Ronald Field papers

id
5375
origination
Field, Ronald, 1934-1989
date statement
1954-1988
key date
1954
identifier (local_mss)
18450
org unit
Jerome Robbins Dance Division
call number
*MGZMD 296
b-number
b19618920
total components
18
total series
0
max depth
1
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:05:18 UTC
updated
2026-06-25 15:07:55 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

physdesc
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>".67 linear feet", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"2 boxes", "unit"=>"containers"}], "supress_display"=>true}
unitid
{"value"=>"*MGZMD 296", "type"=>"local_call"}
{"value"=>"18450", "type"=>"local_mss"}
unitdate
{"value"=>"1954-1988", "type"=>"inclusive", "normal"=>"1954/1988"}
date_inclusive_start
1954
date_inclusive_end
1988
keydate
1954
unittitle
{"value"=>"Ronald Field papers"}
repository
{"value"=>"<span class=\"corpname\">The New York Public Library. <span class=\"subarea\">Jerome Robbins Dance Division</span></span> <div class=\"address\"><span class=\"addressline\">New York, New York</span></div>"}
abstract
{"value"=>"Ronald Field was a dancer and choreographer. Documenting Field's professional career, his papers contain correspondence, photographs, programs, reviews and scripts relating to his various projects and performances."}
prefercite
{"value"=>"Ronald Field papers, *MGZMD 296. Jerome Robbins Dance Division, The New York Public Library for the Performing Arts"}
origination
{"value"=>"Field, Ronald, 1934-1989", "type"=>"persname"}
bioghist
{"value"=>"<p>Ronald Field was a dancer and choreographer. He was born in 1934 in New York, New York. Field began his dance career as a child. His aunt was a dance teacher, and he took lessons with her. In 1941, he made his Broadway debut in <span class=\"title\">Lady in the Dark</span>. At the age of 18, he toured with <span class=\"title\">Gentlemen Prefer Blondes</span>. He danced in a few more ensembles throughout the 1940s and 1950s before deciding to focus on choreography. His first two efforts were unsuccessful, but he won his first Tony Award in 1967 for <span class=\"title\">Cabaret</span>. Field also worked on projects such as the 44th Annual Academy Awards telecast in 1972, and the opening ceremonies for the 1986 Los Angeles Olympics. In 1977, he choreographed the film <span class=\"title\">New York, New York</span>. Field was nominated for several more Tony Awards throughout his career, winning two in 1970 for <span class=\"title\">Applause</span>. That same year, he also won two Drama Desk Awards for <span class=\"title\">Applause</span>. On February 6, 1989, Field died of brain lesions.</p>"}
scopecontent
{"value"=>"<p>The Ronald Field papers (1954-1988) contain correspondence, photographs, programs, reviews and scripts relating to his various projects and performances. These materials examine Field's award-winning career and the development processes of his dance productions. Included in the correspondence are brief letters from the American theatrical producer Harold Smith about <span class=\"title\">Ashmedai</span>, and from International Creative Management, a talent and literary agency, regarding <span class=\"title\">Cabaret</span>. There are also a large number of telegrams from family members and friends sent for the opening of <span class=\"title\">Nowhere To Go But Up</span>. The photographs are mainly of performances, but there are several headshots and a few personal photos. In the biographical information, there is a transcription of a 1978, in-depth interview conducted with Field about his career.</p>"}
arrangement
{"value"=>"<p>The collection is arranged alphabetically by subject.</p>"}
acqinfo
{"value"=>"<p>Gift of the estate of Ronald Field, 1992.</p>"}
processinfo
{"value"=>"<p>Compiled by Joyce LeeAnn Joseph, Pratt Institute, 2012.</p>"}
{"value"=>"<p>The collection is organized by project or specific subject and arranged alphabetically. When possible, original folders and folder labels were preserved. Non-obscure clippings were deaccessioned, such as those from the New York Times and Village Voice. Duplicate photographs were returned to the Library for the Performing Arts. Additions to the collection, including programs and a scrapbook compiled by Phyllis Goodman, were cataloged individually as part of the Performing Arts Research Collection.</p>"}
userestrict
{"value"=>"<p>For permission to publish, contact the Curator, Jerome Robbins Dance Division.</p>"}
extent_statement
.67 linear feet (2 boxes)
date_start
1954
date_end
1988

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