Stuart A. Sherman artist files

id
9959
origination
Sherman, Stuart, 1945-2001
date statement
1959-2000 [bulk 1970s-1990s]
key date
1959
identifier (local_mss)
22735
org unit
Billy Rose Theatre Division
call number
*T-Mss 1996-012
b-number
b20636373
total components
345
total series
0
max depth
6
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2015-06-30 21:28:40 UTC
updated
2026-01-20 20:50:35 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

unitid
{"value"=>"*T-Mss 1996-012", "type"=>"local_call"}
{"value"=>"22735", "type"=>"local_mss"}
{"value"=>"b20636373", "type"=>"local_b"}
unitdate
{"value"=>"1959-2000", "type"=>"inclusive", "normal"=>"1959/2000"}
{"value"=>"1970s-1990s", "type"=>"bulk", "normal"=>"1970/1999"}
unittitle
{"value"=>"Stuart A. Sherman artist files"}
physdesc
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"13.8 linear feet", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"30 boxes, 7 oversized folders", "unit"=>"containers"}, {"name"=>"extent", "value"=>"147.456 kb (5 computer files)"}], "supress_display"=>true}
repository
{"value"=>"<span class=\"corpname\">The New York Public Library. Billy Rose Theatre Division.</span><div class=\"address\"> <span class=\"addressline\">New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center</span> <span class=\"addressline\">40 Lincoln Center Plaza, New York, NY 10023-7498</span></div>"}
abstract
{"value"=>"Stuart A. Sherman (1945-2001) was a New York-based visual, film, and performance artist. The Stuart A. Sherman artist files date from 1959 to 2000 and contain articles and essays, production files, and publications that document his work across various artistic mediums."}
prefercite
{"value"=>"<p>Stuart A. Sherman artist files, *T-Mss 1996-012. Billy Rose Theatre Division, The New York Public Library.</p>"}
origination
{"value"=>"Sherman, Stuart, 1945-2001", "type"=>"persname", "role"=>"creator"}
bioghist
{"value"=>"<p>Stuart A. Sherman was a New York-based artist. He was born in Providence, Rhode Island in 1945, and attended Riverdale Country School in New York City. He created an extensive amount of work across various mediums such as performance art, theater, film and video, poetry, and sculpture.</p> <p>Sherman was well-known for his Spectacle series of performance art pieces. The series explored object manipulation, often using a small folding table as the stage area. Some of his large-scale visual theater works include <span class=\"title\">Second Trilogy: Chekhov, Strindberg, Brecht</span> (1985); <span class=\"title\">Slant (concerning Emily Dickinson)</span> (1987); and <span class=\"title\">Solaris</span> (1992). He performed at various places throughout the world such as the Walker Art Center in Minneapolis, the Museum of Modern Art in New York, and the Festival d'Automne à Paris.</p> <p>Sherman created a large amount of short films and videos that were screened at the New York Film Festival, the Anthology Film Archives, and the Berlin Film Festival. Exhibitions of his performance sets and sculptural objects were shown at the List Visual Arts Center at the Massachusetts Institute of Technology.</p> <p>He received numerous awards for his work, including a Guggenheim Fellowship, a Village Voice Obie, and grants from the National Endowment for the Arts. Sherman died of an AIDS-related illness in 2001 in San Francisco, California.</p>"}
scopecontent
{"value"=>"<p>The Stuart A. Sherman artist files date from 1959 to 2000 (bulk dates 1970s-1990s) and contain articles and essays, production files, and publications that document his work across various artistic mediums.</p> <p>The bulk of the collection consists of production files for many of Sherman's performances. The notes, writings, and instructions convey his development process, while the contact-sheets, photographs, and slides document his work. The printed material such as flyers, programs, and brochures detail the many places where he performed such as The Kitchen in New York City and the Festival d'Automne à Paris. Production files are mainly labeled by the title of the work, but sometimes by the event or location.</p> <p>Performances covered include the Spectacle series, <span class=\"title\">The Classical Trilogy: Hamlet, Oedipus, Faust</span> (1981); and <span class=\"title\">The Play of Tea, or Pinkies Up!</span> (1989). The photographs from <span class=\"title\">Hamlet</span> in <span class=\"title\">The Classical Trilogy</span> showcase Sherman's set designs, and there are also his prop materials used during the production. The images of <span class=\"title\">The Third Spectacle</span> (1970s) in front of the The Solomon R. Guggenheim Museum records one of Sherman's street shows and its spectators; while the photographs from the 1980s production of <span class=\"title\">Portrait of Rainer Werner Fassbinder</span> display his collaborative stage work. <span class=\"title\">The Stations of the Cross, or, the Passion of Stuart</span> (2000) materials document one of his last pieces.</p> <p>Most of the audiovisual materials relate to Sherman's live performances such as the <span class=\"title\">Second Trilogy: Chekhov, Strindberg, Brecht</span> (1985); and <span class=\"title\">Knock, Knock, Knock, Knock and Others</span> (1989). Many of his original short film and video projects are represented through notes, script drafts, and programs, such as <span class=\"title\">Scotty and Stuart</span> (1977), <span class=\"title\">Baseball/TV</span> (1979), <span class=\"title\">Fish Story</span> (1983), and <span class=\"title\">Black-Eyed Susan (Portrait of an Actress)</span> (1989).</p> <p>The collection holds publications, many of which are exhibition catalogs including the 1983 Whitney Biennial, while others examine the reception of his work. There are also copies of his Riverdale Country School yearbooks from 1959 through 1963. Some of the international publications are in different languages.</p> <p>Additionally, there are loose articles and essays written by or about Sherman that offer a critical perspective of his work; biographies, bibliographies, and resumes that provide dates and contextual information, and a few personal photographs of his family.</p>"}
arrangement
{"value"=>"<p>The collection is arranged by subject or format.</p>"}
acqinfo
{"value"=>"<p>Donated by Stuart Sherman, 1996, 1997, and 2000.</p>"}
processinfo
{"type"=>"processing", "value"=>"<p>Compiled by <span class=\"name\">Joyce Joseph</span>, <span class=\"date\">2015</span>.</p>"}
{"value"=>"<p>The floppy disks that comprise the Electronic Records were forensically imaged for preservation.</p>"}
{"value"=>"<p>Compiled by Joyce Joseph, 2015.</p>"}
accessrestrict
{"value"=>"<p>Audiovisual materials will be subject to preservation evaluation and migration prior to access.</p>"}
userestrict
{"value"=>"<p>The author/creator retains copyright of materials. For information on obtaining permission to publish, contact the Theatre Division at theatre@nypl.org.</p>"}
relatedmaterial
{"value"=>"<span class=\"archref\"> Stuart Sherman papers. Fales Library and Special Collections, New York University Libraries.</span>"}
dsc_type
combined
date_start
1959
keydate
1959
date_end
2000
date_inclusive_start
1959
date_inclusive_end
2000
date_bulk_start
1970
date_bulk_end
1999
extent_statement
13.8 linear feet (30 boxes, 7 oversized folders); 147.456 kb (5 computer files)

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