- unitid
-
{"value"=>"2894", "type"=>"local_mss"}
{"value"=>"b15026117", "type"=>"local_b"}
{"value"=>"MssCol 2894", "type"=>"local_call"}
- unitdate
-
{"value"=>"1950-2012", "type"=>"inclusive"}
- date_inclusive_start
-
1950
- date_inclusive_end
-
2012
- keydate
-
1950
- date_start
-
1950
- date_end
-
2012
- unittitle
-
{"value"=>"Robert Stone papers"}
- physdesc
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{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"23.39 linear feet", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"57 boxes", "unit"=>"containers"}, {"name"=>"extent", "value"=>"10.77 mb (455 computer files)"}], "supress_display"=>true}
- repository
-
{"id"=>"MSS", "value"=>"Manuscripts and Archives Division"}
- abstract
-
{"value"=>"Robert Stone was an award-winning American novelist and screen writer. His works include <span class=\"title\">A Hall of Mirrors</span>, <span class=\"title\">Dog Soldiers</span>, <span class=\"title\">A Flag for Sunrise</span>, <span class=\"title\">Children of Light</span>, and <span class=\"title\">Outerbridge Reach</span>. The Robert Stone papers date from 1950 to 2013, and consist of notes, typescript drafts (on paper and computer disk), galleys, and proof pages for all of Stone's novels; shorter pieces and excerpts from the novels in draft, galley, and published form; reviews and publicity material; and general correspondence. Typescript drafts of Stone's novels comprise the bulk of the papers and reflect his method of composition. Later drafts, galleys, and proofs document the books' progress up to the point of publication. Most of the correspondence are letters received by Stone and document his career as a novelist."}
- prefercite
-
{"value"=>"<p>Robert Stone papers, Manuscripts and Archives Division, The New York Public Library.</p>"}
- origination
-
{"value"=>"Stone, Robert, 1937-2015", "type"=>"persname", "role"=>"creator"}
- bioghist
-
{"value"=>"<p>Over his career, Robert Stone has received most of the accolades and awards possible for a contemporary novelist, he has been called the best writer of the post-Vietnam era, and his novels have enjoyed commercial success as well as critical acclaim. Often compared to Conrad's for their darkness, to Vonnegut's for their cynicism, Stone's books focus on the sordid aspects of modern life: drugs, alcoholism, sexual perversion, violence, moral, and political corruption. They suggest no potential (satisfactory) resolution of the conflicts confronted by his characters, nor do they offer much hope of anyone's overcoming the basic human dilemmas faced by these characters. While he has some roots in the counter-culture, Stone does not see himself as a leftist, radical, or progressive. He believes his work is an attempt to foster \"the awareness of ironies and continuities, showing people that being decent is really hard and that we carry within ourselves our own worst enemy.\"</p> <p>Robert Anthony Stone was born on August 21, 1937 in Brooklyn, New York. His father abandoned Stone and his mother, a schizophrenic grammar school teacher who was in and out of hospitals, when Stone was still an infant. He lived at a Catholic boarding school until he was nine, then spent the next eight years living with his mother in rooming houses and SRO hotels on Manhattan's West Side.</p> <p>When he was 17, Stone dropped out of high school and joined the Navy. After leaving the Navy in 1958, Stone enrolled at New York University from which he also dropped out. While working the night shift as a copy-boy at the Daily News, Stone began writing and reading poetry, catching the \"tail-end\" of the beat scene in the Greenwich Village. In 1959 he met and married his wife Janice G. Burr. The couple moved to New Orleans the next year, where they worked odd jobs, had a daughter (Deidre), and lived the poor life. New Orleans became the setting of Stone's first novel <span class=\"title\">A Hall of Mirrors</span>.</p> <p>In 1961, the Stones moved back to New York City where Stone wrote furniture ads and began his first novel. On the strength its first chapter, Stone was offered a fellowship at Wallace Stegner's Stanford writing seminar. In California, Stone continued work on <span class=\"title\">Children of Light</span> (<span class=\"title\">A Hall of Mirrors</span>' working title and later the title of Stone's fourth novel); began his lifelong friendship with Ken Kesey; regularly consumed hallucinogenics and narcotics; and crossed the country with Kesey's group of Merry Pranksters in a bus driven by Neal Cassady. (Tom Wolfe immortalized the trip in his <span class=\"title\">The Electric Kool Aid Acid Test</span>.)</p> <p>The first half of Stone's novel earned him a Houghton Mifflin literary fellowship, which provided Stone with financial support while he finished the manuscript. The book was published in 1967 and received the William Faulkner Foundation's prize for best first novel of the year. Stone later adapted the book for film; the result was an unsuccessful movie, <span class=\"title\">WUSA</span> starring Paul Newman.</p> <p>The critical success of <span class=\"title\">A Hall of Mirrors</span> earned Stone a Guggenheim fellowship and numerous job offers from universities. From 1971 to 1985 Stone was steadily employed as a writer in residence or instructor at several universities around the United States, including Amherst (where the Stones settled), Stanford, University of Hawaii, Harvard, University of California Irvine and San Diego. After the publication of <span class=\"title\">A Hall of Mirrors</span>, however, the Stone family (now with a second child, Ian) moved to London where they remained until 1971.</p> <p>In 1971, the British bi-weekly <span class=\"title\">Ink</span> sent Stone to Vietnam as its correspondent. The magazine soon folded but Stone remained for six weeks, his articles for <span class=\"title\">Ink</span> appearing in the Manchester Guardian (see Box 21, f.8). More importantly, while in Vietnam Stone witnessed the dealings of Saigon's heroin and gold black market. This underworld, predominately inhabited by foreign diplomats and journalists, became the backdrop for Stone's second novel <span class=\"title\">Dog Soldiers</span>. It is a story of an American journalist's attempt to smuggle heroin from Vietnam to the United States.</p> <p>After his time in Saigon, Stone returned to the United States, as a writer in residence at Princeton, and began work on <span class=\"title\">Dog Soldiers</span>. It was published in 1974 and won the National Book Award. The book was eventually made into the movie <span class=\"title\">Who'll Stop the Rain?</span> starring Nick Nolte. Stone co-wrote the screenplay (see Box 8, f.4-5) with Judith Rascoe. <span class=\"title\">Who'll Stop the Rain?</span> was not a box office success; however, it received some critical acclaim.</p> <p>Like <span class=\"title\">Dog Soldiers</span>, Stone's next novel, <span class=\"title\">A Flag for Sunrise</span> (1981), was inspired by a trip. This time Stone visited Central America. The novel takes place in the imaginary Latin American country of Tecan (part Nicaragua, part El Salvador). Its cast of characters (CIA operatives, revolutionaries, secret police, Catholic missionaries etc.) and plot anticipate the unfolding of various Central American conflicts during the 1980s.</p> <p>Stone's next book, <span class=\"title\">Children of Light</span> (1986), explored the movie world in Hollywood. It grew out of Stone's frustrations in adapting his own novels for the screen. This novel was the least well received of Stone's novels: many critics felt it lacked the scope and broad social relevance of his other three.</p> <p><span class=\"title\">Outerbridge Reach</span> (1992) is the story of a man's participation in a solo circumnavigation competition as he struggles through the midst of a mid-life crisis. It is loosely based upon the experiences of a British sailor, Donald Crowhurst, who entered such a race in 1965.</p> <p>Stone continued to write and publish novels, short stories, and articles until 2013. These novels include <span class=\"title\">Damascus Gate</span> (1998), <span class=\"title\">Bay of Souls</span> (2003), and <span class=\"title\">Death of the Black Haired Girl</span> (2013). The 1997 short story collection <span class=\"title\">Bear and His Daughter</span> was a finalist for the Pulitzer Prize, and his next collection of short stories, <span class=\"title\">Fun with Problems</span>, was published in 2013. In 2007, Stone published a memoir, <span class=\"title\">Prime Green: Remembering the Sixties</span>, in which he recounts the 1960s counterculture and his friendship with Ken Kesey. He also wrote numerous articles, reviews, and short stories for such publications as <span class=\"title\">The New Yorker</span>, <span class=\"title\">Harper's</span>, <span class=\"title\">The New York Review of Books</span>, <span class=\"title\">Rolling Stone</span>, and <span class=\"title\">Playboy</span>.</p> <p>Robert Stone died in Key West, Florida in 2015.</p>"}
- scopecontent
-
{"value"=>"<p>The Robert Stone papers date from 1950 to 2012, and consist of notes, typescript drafts, galleys, and proof pages for all of Stone's novels. Also present are shorter pieces and excerpts from the novels in draft, galley, and published form; reviews and publicity material; and general correspondence.</p> <p>Typescript drafts of Stone's novels comprise the bulk of the papers and reflect his method of composition. Later drafts, galleys, and proofs document the books' progress up to the point of publication. Most of the correspondence are letters received by Stone and document his career as a novelist.</p>"}
{"value"=>"<p class='list-head'>The Robert Stone papers are arranged in three series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/mss/2894#c1076443'>Series I: Writings</a></div>\n<div class='series-date'>1950-2012</div>\n<div class='series-description'><p>This series consists of files from all ten of Stone's published novels, as well as his memoir, unpublished short stories, essays, and journalistic pieces. The novels are arranged alphabetically by title, and contain typescript drafts, most of which are revised, corrected, and annotated in Stone's hand. There is a mixture of complete drafts, partial drafts, rewrites, and fragments. An attempt was made to arrange the drafts and fragments in the sequence of composition. These drafts remain in the groupings (which often consist of an unsorted mingling of several stages of composition) in which they were received unless definite connections between groups could be made, or there was good reason to believe that unmingling a draft would not distort evidence of Stone's method of composition. This method is already obscured by Stone's use of a word processor to write his last three novels and apparent habit of separately revising several printouts of a manuscript in the same stage. Notes, outlines, and separate annotations were kept with the draft with which they belong whenever this association could be made. (Some of the longer additions were written on the back of typescript pages within a draft or draft fragment.) Otherwise they precede the drafts of the corresponding novel.</p> <p>The drafts of each novel are followed by pre-publication material, such as copy-edited typescripts, galleys, and page proofs; and, in some cases, related material such as magazine excerpts in draft, galley, or printed form, printed reviews, and publicity material. Of special note are typescript drafts of Stone's screenplays for <span class=\"title\">Who'll Stop the Rain</span> and <span class=\"title\">WUSA</span>, which were adapted from his novels <span class=\"title\">Dog Soldiers</span> and <span class=\"title\">A Hall of Mirrors</span>.</p> <p>The other writings are made up of notes, holograph and typescript drafts, and printed forms of published and unpublished short stories, essays, journalistic pieces, and Stone's memoir, <span class=\"title\">Prime Green: Remembering the Sixties</span>. The published articles are arranged alphabetically by publication name, and include drafts, notes, and revisions, as well as some correspondence with editors. The spiral notebooks in this series also contain brief random notes for some of Stone's novels and unrealized projects, see especially the notebook containing the holograph draft of \"Alas That They Should Fall Apart\" (see Box 21, f.2), an unpublished short story, which also contains some notes for <span class=\"title\">Dog Soldiers</span> and outlines for \"Literature of Alienation\", a class Stone taught at Amherst.</p></div></li><li><div class='series-title'><a href='/mss/2894#c1076516'>Series II: Correspondence</a></div>\n<div class='series-date'>1950-2000</div>\n<div class='series-description'><p>Although the bulk of the correspondence is comprised of letters received by Stone, there is a group of outgoing correspondence written by Stone. Most of these letters were sent to Stone's wife Janice in the 1960s and 1970s while he was living in California to work on <span class=\"title\">Hall of Mirrors</span>.</p> <p>The letters received by Stone are arranged alphabetically by sender or subject matter; many date from around the publication dates of Stone's novels, and are predominately from Stone's agent Candida Donadio, and the publisher of his first two novels Houghton Mifflin. Also present are several fan letters, offers from universities to teach writing, as well as letters regarding movie deals and the various grants and awards Stone received, such as the Guggenheim Fellowship.</p> <p>Also included is a binder of incoming letters that date between 1964 and 1978, which predominantly consists of mail from fellow writers. These letters are arranged alphabetically by correspondent's last name, and contain notes from Jeremy Brooks, Max Crawford, and L.J. Davis, as well as Timothy Leary associate and bookseller, Michael Horowitz.</p></div></li><li><div class='series-title'><a href='/mss/2894#c1076545'>Series III: Addenda I</a></div>\n<div class='series-date'>1974-1992</div>\n<div class='series-description'><p>Duplicate Material.</p></div></li></ul>\n", "type"=>"arrangement"}
- acqinfo
-
{"value"=>"<p>Purchased from Robert Stone in 1994. Additions purchased in 2002, 2012 and 2015 from Robert's widow Janice Stone.</p>"}
- processinfo
-
{"type"=>"processing", "value"=>"<p>Compiled by <span class=\"name\">William Stingone</span>, <span class=\"date\">September 1995</span>. Additions from 2002 and 2012 were processed by <span class=\"name\">Heather Lember</span> in <span class=\"date\">2015</span>.</p>"}
- dsc_type
-
combined
- extent_statement
-
23.39 linear feet (57 boxes); 10.77 mb (455 computer files)