Philip Van Doren Stern-Elmer Harris correspondence
- id
- 4931
- origination
- Stern, Philip Van Doren, 1900-1984
- date statement
- 1939-1940
- key date
- 1939
- identifier (local_mss)
- 21662
- org unit
- Billy Rose Theatre Division
- call number
- *T-Mss 2003-049
- b-number
- b15812793
- total components
- 0
- total series
- 0
- max depth
- N/A
- boost queries
- (none)
- component layout
- Default Layout
- Extended MARC Fields
- false
- Extended Navigation
- false
- created
- 2013-04-01 15:05:11 UTC
- updated
- 2015-11-02 15:18:40 UTC
- status note
- (missing)
- Display Aeon link
- true
Description data TOP
- unitid
-
{"value"=>"*T-Mss 2003-049", "type"=>"local_call"}{"value"=>"21662", "type"=>"local_mss"}
- unittitle
-
{"value"=>"Philip Van Doren Stern-Elmer Harris correspondence"}
- unitdate
-
{"value"=>"1939-1940", "type"=>"inclusive", "normal"=>"1939/1940"}
- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"(1 portfolio)"}], "supress_display"=>true}
- date_inclusive_start
-
1939
- date_inclusive_end
-
1940
- origination
-
{"value"=>"Stern, Philip Van Doren, 1900-1984", "type"=>"persname"}
- bioghist
-
{"value"=>"<p>Philip Van Doren Stern (1900-1984) was a historian, social critic, editor and author, best known for the short story which became the source for the 1946 film IT'S A WONDERFUL LIFE. Elmer Harris (1878-1966) was a playwright and screenwriter, best known for his play and film JOHNNY BELINDA.</p>", "supress_display"=>true}
- scopecontent
-
{"value"=>"<p>The correspondence between Elmer Harris and Philip Van Doren Stern dates from April 1939 to January 1940, and concerns Harris' stage adaptation of Stern's book THE MAN WHO KILLED LINCOLN, concerning the last days of John Wilkes Booth. Also taking part in the correspondence was producer Joseph M. Gaites (1873-1940), who initiated the theatrical project and selected Harris as adaptor, and who occasionally wrote to Stern with updates on the production, and on the Hollywood producers said to be interested in motion picture rights to the play. The Stern-Harris letters discuss Booth and the historical facts concerning Abraham Lincoln's assassination, the portrayal of Booth in Stern's book and in the play, and matters concerning the production such as scenery and possible casting choices. Harris' outline which details the play scene by scene is included with an early letter. The play eventually premiered at the Longacre Theatre on January 17, 1940, but closed three days later after only five performances. No film version was made.</p>", "supress_display"=>true}
- acqinfo
-
{"accession_number"=>"THE 2003-049"}{"source"=>"found in cage file", "extent"=>"1 o"}
- keydate
-
1939
- prefercite
-
{"value"=>"Philip Van Doren Stern-Elmer Harris correspondence, Billy Rose Theatre Division, The New York Public Library"}
- abstract
-
{"value"=>"Philip Van Doren Stern (1900-1984) was a historian, social critic, editor and author, best known for the short story which became the source for the 1946 film IT'S A WONDERFUL LIFE. Elmer Harris (1878-1966) was a playwright and screenwriter, best known for his play and film JOHNNY BELINDA. The correspondence between Elmer Harris and Philip Van Doren Stern dates from April 1939 to January 1940, and concerns Harris' stage adaptation of Stern's book THE MAN WHO KILLED LINCOLN, concerning the last days of John Wilkes Booth. Also taking part in the correspondence was producer Joseph M. Gaites (1873-1940), who initiated the theatrical project and selected Harris as adaptor, and who occasionally wrote to Stern with updates on the production, and on the Hollywood producers said to be interested in motion picture rights to the play. The Stern-Harris letters discuss Booth and the historical facts concerning Abraham Lincoln's assassination, the portrayal of Booth in Stern's book and in the play, and matters concerning the production such as scenery and possible casting choices. Harris' outline which details the play scene by scene is included with an early letter. The play eventually premiered at the Longacre Theatre on January 17, 1940, but closed three days later after only five performances. No film version was made.", "generated"=>true}
- extent_statement
-
(1 portfolio)
- date_start
-
1939
- date_end
-
1940
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