Correspondence

id
1117259
level (num)
1
level (text)
series
identifier (local_mss)
1060125
max depth
1
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add/edit
created
2015-05-07 05:39:32 UTC
updated
2018-10-31 20:58:47 UTC

Description data TOP

unitid
{"value"=>"1060125", "type"=>"local_mss"}
unitdate
{"value"=>"1922-1978", "type"=>"inclusive", "normal"=>"1922/1978"}
unittitle
{"value"=>"Correspondence"}
physdesc
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"1 linear foot"}], "supress_display"=>true}
scopecontent
{"value"=>"<p>Series contains letters from colleagues and individuals whom Carpenter assisted as a copyist and by revising and doing other related work in the preparation of their musical compositions. Individuals with whom he corresponded include Eubie Blake, Bill Boyd, Everett F. Briggs, Monroe Burnett, Langston Hughes, Helen Armstead-Johnson, Frank Lowry, Ada May, Kahl Ra-Faun, Dove See and Noah M. Thompson. Much of the correspondence pertains to songs he and his colleagues collaborated on. Of interest is correspondence with Eubie Blake which discusses mutual friends, and Carpenter's advice regarding Blake's music and personal matters (1966-1978). Other letters and postcards written by Blake to \"Alex\" Carpenter, which appears to be Blake=s nickname for Carpenter, also concern Blake's musical activities and travels (1944-1946, 1967). Letters from comedienne Ada May speak about her travels through Europe as a performer during 1946-1959. The series also includes correspondence with several professional organizations Carpenter belonged to: American Guild of Authors and Composers (re copyright notices), ASCAP (performance records), and Musicians' Protective Union. Agreements and contracts provide a fairly comprehensive list of collaborators, songs and fees for Carpenter's work from 1936-1964, and paystubs and earnings statements provide details about the royalties he was paid.</p>"}
date_start
1922
keydate
1922
date_end
1978
date_inclusive_start
1922
date_inclusive_end
1978
extent_statement
1 linear foot

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  1. 1922
  2. France
  3. London
  4. Buenos Aires
  5. 1933-1938
  6. Legal Case
  7. 1939-1940
  8. 1941-1942
  9. 1943-1944
  10. Responses to advertisement re arranging songs
  11. 1945
  12. 1946
  13. 1947-1948
  14. 1949
  15. 1940s
  16. Fan Mail
  17. 1950-1951
  18. 1952-1953
  19. 1954-1955
  20. 1956-1957
  21. 1958-1959
  22. 1960-1961
  23. 1962-1963
  24. 1964-1965
  25. 1966-1967
  26. 1968-1969
  27. 1970-1978
  28. undated
  29. Agreements and Contracts
  30. American Guild of Authors and Composers
  31. American Society of Composers, Authors and Publishers (ASCAP)
  32. Blake, Eubie to Alex (Elliot) Carpenter
  33. Blake, Eubie
  34. Boyd, Bill and Janice Boyd Hamilton
  35. Boyer, Adelaide
  36. Briggs, Everett F
  37. Briggs, Everett F. re song, "Oh America"
  38. Burnett, Monroe
  39. Chester, Edna and Joe
  40. Clef Club Singers and Players, Red Devils
  41. Dalton, Tom
  42. Dante, Bob
  43. Darling, Gay
  44. Davis, Nathaniel A
  45. Deacon Johnson's Studios
  46. Hughes, Langston
  47. Johnson, Helen Armstead
  48. Lowry, Frank
  49. Lowry, Frank re "Dream Again"
  50. May, Ada
  51. Clarence Muse, Chicago Fan Club
  52. Music Corporation of America
  53. Musicians' Protective Union
  54. Ra-Faun, Kahl
  55. See, Dove - re song, "O, Infant Jesus"
  56. Song Writers Protective Association
  57. Thompson, Noah M
  58. Toney, Robert
  59. Other [3/1]