- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"3.5 lin. ft.", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"7 boxes", "unit"=>"containers"}], "supress_display"=>true}
- unitid
-
{"value"=>"*T-Mss 1995-028", "type"=>"local_call"}
{"value"=>"21700", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1863-1959", "type"=>"inclusive", "normal"=>"1863/1959"}
- date_inclusive_start
-
1863
- date_inclusive_end
-
1959
- keydate
-
1863
- unittitle
-
{"value"=>"Tony Pastor collection"}
- repository
-
{"value"=>"<span class=\"corpname\">The New York Public Library for the Performing Arts. <span class=\"subarea\">Billy Rose Theatre Division.</span></span> <div class=\"address\"> <span class=\"addressline\">New York, New York</span></div>"}
- abstract
-
{"value"=>"Tony Pastor is considered the \"Father of American Vaudeville\". The collection consists of photographs (mostly of Tony Pastor), manuscript scripts and actor's sides for vaudeville skits, handbills, a limited amount of correspondence and personal papers, personal memorabilia of Mrs. Tony Pastor, some clippings, and correspondence between the original purchaser of the collection, Charles Hechler, Jr., and the musicologist Sigmund Spaeth."}
- prefercite
-
{"value"=>"<p>Tony Pastor Collection, *T-Mss 1995-028. Billy Rose Theatre Division, The New York Public Library for the Performing Arts.</p>"}
- origination
-
{"value"=>"Pastor, Tony, 1837-1908", "type"=>"persname"}
- bioghist
-
{"value"=>"<p>Tony Pastor (1837-1908), singer, songwriter and theater manager considered by many to be the Father of American Vaudeville, was born into the theatre. His father was a violinist in the theatre orchestra at Billy Mitchell's theatre in New York. At the age of six, young Antonio sang at temperance meetings, which may have influenced his later determination to remove the influence of alcohol in his own theatres. As Tony Pastor, he followed his brothers into circuses and variety shows, expanding his range of talents to include acrobatics, clowning, ring mastering, and minstrelsy. With the onset of the Civil War, he seemed to have found his true calling as a singer of topical songs, most with a sentimental or comic edge.</p> <p>Such was his popularity that he was able to leap into \"legitimate variety,\" appearing as a comic singer at various theatres in New York and on the road before assembling his own company and establishing himself as a manager in his own theatre. He opened in 1865 at 201 Bowery, remaining there for ten years, after which he made the jump to 585 Broadway, which became renowned as Tony Pastor's. From there, in 1881, he joined the northward flow of theatres to the Tammany building on East 14th Street, within earshot of the theatre district at Union Square. He remained there for the rest of his professional life.</p> <p>When he began as a singer in the variety theatres, they catered mostly to an all male population with the exception of the gallery prostitutes, who frequented the music halls in search of customers. Pastor was determined to clean up the theatres, present a wholesome and attractive bill of acts, and entice women into his theatres. Although his first efforts were not successful, he resorted to giving away all sorts of prizes to lure the female population and his actions gradually paid off. As one wag observed, Pastor's shows became so clean that \"a child could take his parents into his theatre.\"</p> <p>Under Pastor's tutelage, many of the stage luminaries of a later era began their careers at his theatres, notably Weber and Fields, Harrigan and Hart, Lillian Russell, May Irwin, Nat Goodwin, Denman Thompson, the four Cohans, and many others. Not only was he successful in finding and showcasing performers, he gave work to many writers, composers and lyricists, whom he commissioned to provide the songs and skits for his shows. He made a yearly trip to England to survey the English music hall scene and to buy up songs he thought he might be able to use. His lasting contribution was in transforming the variety show into American vaudeville, similar yet different from its European counterparts, by presenting a broad array of American performers singing and dancing to American songs.</p>"}
- custodhist
-
{"value"=>"<p>The Tony Pastor Collection was presented to the Billy Rose Theatre Division by Mrs. Charles Hechler, Jr., whose husband had purchased the collection with the intention of selling it at a later date. When Hechler could not find the right buyer, it languished in storage and eventually sifted down to seven boxes and a large folder from a much larger and varied collection. What is described here is what was left after Hechler's death. Perhaps, the most valuable part of the collection is the original unpublished music, which was transferred to the Music Division.</p>"}
- scopecontent
-
{"value"=>"<p>The Tony Pastor Collection represents part of a lost era in American theatre: the vaudeville age. Considered the \"Father of American Vaudeville,\" Pastor almost singlehandedly revolutionized variety entertainment by making it family-oriented and tailoring the acts and skits to fit the talents of the performers, many of whom he discovered at the beginning of their careers.</p> <p> The collection that was presented to the Billy Rose Theatre Division contains few interesting documents about his career but does include handwritten scripts and actor's sides for some of the one-act plays and skits that appeared in Pastor's theatres, which will provide insights into the kind of entertainment that was offered in the best vaudeville bills. It also contains photographs of Tony Pastor, programs and broadsides, clippings, a small amount of correspondence, a few songs, and miscellaneous ephemera.</p>"}
{"value"=>"<p class='list-head'>The Tony Pastor collection is arranged in nine series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/the/21700#c327856'>Series I. Correspondence about the Collection</a></div>\n<div class='series-date'>1954-1959</div>\n<div class='series-extent'>4 folders</div>\n<div class='series-description'><p>Correspondence of Charles Hechler, Jr. (purchaser), with Sigmund Spaeth (musicologist) and others including Frank I. Davis and Miriam Howell documents Hechler's attempts to find an interested buyer with deep pockets for the Tony Pastor Collection.</p></div></li><li><div class='series-title'><a href='/the/21700#c327861'>Series II. Personal papers of Tony Pastor</a></div>\n<div class='series-date'>1876-1899</div>\n<div class='series-extent'>3 folders</div>\n<div class='series-description'><p>Consists of a small amount of incoming correspondence to Tony Pastor, a certified copy of his will and some miscellaneous ephemera.</p></div></li><li><div class='series-title'><a href='/the/21700#c327865'>Series III. Scripts</a></div>\n<div class='series-date'>1872-1885 and n.d.</div>\n<div class='series-description'><p>The bulk of the collection, this series contains vaudeville scripts in manuscript, mostly for short plays, skits or sketches and individual parts for actors. The actor's sides are in a separate sub-series from the scripts except in cases where they are for the same title in which case they are included in the scripts folder.</p></div></li><li><div class='series-title'><a href='/the/21700#c327923'>Series IV. Songs</a></div>\n<div class='series-date'>1892 and n.d.</div>\n<div class='series-extent'>4 folders</div>\n<div class='series-description'><p>Contains a few handwritten song lyrics and two booklets of printed sheet music.</p></div></li><li><div class='series-title'><a href='/the/21700#c327928'>Series V. Programs and miscellaneous printed material</a></div>\n<div class='series-date'>1865-1906 and n.d.</div>\n<div class='series-extent'>5 folders</div>\n<div class='series-description'><p>Contains programs for shows in which Tony Pastor performed, programs for his various theater companies, and programs and miscellaneous printed theatrical material to which his connection is unknown.</p></div></li><li><div class='series-title'><a href='/the/21700#c327934'>Series VI. Articles and clippings</a></div>\n<div class='series-date'>1863-1956</div>\n<div class='series-extent'>5 folders</div>\n<div class='series-description'><p>Contains clippings and posthumous articles about Tony Pastor.</p></div></li><li><div class='series-title'><a href='/the/21700#c327940'>Series VII. Portraits of Tony Pastor</a></div>\n<div class='series-date'>1864-1865 and n.d.</div>\n<div class='series-extent'>4 folders</div>\n<div class='series-description'><p>Photographs and lithographs of Tony Pastor.</p></div></li><li><div class='series-title'><a href='/the/21700#c327945'>Series VIII. Personal papers of Tony Pastor's wife, Josephine Pastor</a></div>\n<div class='series-date'>1888-1922</div>\n<div class='series-extent'>4 folders in 1 halinear feet-size hollinger box</div>\n<div class='series-description'><p>Consists primarily of printed Christmas cards, also a few miscellaneous personal papers of Josephine Pastor.</p></div></li><li><div class='series-title'><a href='/the/21700#c327950'>Series IX. Oversized items</a></div>\n<div class='series-date'>1871-1914 and n.d.</div>\n<div class='series-extent'>3 boxes</div>\n<div class='series-description'><p>Contains oversized programs and broadsides, miscellaneous photographs, printed periodicals related to the stage and certificates awarded to Tony Pastor.</p></div></li></ul>\n", "type"=>"arrangement"}
- arrangement
-
{"value"=>"<p> <ul> <li>Series I. Correspondence about the collection</li></ul></p> <p> <ul> <li>Series II. Personal papers of Tony Pastor</li></ul></p> <p> <ul> <li>Series III. Scripts <ul> <li>Sub-series 1. Scripts and skits</li> <li>Sub-series 2. Actor's sides</li></ul></li></ul></p> <p> <ul> <li>Series IV. Songs</li></ul></p> <p> <ul> <li>Series V. Programs and miscellaneous printed material</li></ul></p> <p> <ul> <li>Series VI. Articles and clippings</li></ul></p> <p> <ul> <li>Series VII. Portraits of Tony Pastor</li></ul></p> <p> <ul> <li>Series VIII. Personal papers of Tony Pastor's wife, Josephine Pastor</li></ul></p> <p> <ul> <li>Series IX. Oversized items</li></ul></p>", "supress_display"=>true}
- acqinfo
-
{"value"=>"<p>Gift of Mrs. Charles Hechler, Jr.</p>"}
- accessrestrict
-
{"value"=>"<p>Photocopying prohibited.</p>"}
- userestrict
-
{"value"=>"<p>For permission to publish, contact the Curator, Billy Rose Theatre Division.</p>"}
- note
-
{"value"=>"<p>Original unpublished music that came with the collection was transferred to the Library's Music Division</p>", "encodinganalog"=>"500"}
- langmaterial
-
{"value"=>"English"}
- processinfo
-
{"value"=>"<p>Processed by Mary Henderson and Elisabeth Elkind; Machine-readable finding aid created by Elisabeth Elkind.</p>"}
- extent_statement
-
3.5 linear feet (7 boxes)
- date_start
-
1863
- date_end
-
1959