levine as dancer or choreographer; later productions usually credit her as director. The files are split into two sub-series: Series I.A is arranged by project title, and Series I.B by producers or educational institutions with whom Levine has or had working relationships. Levine directed many of these titles more than once; if so, they are sub-arranged by producer. All titles include creators, if known. If Levine worked on a title only once, the producer (if known) is listed in a note. Producers with whom Levine worked most often include De Nederlandse Operastichting, La Monnaie (National Opera of Belgium), Glimmerglass Opera Theater, the New York City Opera and the San Francisco Opera. Certain titles, such as Mozart's The Abduction from the Seraglio, Leoncavallo's Il Pagliacci and Mascagni's Cavalleria Rusticana, appear only in Series I.B under the producing company or institution.</p> <p>The files in both sub-series include correspondence with presenters and other creators; annotated scores and libretti; costume, stage and set designs; notes taken during creative meetings, rehearsals and performances; rehearsal schedules; programs; clippings; and photographs. The scores and libretti are all published and contain Levine's notes, edits, stage directions and staging sketches. Some costume, stage and set designs may have been created by Levine, but with few exceptions their authorship is unknown. Some files contain rough photographs used for production purposes only; publicity photos are present as well in some cases.</p> <p>Series II also contains clippings, programs and photographs, some of which may duplicate content found in this Series.</p>"}