Robert Edmond Jones correspondence

id
5310
origination
Jones, Robert Edmond, 1887-1954
date statement
1930-1941
key date
1930
identifier (local_mss)
21521
org unit
Billy Rose Theatre Division
call number
*T-Mss 2000-037
b-number
b14985286
total components
0
total series
0
max depth
N/A
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:05:17 UTC
updated
2015-11-02 15:20:06 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

unitid
{"value"=>"*T-Mss 2000-037", "type"=>"local_call"}
{"value"=>"21521", "type"=>"local_mss"}
unittitle
{"value"=>"Robert Edmond Jones correspondence"}
unitdate
{"value"=>"1930-1941", "type"=>"inclusive", "normal"=>"1930/1941"}
physdesc
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>".1 lf. (1 portfolio of letters)"}], "supress_display"=>true}
date_inclusive_start
1930
date_inclusive_end
1941
origination
{"value"=>"Jones, Robert Edmond, 1887-1954", "type"=>"persname"}
bioghist
{"value"=>"<p>Robert Edmond Jones (1887-1954), stage scenic designer, director, author, and motion picture production designer, collaborated on several stage productions with puppet designer and puppeteer Remo Bufano (d. 1948). After collaborating on a production of OEDIPUS REX in the early 1930s, the two men corresponded about a number of other potential projects over the ensuing years, most of which, it would appear, did not come to fruition. In the theater, Mr. Jones was closely identified with the work of Eugene O'Neill, and also designed and/or directed THE GREEN PASTURES (1930) and OTHELLO (1934). Both men found work in motion pictures, Mr. Jones designing such early Technicolor films as BECKY SHARP (1935) and THE DANCING PIRATE (1936), while Mr. Bufano contributed puppetry to the Fred Astaire musical YOLANDA AND THE THIEF (1945). Mr. Bufano had plans to bring puppetry to television in its early days, but died in 1948.</p>", "supress_display"=>true}
scopecontent
{"value"=>"<p>The collection consists of four folders of correspondence between Robert Edmond Jones and Remo Bufano, concerning projects both realized and unrealized. Three of Mr. Bufano's early letters are in French.</p>", "supress_display"=>true}
acqinfo
{"accession_number"=>"THE Mss 2000-002"}
{"date"=>"12/06/2000", "source"=>"Resnick, Stephen and Carol", "method"=>"Purchase", "extent"=>".1 o", "value"=>"Purchase, Resnick, Stephen and Carol, 12/06/2000"}
keydate
1930
prefercite
{"value"=>"Robert Edmond Jones correspondence, Billy Rose Theatre Division, The New York Public Library"}
abstract
{"value"=>"Robert Edmond Jones (1887-1954), stage scenic designer, director, author, and motion picture production designer, collaborated on several stage productions with puppet designer and puppeteer Remo Bufano (d. 1948). After collaborating on a production of OEDIPUS REX in the early 1930s, the two men corresponded about a number of other potential projects over the ensuing years, most of which, it would appear, did not come to fruition. In the theater, Mr. Jones was closely identified with the work of Eugene O'Neill, and also designed and/or directed THE GREEN PASTURES (1930) and OTHELLO (1934). Both men found work in motion pictures, Mr. Jones designing such early Technicolor films as BECKY SHARP (1935) and THE DANCING PIRATE (1936), while Mr. Bufano contributed puppetry to the Fred Astaire musical YOLANDA AND THE THIEF (1945). Mr. Bufano had plans to bring puppetry to television in its early days, but died in 1948. The collection consists of four folders of correspondence between Robert Edmond Jones and Remo Bufano, concerning projects both realized and unrealized. Three of Mr. Bufano's early letters are in French.", "generated"=>true}
extent_statement
.1 linear feet. (1 portfolio of letters)
date_start
1930
date_end
1941

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