- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"39.33 linear feet", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"95 boxes", "unit"=>"containers"}], "supress_display"=>true}
- unitid
-
{"value"=>"*MGZMD 155", "type"=>"local_call"}
{"value"=>"19802", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1908-1996", "type"=>"inclusive", "normal"=>"1908/1996"}
- date_inclusive_start
-
1908
- date_inclusive_end
-
1996
- keydate
-
1908
- unittitle
-
{"value"=>"Sophia Delza papers"}
- repository
-
{"value"=>"<span class=\"corpname\">The New York Public Library for the Performing Arts.</span> <span class=\"subarea\">Jerome Robbins Dance Division</span> <div class=\"address\"> <span class=\"addressline\">New York, New York</span></div>"}
- abstract
-
{"value"=>"American dancer, writer, and teacher of tai chi, Sophia Delza had an exceptionally long and varied career. She achieved prominence as an independent modern dance performer and choreographer, but embarked on a second career as an authority on Chinese dance and martial arts traditions. During a stay in China, Delza became the first American dancer to teach modern dance technique in Chinese theater and dance schools. Following her return to the United States, she became an important tai chi instructor and advocate. The collection includes her writings, correspondence, photographs, programs, and original artwork."}
- prefercite
-
{"value"=>"Sophia Delza papers, *MGZMD 155. Jerome Robbins Dance Division, The New York Public Library for the Performing Arts"}
- origination
-
{"value"=>"Delza, Sophia", "type"=>"persname"}
- bioghist
-
{"value"=>"<p>American dancer, writer, and teacher of tai chi, Sophia Delza (1903 - 1996) had an exceptionally long and varied career. Delza already had achieved a certain degree of prominence as an independent modern dance performer and choreographer by the mid-1940s. However, her entire career underwent a major shift in the years after 1948, as a result of her accompanying her husband, Cook Glassgold, on a diplomatic posting to Shanghai. Provided with a firsthand opportunity to study with master teachers of Chinese theatrical dancing and tai chi, Delza brought her newfound expertise back to the United States and embarked on a whole new second career as an authority on Chinese dance and martial arts traditions.</p> <p>Born Sophie Hurwitz, Delza grew up in Brooklyn, steeped in art and progressive politics, as a part of a large, extended family. Delza's other siblings included the future documentary filmmaker, Leo Hurwitz and a sister, Marie Briehl, who became a well-regarded psychoanalyst. It was another sister, Elizabeth Delza (who also went on to pursue a successful career in modern dance), who became Sophia's first dance teacher. Sophia continued this informal training with her sister while attending Hunter College, where she majored in science, but she also began appearing in programs at the Neighborhood Playhouse. After receiving her degree from Hunter in 1924, Delza began graduate work at Columbia University, but she continued to perform regularly. She eventually decided to go to Europe, spending the majority of her time in Paris, where she studied character and folk dance forms, as well as composition at the Dalcroze School.</p> <p>After returning to the United States, Delza confronted the limited opportunities for work as a professional dancer. She toured with the Doris Niles Company, but she also found employment in vaudeville, stage productions, and films. In 1928, she appeared in an edition of the <span class=\"title\">Grand Street Follies</span> with James Cagney as her dancing partner and the following year she was a featured dancer in the Provincetown Playhouse production of Fiesta. Delza gave her first, well-received solo recital at New York's Guild Theatre in 1930, which was followed by subsequent seasons. She also performed Spanish dance from the late 1920s to the late 1930s and received a grant to study folk dance forms in Mexico. By the early 1940s, Delza had developed her \"dance-monologue\" format and was creating complete scripts for her modern dance programs, which often incorporated spoken word.</p> <p>Following her husband to Shanghai (1948-1951), Delza became the first American dancer to teach modern dance technique in Chinese theater and dance schools. She also gave several concerts and lectures during her nearly four-year stay in China. Perhaps more importantly, during her residency abroad, Sophia was introduced to the ancient Chinese exercise form, t'ai chi ch'uan and studied with Ma Yueh-liang, a master practitioner of the Wu style. She also studied action dance roles in the classical Chinese theater with such leading artists and teachers as Wang Fu-Ying and Cheng Chuan-Chien. Upon her return to the United States, Delza began to present classical Chinese dance routines, usually in a lecture demonstration format. She gave numerous classes, lectures, and demonstrations on Chinese theater forms in New York and toured extensively throughout the United States and abroad. Concurrently, Delza became more involved with tai chi, giving what she believed to have been its first demonstration in the United States at the Museum of Modern Art in 1954. Thereafter, Delza became an important tai chi instructor and tireless advocate of the exercise art, opening her own studio in Carnegie Hall, teaching regular classes at the United Nations and the Actors Studio, as well as maintaining affiliations with several universities in the metropolitan New York area, and undertaking occasional residencies at institutions across the country. She also wrote extensively on the subject, publishing numerous articles, a record album, and three books on tai chi over the course of thirty-five years. Her final book, <span class=\"title\">The T'ai Chi Ch'uan Experience</span> was published shortly before her death in 1996.</p> <p>Sophia Delza shared an apartment at the Chelsea Hotel with her husband, Cook Glassgold (1899 - 1985) from the time of the couple's return from China in 1951 through 1985; she would remain at the Chelsea until the time of her own death. Glassgold enjoyed a career that was equally varied as that of his wife. Born in New York, Glassgold taught art at City College during the 1920s and in 1932 he became curator of painting at the Whitney Museum. From 1936 through 1941 he was an editor of the <span class=\"title\">Index of American Art</span> for the Works Progress Administration. He worked for the Federal Public Housing Administration during World War II. He later joined the United Nations Relief and Rehabilitation Administration in 1945 and was responsible for directing a camp for displaced persons in Landsberg, Germany. In 1948 he took a position in Shanghai with the American Joint Distribution Committee again helping relocate refugees. After returning to New York, Glassgold became the director of the Hotel Trades Council union, a position he held from 1953 until his retirement in 1975. Following his retirement, he volunteered at the American Museum of Natural History, where he worked on restoring a Chinese marriage chair. In his later years, Glassgold also returned to easel painting, enjoying several well-received one-person shows of his paintings in the years immediately preceding his death.</p>"}
- scopecontent
-
{"value"=>"<p>The Sophia Delza Papers document the rich and varied career of this unique American dancer, writer, and tai chi teacher. The collection consists chiefly of correspondence, writings, programs, photographs, and original artwork. It covers her entire professional career to some degree, but most thoroughly documents the period from the 1950s to the early 1990s (the years in which she was most actively involved in promoting and teaching tai chi in the United States) through correspondence, programs, photographs, and writings. The collection contains less material relating to Delza's earlier work in modern dance, but does include programs, music scores, scripts and some dance notations for her \"dance-monologue\" concert pieces, dating from the late 1930s to the early 1940s; also included is one scrapbook that contains clippings of reviews and programs for her modern dance recitals. Although the strength of the collection lies in its documentation of Delza's professional career, her distinctive and vivid personality clearly emerges through the correspondence, journals and informal writings, and also is evident in her published writings. Also included are selected personal papers of her husband, Cook Glassgold, which Delza had retained after his death. A prolific visual artist in addition to her other talents, the collection contains numerous examples of Delza's original artwork. Most of the series contain at least some materials in a Chinese written language.</p> <p>Sources: <ul> <li>Dunning, Jennifer. \"Sophia Delza Glassgold, 92, Dancer and Teacher.\" <span class=\"title\">New York Times</span>, 1996 Jul. 7, 21.</li> <li>Fowler, Glenn Bobbi. \"A. Cook Glassgold; Art expert directed postwar relief drive.\" <span class=\"title\">New York Times</span>, 1985 Feb. 15, A24.</li> <li>Karlan, Gertrude. \"Sophia Delza.\" <span class=\"title\">Dance Observer</span>, 1934 Aug.-Sept., 1, 67.</li></ul></p>"}
{"value"=>"<p class='list-head'>The Sophia Delza papers are arranged in nine series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/dan/19802#c392422'>Series I: Personal papers</a></div>\n<div class='series-date'>1908 - 1996</div>\n<div class='series-extent'>29 boxes</div>\n<div class='series-description'><p>The Personal papers series contains general personal materials, such as address books and financial papers, a large amount of journals and other informal writings, a set of materials relating to many of Delza's family members, and personal papers belonging to her husband, Cook Glassgold.</p></div></li><li><div class='series-title'><a href='/dan/19802#c392869'>Series II: Correspondence, - and</a></div>\n<div class='series-date'>undated</div>\n<div class='series-extent'>20 boxes</div>\n<div class='series-description'><p>The Correspondence series consists primarily of letters received by Sophia Delza in both a personal and professional capacity. In some instances, Delza retained drafts, carbon copies, or photocopies of letters she wrote. This material has been interfiled with the relevant letter(s) received when found. The dated copies of Delza's letters are most prevalent for the early 1960s (a period in which she was most actively touring and teaching in the United States and abroad). Delza's correspondents were numerous and varied, including many notable individuals from the literary, musical, and visual art communities, such as Ralph and Bena Mayer, Yehudi Menuhin, Christina Stead, and Leopold Stokowski. Frequent correspondents include friends living in China or with an interest in Chinese culture, including Edgar and Lois Snow and Sophia's tai chi teacher, Master Ma Yueh-liang. Correspondence with Delza family members has been filed in the Family papers sub-series. Letters between Sophia and her husband have been filed in the Cook Glassgold papers sub-series.</p></div></li><li><div class='series-title'><a href='/dan/19802#c393204'>Series III: Performance and publicity files, - and</a></div>\n<div class='series-date'>undated</div>\n<div class='series-extent'>7 boxes</div>\n<div class='series-description'><p>The Performance and publicity files series contains material that documents Sophia Delza's wide-ranging professional career as a performer in both Western and Chinese dance forms. It also incorporates notes and scripts primarily used in lecture demonstrations. Programs, as well as a variety of publicity materials, and scrapbooks cover performances and personal appearances ranging from Sophia Delza's early modern dance concerts to her later appearances as a lecturer on tai chi and Chinese dance.</p></div></li><li><div class='series-title'><a href='/dan/19802#c393339'>Series IV: Writing for Publication, - and</a></div>\n<div class='series-date'>undated</div>\n<div class='series-extent'>11 boxes</div>\n<div class='series-description'><p>This series contains manuscript drafts, notes, illustrations, and production materials relating to Delza's writing that was intended for publication. Delza published four books and numerous articles, both popular and scholarly, over the course of her career. In addition to her tai chi writing, Delza was a noted authority on Chinese classical theater, publishing an entry on dance in Chinese opera, as well as an article on the actor, Mei Lan-Fang in <span class=\"title\">The International Encyclopedia of Dance</span> (1998).</p></div></li><li><div class='series-title'><a href='/dan/19802#c393645'>Series V: Research materials, and</a></div>\n<div class='series-date'>undated</div>\n<div class='series-extent'>7 boxes</div>\n<div class='series-description'><p>The Research materials series consists of programs (probably of performances attended by Delza), subject files, and English translations of Chinese texts prepared for Delza</p></div></li><li><div class='series-title'><a href='/dan/19802#c393804'>Series VI: Teaching Materials, - and</a></div>\n<div class='series-date'>undated</div>\n<div class='series-extent'>2 boxes</div>\n<div class='series-description'><p>The Teaching materials series is comprised of correspondence, accounts, catalogs, class lists, and other materials relating to Sophia Delza's work as a tai chi and dance instructor. Most of the material documents academic residencies. There is very little material present about Delza's long association with the United Nations T'ai Chi Club. Some additional information regarding the operations of Delza's private Carnegie Hall studio can be found in the Personal papers series.</p></div></li><li><div class='series-title'><a href='/dan/19802#c393838'>Series VII: Original artwork, - and</a></div>\n<div class='series-date'>undated</div>\n<div class='series-extent'>5 boxes</div>\n<div class='series-description'><p>Sophia Delza probably was as prolific a visual artist as she was a writer. This series includes many drawings found individually or grouped together, as well as several sketchbooks. Artwork in a larger format, including many more finished watercolor paintings, can be found in the Oversized materials series.</p></div></li><li><div class='series-title'><a href='/dan/19802#c393925'>Series VIII: Photographs, - and</a></div>\n<div class='series-date'>undated</div>\n<div class='series-extent'>8 boxes</div>\n<div class='series-description'><p>The Photographs series contains both candid and formal images of Sophia Delza, her family, and friends. It includes many professional studio photographs, as well as performance shots of Delza. There are also a large number of vacation photographs. The series also includes numerous photographs taken or collected by Delza's husband, Cook Glassgold.</p></div></li><li><div class='series-title'><a href='/dan/19802#c394077'>Series IX: Oversized Materials, - and</a></div>\n<div class='series-date'>undated</div>\n<div class='series-extent'>6 boxes</div>\n<div class='series-description'><p>The Oversized materials series contains an awards plaque, printing blocks with engravings of Sophia Delza, school diplomas and a school photograph, broadsides, magazines, and original artwork, including several watercolor paintings, mainly depicting Chinese theater scenes. Also included are a collection of Chinese paper cuts and a 1932 photographic scrapbook of the Sino-Japanese war that may have been presented to Cook Glassgold. Of particular note are the music scores, some of which were created for Delza's original dance pieces, including works by Jack Eisenberg and Goddard Lieberson.</p></div></li></ul>\n", "type"=>"arrangement"}
- arrangement
-
{"value"=>"<p> <ul> <li>Series I: Personal papers, 1908-1996 and undated <ul> <li>Sub-series 1 - General, 1920-1996 and undated</li> <li>Sub-series 2 - Journals and other informal writings, 1948-1995 and undated</li> <li>Sub-series 3 - Family, 1940-1995 and undated</li> <li>Sub-series 4 - Glassgold, Cook, 1908-1985 and undated</li></ul></li> <li>Series II: Correspondence, 1930-1996 and undated <ul> <li>Sub-series 1 - Personal, 1933-1996 and undated</li> <li>Sub-series 2 - Professional, 1930-1996 and undated</li></ul></li> <li>Series III: Performance and publicity files, 1928-1986 and undated <ul> <li>Sub-series 1 - Lecture notes and scripts, 1934-1986 and undated</li> <li>Sub-series 2 - Programs, 1930-1975 and undated</li> <li>Sub-series 3 - Publicity and promotional materials, 1928-1980 and undated</li> <li>Sub-series 4 - Scrapbooks, 1932-1948 and undated</li></ul></li> <li>Series IV: Writing for publication, 1934-1996 and undated <ul> <li>Sub-series 1 - Published books, 1961-1996 and undated</li> <li>Sub-series 2 - Published articles, 1934-1996 and undated</li> <li>Sub-series 3 - Unpublished or unidentified projects, 1958-1989 and undated</li> <li>Sub-series 4 - Poems, 1945-1995 and undated</li></ul></li> <li>Series V: Research materials, 1916-1995 and undated <ul> <li>Sub-series 1 - Programs, 1926-1991 and undated</li> <li>Sub-series 2 - Subject files, 1932-1995 and undated</li> <li>Sub-series 3 - Translations, 1916-1964 and undated</li></ul></li> <li>Series VI: Teaching materials, 1939-1978 and undated</li> <li>Series VII: Original artwork, 1937-1975 and undated <ul> <li>Sub-series 1 - Individual or groups of drawings, 1937-1975 and undated</li> <li>Sub-series 2 - Sketchbooks, 1942-ca. 1966 and undated</li></ul></li> <li>Series VIII: Photographs, 1937-ca. 1996 and undated <ul> <li>Sub-series 1 - Prints, 1937-ca. 1996 and undated</li> <li>Sub-series 2 - Slides, 1956-1981 and undated</li> <li>Sub-series 3 - Negatives, 1947-ca. 1996 and undated</li></ul></li> <li>Series IX: Oversized materials, 1916-1994 and undated</li></ul></p>", "supress_display"=>true}
- acqinfo
-
{"value"=>"<p>The Sophia Delza Papers were donated to the Jerome Robbins Dance Division in 1997 by Dr. Eleanor Burlingham; the collection also incorporates a separate accession of six drawings donated by Barry Fishman in 2004.</p>"}
- separatedmaterial
-
{"value"=>"<p> <ul> <li>Artifacts (Jerome Robbins Dance Division): <ul> <li>4 fans</li> <li>1 seal</li> <li>1 Vets for Peace in Vietnam cap worn by Cook Glassgold in photographs in the collection</li></ul></li></ul> <ul> <li>Audio (Jerome Robbins Dance Division): <ul> <li>7 sound tape reels ; 5 in.</li> <li>20 sound tape reels ; 7 in.</li> <li>11 sound cassettes</li> <li>25 sound discs ; analog, 33 1/3 rpm. ; 12 in.</li> <li>25 sound discs ; analog, 33 1/3 rpm. ; 10 in.</li></ul></li></ul> <ul> <li>Books (Jerome Robbins Dance Division): <ul> <li>Arimany, Guias. <span class=\"title\">Three days in Barcelona</span>. Barcelona, [1962].</li> <li>Bird, George E. <span class=\"title\">Hangchow holidays</span> (and motorist's supplement). Shanghai, 1948.</li> <li> Burn, D. C. <span class=\"title\">A guide to Lunghwa temple</span>. Shanghai, 1926</li> <li>Delza, Sophia. <span class=\"title\">Tai Chi Ch'uan</span>. Undated bound galley (?) with annotations by the author.</li> <li>Di tu chu ban she. <span class=\"title\">Tourist guide to Peking</span>. [Peking], 1972.</li> <li> <span class=\"title\">A guide to Peiping and its environs</span>. Peiping, 1946.</li> <li>Houdard, Georges Louis. <span class=\"title\">Guide historique dans les appartements royaux du Château Vieux de Saint-Germain-en-Laye</span>. Saint-Germain-en-Laye, 1923. 3rd ed.</li> <li> <span class=\"title\">In memory of my tour, Peiping, China</span>. [Peking, China, 19--]. (2 copies)</li> <li>Jung Chen photographic Studio. <span class=\"title\">The Forbidden City Peiping</span></li> <li>Jung Chen photographic Studio. <span class=\"title\">The Great Wall of China</span></li> <li>Jung Chen photographic Studio. <span class=\"title\">The Lama Temple Peiping</span></li> <li>Jung Chen photographic Studio. <span class=\"title\">The Palace Private Court Peiping</span></li> <li>Jung Chen photographic Studio. <span class=\"title\">The Palace Private Court Peiping</span></li> <li>Jung Chen photographic Studio. <span class=\"title\">The Summer Palace Peiping</span></li> <li>Jung Chen photographic Studio. <span class=\"title\">The Temple of Heaven Peiping</span></li> <li>King, H. W. <span class=\"title\">King's English-Chinese dictionary and phrase book (self pronouncing)</span>. Dallas, [c1944]</li> <li>Kolbe, Georg. <span class=\"title\">Georg Kolbe: eine Tänzerin</span>. Leipzig, [1900?]</li> <li>Li, Tianmin. <span class=\"title\">Chinese folk dance</span>. Taibei, [1962].</li> <li>Liu, Tianhua. <span class=\"title\">Selections from the repertoire of operatic songs and terpsichorean melodies of Mei Lan-fang</span>. Pei-ping, 1929.</li> <li> <span class=\"title\">Shanghai</span>. [Shanghai], [1972]. (Parallel text in English and Chinese.)</li> <li>Shanghai ren min zhu ban she. <span class=\"title\">Shanghai shi shi qu tu = Map of Shanghai proper</span>. Shanghai, [1974?].</li> <li>58 books in a Chinese written language (mainly martial arts texts)</li></ul></li></ul> <ul> <li>Film (Jerome Robbins Dance Division): <ul> <li>31 reels of Super 8 (probably images from 1973 trip to China)</li> <li>1 reel 8 mm.?</li> <li>1 reel 16 mm.?</li> <li> Kinhaven (1 canister of rolled 35 mm.? negatives)</li> <li>New York (1 canister of rolled 35 mm.? negatives)</li> <li>Shanghai - JDC (2 canisters of rolled 35 mm.? negatives)</li> <li>Sophia - Book poses (1 canister of rolled 35 mm.? negatives)</li> <li>Sophia - Chinese dances (2 canisters of rolled 35 mm.? negatives)</li> <li>Sophia - Dramatic dances (1 canister of rolled 35 mm.? negatives)</li> <li>Sophia - Monologues (1 canister of rolled 35 mm.? negatives)</li> <li>Tai chi chuan (1 canister of rolled 35 mm.? negatives)</li> <li>Unlabeled containers (5 canisters of rolled 35 mm.? negatives; including 2 from Mexico)</li></ul></li></ul> <ul> <li>Sheet music and scores (Music Division): <ul> <li>Addinsell, Richard. <span class=\"title\">Warsaw concerto</span>. New York, 1942.</li> <li>Albé́niz, Isaac. <span class=\"title\">España : 6 feuilles d'album</span>. London, [19--?].</li> <li>Allan, Lewis. <span class=\"title\">Strange fruit</span>. New York, 1940.</li> <li> <span class=\"title\">Argentinita dance album</span>. New York, 1943.</li> <li>Arriaza, Aurora. <span class=\"title\">Spanish castanette playing; unique and comprehensive method of self-instruction</span>. New York, [1924].</li> <li>Bach, Johann Sebastian. <span class=\"title\">Arioso for treble recorder and harpsichord (or piano)</span>. London, 19--.</li> <li>Bach, Johann Sebastian. <span class=\"title\">Largo and allegro for treble recorder and harpsichord (or piano)</span>. London, 19--.</li> <li>Bach, Johann Sebastian. <span class=\"title\">Sonata from church cantata no. 182 for treble (or descant) recorder and solo violin with string orchestra and continuo(pianoforte or harpsichord</span>. London, 19--.</li> <li>Bach, Johann Sebastian. <span class=\"title\">Trio II for treble and tenor recorders and piano</span>. London, 19--.</li> <li>Bach, Johann Sebastian. <span class=\"title\">Well-tempered clavichord</span>. New York, 1893.</li> <li>Bach, Johann Sebastian. <span class=\"title\">Das wohltemperirte Klavier II</span>. Wien, 19--.</li> <li>Bartók, Bé́la. <span class=\"title\">Selected works for the piano</span>. New York, [193-?].</li> <li>Beethoven, Ludwig van. <span class=\"title\">Symphonies</span>. Paris, 1921.</li> <li> <span class=\"title\">Chinese Modern Songs: for vocal, guitar, banjo, violin, mandoline and accordion, harmonica</span>. [Shanghai], 1946.</li> <li>Debussy, Claude. <span class=\"title\">Prelude to the afternoon of a faun: arranged for two pianos, four hands</span>. New York, [19--].</li> <li>Diamond, David. <span class=\"title\">Music for Shakespeare's Romeo & Juliet</span>. New York, 1947.</li> <li>Dieupart, Charles. <span class=\"title\">Suite I</span>. Celle, 1939.</li> <li>Hand, Colin. <span class=\"title\">Sonatina for treble recorder (or flute) and piano</span>. London, 1960.</li> <li>Falla, Manuel de. <span class=\"title\">Danse rituelle du feu</span>. Paris, 1921.</li> <li> <span class=\"title\">Kampflieder = Battle-songs = Canzoni di guerra = Chansons de guerre = Canciones de guerra de la brigadas internacionales</span>. [Madrid, 1937]</li> <li>La Barre, Michel de. <span class=\"title\">Le landais for recorder & pianoforte</span>. London, 1911</li> <li>Metzger, Fritz Bruno. <span class=\"title\">Frohes spiel</span>. Mainz, [1950].</li> <li>Modoi, Evelyn. <span class=\"title\">China sings: folk-songs and fighting songs of China</span>. New York, 1945.</li> <li>Mozart, Wolfgang Amadeus. <span class=\"title\">Quartett Nr. 28</span>. D. Wiesbaden, [197-?].</li> <li> <span class=\"title\">One hundred folksongs of all nations: for medium voice</span>. Boston, 1911.</li> <li>Ore, Harry. <span class=\"title\">South China Fantasy</span>. Shanghai, 1931.</li> <li>Porter, Cole. <span class=\"title\">Begin the beguine</span>. New York, 1935.</li> <li>Respighi, Ottorino. <span class=\"title\">Concerto a cinque, per oboe, tromba, violino, contrabbasso, pianoforte e orchestra d'archi</span>. Milano, 1934.</li> <li>Reutter, Hermann. <span class=\"title\">Die Passion in 9 Inventionen</span>. Mainz, 1930.</li> <li> <span class=\"title\">Revolutionary songs of China</span>. [s.l., 1968]</li> <li>Robinson, Earl. <span class=\"title\">Fight America</span>. Unpublished?</li> <li>Rooda, G. <span class=\"title\">95 dexterity exercises and dances for recorders in F</span>. [S.l.], 1959.</li> <li>Schubert, Franz. <span class=\"title\">Militar-märsch</span>. London, 1980.</li> <li> <span class=\"title\">Sones, canciones y corridos Michoacanos</span>. Mexico, D.F., [193-?-].</li> <li> <span class=\"title\">Songs of fighting China</span>. [New York, 1943</li> <li>Staeps, Hans Ulrich. <span class=\"title\">Meiner Mutter: Sonata</span>. Wien, 1957.</li> <li>Tapper, Thomas, 1864-1958. <span class=\"title\">First year harmony</span>. Evanston, 1959.</li> <li>Telemann, Georg Philipp. <span class=\"title\">Six fantasias for solo alto (treble) recorder</span>. New York, 1962.</li> <li>Vivaldi, Antonio. <span class=\"title\">Concerto in C major : for piccolo or flute or soprano recorder and piano</span>. New York, 1960.</li> <li>Woodcock, Robert. <span class=\"title\">Concerto no III, originally written for descant recorder and strings (chamber orchestra or string quartet)</span>. New York, 1948.</li> <li>9 unidentified Chinese music scores</li></ul></li></ul></p>"}
- userestrict
-
{"value"=>"<p>For permission to publish, contact the Curator, Jerome Robbins Dance Division</p>"}
- processinfo
-
{"value"=>"<p>Processed by Helice Koffler; Machine-readable finding aid created by Helice Koffler.</p>"}
- extent_statement
-
39.33 linear feet (95 boxes)
- date_start
-
1908
- date_end
-
1996