- unitid
-
{"value"=>"*MGZMD 138", "type"=>"local_call"}
{"value"=>"19779", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1905-2000", "type"=>"inclusive", "normal"=>"1905/2000"}
- unittitle
-
{"value"=>"Pauline Koner papers"}
- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"28.5 lin. ft.", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"48 boxes", "unit"=>"containers"}]}
- repository
-
{"value"=>"<span class=\"corpname\">The New York Public Library. Jerome Robbins Dance Division.</span><div class=\"address\"> <span class=\"addressline\">New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center</span> <span class=\"addressline\">40 Lincoln Center Plaza, New York, NY 10023-7498</span></div>"}
- abstract
-
{"value"=>"Pauline Koner, one of America’s foremost modern dance choreographers and performers, trained with Michel Fokine, Michio Ito and Yeichi Nimura. She created works for stage shows at New York City's Roxy Theater, for ice shows, and for television programs and from 1946 to 1960 performed with the José Limón Dance Company. She worked closely with modern dance pioneer Doris Humphrey and choreographed her best-known piece, <span class=\"title\">The Farewell</span> (1962), to honor Humphrey's memory."}
- langmaterial
-
{"value"=>"English"}
- prefercite
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{"value"=>"Pauline Koner papers, *MGZMD 138. Jerome Robbins Dance Division, The New York Public Library for the Performing Arts"}
- origination
-
{"value"=>"Koner, Pauline", "type"=>"persname"}
- bioghist
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{"value"=>"<p>Pauline Koner, one of America’s foremost modern dance choreographers and performers, was born in New York on June 26, 1912 to Russian immigrants Samuel and Ida Ginsberg Koner. Unlike most American modern dancers, she did not trace her artistic beginnings to Isadora Duncan or Ruth St. Denis. In fact, she was already an established figure in the modern dance movement when she affiliated with the Humphrey-Limón Dance Company in 1946. Yet this was not the style in which she initially trained. She studied at thirteen with the celebrated ballet choreographer Michel Fokine and danced in his company. Finding ballet too restrictive of a dance language, Koner decided to work with dance pioneers Michio Ito and Yeichi Nimura.</p> <p>At her first solo concert on Dec. 7, 1930, John Martin, noted <span class=\"title\">New York Times</span> dance critic, remarked that the event “exhibited her unquestionable right to stand alone.” In 1935, she was the first American dancer to be asked to perform in the Soviet Union. Koner gave solo concerts in the U.S. and the Near East from 1930 to 1945. Her solos then included <span class=\"title\">Yal-lel</span>, <span class=\"title\">Chassidic Song and Dance</span>, <span class=\"title\">Bird of Prey</span> and <span class=\"title\">Three Funeral Marches</span>.</p> <p>From 1943 - 1947, Koner headed a production company called Choreotones with Kitty Doner (former vaudeville headliner). They staged productions for the Roxy Theatre and <span class=\"title\">Holiday on Ice</span>, and pioneered television dance choreography for CBS - TV in 1945.</p> <p>As guest artist for the Humphrey-Limón repertory from 1946 to 1960, she created memorable roles in such dances as <span class=\"title\">The Moor’s Pavane</span>, <span class=\"title\">La Malinche</span>, <span class=\"title\">The Visitation</span>, <span class=\"title\">There Is a Time</span>,<span class=\"title\"> Ruins and Visions</span>, and <span class=\"title\">Ritmo Jondo</span>. All along she continued to choreograph for herself creating in the 1950s and 1960s such notable works as <span class=\"title\">Cassandra</span>, <span class=\"title\">Concertino</span>, and <span class=\"title\">The Shining Dark</span>. To these she added the widely proclaimed pas de deux, <span class=\"title\">Poéme</span>, and <span class=\"title\">Fragments</span>, composed on a grant from the National Endowment for the Arts. In 1962, Koner honored the memory of Doris Humphrey life with her acclaimed piece <span class=\"title\">The Farewell.</span></p> <p>In 1975 she focused her attentions on her newly formed dance company, The Pauline Koner Dance Consort. Formed of students from the North Carolina School of the Arts, Koner continued to exert her influence on the dance world through her students and her choreography. Koner’s dance techniques and stylization were revealed in such works as <span class=\"title\">Solitary Song</span>, <span class=\"title\"> A Time for Crickets</span>, <span class=\"title\">Cantigas</span> and <span class=\"title\">Flight</span>.</p> <p>Koner received the Dance Magazine Award of the year in 1963. She lectured widely on dance at home and abroad, including a 1965 assignment to Tokyo on a Fulbright senior lectureship. She served on the faculties of the North Carolina School of the Arts, the Jacob’s Pillow University of the Dance, Brooklyn College Dance Workshop, Texas Women’s University, and the Accademia Nazionale of Rome, Italy. In addition to teaching, Ms. Koner released her autobiography <span class=\"title\">Solitary Song</span> in 1989 and a text based on her teaching ideology entitled <span class=\"title\">Elements of Performance</span>.</p> <p>Pauline Koner, who was married to noted conductor Fritz Mahler, died on Feb. 8, 2001.</p> <p>Sources: <ul class=\"list\"> <li>Koner, Pauline. <span class=\"title\">Solitary Song</span> Durham, NC: Duke University Press, 1989.</li> <li> \"Resumes—forms.\" (Box 1, Folder 3).</li> <li>New York Times Obituary. \"Pauline Koner Dies at 88; Dancer and Choreographer\" Proquest Historical Newspapers The New York Times (1857-Current file): Feb. 9, 2001, p. C11.</li> <li>Atlanta Ballet program notes found in Atlanta Arts May 1970 issue. (Box 32, Folder 15).</li></ul></p>"}
- scopecontent
-
{"value"=>"<p>The papers of Pauline Koner 1905-2000) consist of material documenting Koner’s dance career as a choreographer, dancer, dance teacher, author and lecturer. Writings, programs, photographs, teaching notes, as well as choreography and lighting notes constitute the vast majority of the collection. This collection shows a strong emphasis on Koner’s time with the José Limón Dance Company and on her performances abroad. Correspondence, clippings, ephemera and scrapbooks are also present.</p> <p>While her connection to Nimura, Ito, Fokine and Limón are represented in the collection with correspondence, photographs and programs, detailed choreographic information on their works is not to be found in collection. From her diaries (Box 1, Folders 9-15) and her autobiography <span class=\"title\"> Solitary Song</span>, the researcher can get information on her personal as well as professional life from late 1920 to late 1980. Her marriage to Fritz Mahler is not heavily documented—a few letters concerning her feelings on his illness (Box 2, Folder 22) can be found. Her personal life from 1995 to her death is not well represented in the collection.</p>"}
{"value"=>"<p class='list-head'>The Pauline Koner papers are arranged in ten series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/dan/19779#c383014'>Series I: Personal Papers</a></div>\n<div class='series-date'>1928 - 2000, undated</div>\n<div class='series-extent'>, 1.5 boxes</div>\n<div class='series-description'><p>This series contains materials ranging from an appointment book revealing meetings that Koner scheduled to biographical materials about her (e.g. resumes). Of special interest are the handwritten diaries concerning her dance and personal life abroad, and the transcript of the NYPL Oral History Archive Interview.</p></div></li><li><div class='series-title'><a href='/dan/19779#c383048'>Series II: Correspondence</a></div>\n<div class='series-date'>1929-1999, undated</div>\n<div class='series-extent'>, 3 boxes</div>\n<div class='series-description'><p>This series contains letters from Koner’s professional associates, friends, former students, as well as letters written by Pauline Koner.</p></div></li><li><div class='series-title'><a href='/dan/19779#c383136'>Series III: Performance Files, -</a></div>\n<div class='series-date'>1925, 2000, undated</div>\n<div class='series-extent'>, 11.5 boxes</div>\n<div class='series-description'><p>This series contains material related to Koner’s dancing and teaching careers. <span class=\"title\">Elements of Performance</span>, the published version of her course <span class=\"title\">Elements of Performing</span>, can be found in Series IV: Writings.</p></div></li><li><div class='series-title'><a href='/dan/19779#c383453'>Series IV: Writings, -</a></div>\n<div class='series-date'>1927, 2000, undated</div>\n<div class='series-extent'>, 8 boxes</div>\n<div class='series-description'><p>This series contains articles, novels / textbooks, poetry, speeches and related materials found within the collection.</p></div></li><li><div class='series-title'><a href='/dan/19779#c383666'>Series V: Photographs, -</a></div>\n<div class='series-date'>1905, 1998, undated</div>\n<div class='series-extent'>, 7 boxes</div>\n<div class='series-description'><p>The two biggest groupings of photographs within this series are those for her dance compositions and travel. As such, the researcher can find images of such works as <span class=\"title\">Altar Piece</span>, <span class=\"title\">Cassandra</span>, <span class=\"title\">Moor’s Pavane</span> and <span class=\"title\">Poéme</span>, as well as pictures of her time in Japan, India and Italy. Furthermore, photographs of Michio Ito, Yeichi Nimura, Michel Fokine and Fritz Mahler (alone or with Koner) are found in this series.</p></div></li><li><div class='series-title'><a href='/dan/19779#c383904'>Series VI: Programs and related materials, -</a></div>\n<div class='series-date'>1930, 1998, undated</div>\n<div class='series-extent'>, 5 boxes</div>\n<div class='series-description'><p>Subseries 1: Pauline Koner, 1930 - 1998 and undated Subseries 2: Other Artists, 1940-1997 and undated <p>This series contains two subseries. The first subseries deals with material connected to the work of Pauline Koner in her guises as choreographer, dancer, lecturer, author and judge of dance performances. The second subseries deals with the program material of other artists (no mention of Koner within the items).</p></p></div></li><li><div class='series-title'><a href='/dan/19779#c384007'>Series VII: Clippings, 1916 -</a></div>\n<div class='series-date'>2000, undated</div>\n<div class='series-extent'>, 3 boxes, 10 folders</div>\n<div class='series-description'><p>Subseries 1: Pauline Koner, 1916 - 1998 and undated Subseries 2: Subject files, 1939 - 2000 and undated <p>This series, which contains the magazine and newspaper clippings found in the collection, is organized into two subseries. The first subseries focuses on the items containing information on Pauline Koner’s public appearances and performances. The second subseries contains materials relating to subjects or persons of interest to Koner, mostly within the disciplines of dance.</p></p></div></li><li><div class='series-title'><a href='/dan/19779#c384121'>Series VIII: Ephemera, -</a></div>\n<div class='series-date'>1930, 1989, undated</div>\n<div class='series-extent'>, 8 folders</div>\n<div class='series-description'><p>This series contains blank postcards, dance film catalogs and flyers, booklets in Russian, Concorde ephemera and other items of a transitionary nature.</p></div></li><li><div class='series-title'><a href='/dan/19779#c384131'>Series IX: Scrapbooks, -</a></div>\n<div class='series-date'>1928, 1981, undated</div>\n<div class='series-extent'>, 1 Box</div>\n<div class='series-description'><p>This series contains the scrapbooks found within the collection. The most common items found within are programs, clippings and photographs. Of special interest to the dance researcher with a focus on early television performances is the Choreotones material for CBS-television.</p></div></li><li><div class='series-title'><a href='/dan/19779#c384156'>Series X: Oversized Materials, -</a></div>\n<div class='series-date'>1917, 1980, undated</div>\n<div class='series-extent'>, 7 boxes</div>\n<div class='series-description'><p>This series contains the oversized art journal, articles in French, awards, correspondence, music scores, photographs, posters, schematics (lighting) and scrapbooks found within the collection</p></div></li></ul>\n", "type"=>"arrangement"}
- arrangement
-
{"value"=>"<p> <ul class=\"list\"> <li>Series I: Personal Papers, 1928-2000 and undated</li> <li>Series II: Correspondence, 1929 - 1999 and undated <ul class=\"list\"> <li>Subseries 1: Individual, 1929-1998 and undated</li> <li>Subseries 2: Organizations, 1941-1999 and undated</li></ul></li> <li>Series III: Performance Files, 1925 - 2000 and undated <ul class=\"list\"> <li>Subseries 1: Dance Field, 1925 - 1993 and undated</li> <li>Subseries 2: Teaching Field, 1949 - 2000 and undated</li></ul></li> <li>Series IV: Writings, 1927 - 2000 and undated <ul class=\"list\"> <li>Subseries 1: Articles, 1948 - 1995 and undated</li> <li>Subseries 2: Novels and textbooks, 1927 - 2000 and undated</li> <li>Subseries 3: Poetry and Reference Materials, 1929-1990 and undated</li> <li>Subseries 4: Speeches, 1964-1982 and undated</li></ul></li> <li>Series V: Photographs, 1905 - 1998 and undated</li> <li>Series VI: Programs and related materials, 1930 - 1998 and undated <ul class=\"list\"> <li>Subseries 1: Pauline Koner, 1930 - 1998 and undated</li> <li>Subseries 2: Other Artists, 1940-1997 and undated</li></ul></li> <li>Series VII: Clippings, 1916 - 2000 and undated <ul class=\"list\"> <li>Subseries 1: Pauline Koner, 1916 - 1998 and undated</li> <li>Subseries 2: Subject files, 1939 - 2000 and undated</li></ul></li> <li>Series VIII: Ephemera, 1930 - 1989 and undated</li> <li>Series IX: Scrapbooks, 1928 - 1981 and undated</li> <li>Series X: Oversized Materials, 1917 - 1980 and undated</li></ul></p>", "supress_display"=>true}
- acqinfo
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{"value"=>"<p>Donated by Pauline Koner in 2000.</p>"}
- separatedmaterial
-
{"value"=>"<p>Alphabetical by information found listed on cover; lists by format—audiocassettes, audio tape and video.</p> <ul class=\"list\"> <li> <span class=\"title\">A Time for Crickets</span>- 2 Cassettes</li> <li>Agnes De Mille Lecture</li> <li>Alex Pen- Dan Bitan, 1982 Feb. 17</li> <li>Barbara Tuchman; Dick Cavett- A Distant Mirror</li> <li>Berio <span class=\"title\">Cantigas-</span> 2 Cassettes</li> <li> <span class=\"title\">Cassandra</span> Cloth- Side A; Hoops- Side B</li> <li>Comments- Performances: Isolation</li> <li> <span class=\"title\">Concertino</span> Archive Copy</li> <li> <span class=\"title\">Concertino</span>; <span class=\"title\">Solitary Song</span>- Side A; <span class=\"title\">Solitary</span> Counts (Moods); <span class=\"title\">Poeme</span> -Side B</li> <li>Conversations-Leo Humphrey; Walter Sorell, 1985 Feb.3</li> <li>Conversations-Monica; Ruth Currier, Jan. 1985</li> <li>Corinne</li> <li>Dance Language</li> <li>David Fragin- Conversation, 1978 Mar. 3</li> <li>David Sears- Encyclopedia, 1983 June 9</li> <li>Dies Irae- Penerecki</li> <li>Dynamics- 10 Cassettes</li> <li>Early Memories Interview- Dora Sowden, 1979 Dec. 8-9</li> <li> <span class=\"title\">Elements-</span> Fans, <span class=\"title\">Moors Pavane</span>, 1978 July 21</li> <li> <span class=\"title\">Elements-</span> Long White Cloth- Side A; Bench Level- Side B</li> <li> <span class=\"title\">Elements</span>, 1973 Nov. 29</li> <li>Eva Pollack, 1981; Palestine, 1981 Oct.</li> <li> <span class=\"title\">Farewell-</span> 5 Cassettes</li> <li> <span class=\"title\">Flight</span> -4 Cassettes</li> <li>Floor Series</li> <li>Focus- Inner, Directional, Area, Body, Magnetic, and Dramatic- 15 Cassettes</li> <li>Fritz Mahler, 1982 Nov. 7</li> <li> <span class=\"title\">Hexapoda-</span> Robert Russell</li> <li>Indian Music- Side A; Interview- Tullia Bohan- Side B</li> <li>Interview and Demo/Lecture: Arlene Acker, 1978 Apr. 2</li> <li>Interview- Imagery: Pauline Koner, 1992 Mar. 2</li> <li>Interview- Marcia Segel (Doris Humphrey) Interview- Martha Graham, 1975</li> <li>Interview- N.C.S.A: Douglas Zinn, 1982 Nov. 11</li> <li>Interview- Tullia Bohan</li> <li>John Martin- Book of Modern Dance- 2 Cassettes</li> <li> <span class=\"title\">La Malinche</span></li> <li>Lessons-Gesture, 1975 Feb. 12; Choreo-Class, 1975 Feb. 17</li> <li>Levels- Side A; Skirts- Side B</li> <li>Limon Interview, 1982 Nov. 2</li> <li>Lisan-Kay on Nimura, 1982 June 9- 2 Cassettes</li> <li>Margie Gillis, 1995 Feb. 13</li> <li>Michio Ito- Bio, 1982 Mar. 27</li> <li>Modern Dance Origins, 1975 July 16</li> <li>Movement -Texture, 1989 Nov. 28</li> <li>Pergolesi <span class=\"title\">Concertino</span>- 2 Cassettes</li> <li>Personal Moods- General comments: Duncan, Kazuko, and Pavane</li> <li> <span class=\"title\">Poeme</span>- 3 Cassettes</li> <li> <span class=\"title\">Poeme</span>-Side A; <span class=\"title\">Mosaic</span> and <span class=\"title\">Cassandra-</span> Side B</li> <li>Props- Fans</li> <li>Pudovkin- One cassette on Film; Two on Letters</li> <li>Random- Hilda Rutsova</li> <li>Ribbons- Side A; Ribbons and Cloths- Side B</li> <li> <span class=\"title\">Ruins and Visions</span>- 3</li> <li>Sally Summer Interview, 1977 Feb. 7</li> <li>Senses- Hearing, Smell, Visions, and Touch- 3 Cassettes</li> <li>Shelly Hirsch Improvs- Side I; <span class=\"title\">Crickets</span>- Side II</li> <li> <span class=\"title\">Solitary Song</span>- Side A; Juli Nunlist- Side B</li> <li> <span class=\"title\">Solitary Songs</span> I & II- Cues Rhythm</li> <li>Suspension Rebound</li> <li>Telephone Conversations with Charles Woodford, Jr.; Conversations with Letitia Ide</li> <li>Thoughts- Comments: Nimura</li> <li>Thoughts of Brief Encounter, 1982 Jan. 1- Side A; Kohana, 1982 Apr. 2- Side A and B</li> <li>Virginia Jones-Guynard</li> <li>Virginia Tanner- 4 Cassettes</li> <li>Visit with Kitty Doner, 1981 Dec. 18- Side A; Man at Corinne’s- Side B</li> <li>Weight- Class, 1987 Apr. 23</li></ul> <ul class=\"list\"> <li> <span class=\"title\">A Story of Mankind</span>: Nowak, Lionel, 1977 Jan. 5; 2 copies</li> <li> <span class=\"title\">A Time for Crickets</span>- Michael Colina, 1982 Feb. 4- 26 Copies</li> <li>Anamatopoelia</li> <li>Baby Bear, 1953 Aug. 26</li> <li>Berio- 4 copies</li> <li>Brooklyn College Lecture/Workshop; Fall Semester 1976</li> <li> <span class=\"title\">Cantigas</span>- 4 copies</li> <li> The Carver is Stone</li> <li> <span class=\"title\">Cassandra</span>- 15 copies</li> <li>Class- Breathing</li> <li>Concert Percussion, 1970 Mar. 27</li> <li> <span class=\"title\">Concertino</span>, 1976 Apr. 13; 4 Copies</li> <li>Copland <span class=\"title\">Variations</span>, 1971 Mar. 3</li> <li> <span class=\"title\">Dance Language</span>: Gesture- Imagery. 1977 May</li> <li> <span class=\"title\">Dance Lecture</span> at Mount Holyoke, 1955 June 6</li> <li> <span class=\"title\">Dance Symphony</span>- 2 Copies</li> <li>David Darling</li> <li>Demo- Imagery; 7 copies</li> <li>Discussions on Modern Dancing, 1967 Mar. 31- 2 copies</li> <li>Echo</li> <li> <span class=\"title\">Farewell</span>- 15 Copies</li> <li> <span class=\"title\">Flight</span>- 8 Copies</li> <li>Floor Series- Ray Ebert, 1973 Apr. 20-21; 5 copies</li> <li>J.S. Bach- Italian Concerto; Piano Concerto; 3 copies</li> <li> <span class=\"title\">Judith</span>; A Choreographic Poem for Orchestra- 2 Copies</li> <li>Kalyani Roy- Sitar</li> <li> <span class=\"title\">La Malinche</span>, 1971 Nov. 12; 1980 Nov. 11- 8 Copies</li> <li>Leader- 2 copies</li> <li>Lecture- <span class=\"title\">Art of Performing</span>; <span class=\"title\">Art of Making a Dance</span></li> <li>Lecture excerpts of: <span class=\"title\">Cassandra</span>, <span class=\"title\">Farewell</span>, Mahler, <span class=\"title\">Solitary Songs</span> and <span class=\"title\">Concertino</span>; 3 copies</li> <li>Lecture- Hilda Butsova, 1972 Apr. 5</li> <li>Lecture- Movement for Actors</li> <li>Lecture- New London on Europe, 1952 Feb. 22- 2 copies</li> <li>Lecture on Artistry Modern Dance</li> <li>Ligeti- 2 copies</li> <li> <span class=\"title\">Madrigals</span>- George Crumb: 4 Copies</li> <li>Medieval Spanish; 2 copies</li> <li>Moderna Stockhausen- Serena; 2 copies</li> <li> <span class=\"title\">Moor’s Pavane</span>, 1974 Apr. 3- 2 Copies</li> <li>Mosaic- J.S. Bach, 1977 Sept. 21 Italien ConcertoVanguard: 4 Copies</li> <li>Mozaic Bells</li> <li> <span class=\"title\">My Dance Language</span>- John Martin</li> <li>Pergolesi <span class=\"title\">Concertino</span>, 1971 Sept. 26- 8 Copies</li> <li> <span class=\"title\">Poeme</span>: Canzone- Barber Piano Concerto, 1972 Jan. 1; 13 Copies</li> <li>Pousseur Madrigals</li> <li>Razor Blades To Moog- Robb, A.G.</li> <li>Rodrigo, 1979 Sept. 30- 3 copies</li> <li>Selma Jeanne- 2 copies</li> <li> <span class=\"title\">The Shining Dark</span>- Leon Kirchner - 4 Copies</li> <li> <span class=\"title\">Solitary Songs</span>- Berio, Luciano - 26 Copies</li> <li>Spectrum- Moderna American; Xenakis- 2 copies</li> <li>Stravinsky- Concerto for Piano and Wind Orchestra, 1972 Mar. 18, 21- 6 copies</li> <li> <span class=\"title\">Tides</span>- Performance I</li> <li>Unfinished Business- Beecham, Handel</li> <li>Valerie Hunt Lecture I, II, & III; 3 copies</li> <li>Vivaldi- 3 copies</li> <li>Wilhelm Friedmann Bach- <span class=\"title\">Sinfonia</span>; 3 copies</li> <li>Wing Borne (Silent Woods)- 1980 Nov. 18; 3 copies</li></ul> <ul class=\"list\"> <li>The Blue Angel</li> <li>Body Focus; Dramatic Focus I- 1989 Oct 10, 17</li> <li>Body Focus; Dramatic Focus I, 1989 Oct. 10-17</li> <li>Chaplin Festival</li> <li>Children of Theatre Street</li> <li>Combination of all works- <span class=\"title\">Solitary Songs</span>; <span class=\"title\">Cantigas</span>; <span class=\"title\">A Time for Crickets</span>; <span class=\"title\">Moor’s Pavane</span>; <span class=\"title\">Flight</span>; <span class=\"title\">Poeme</span>; <span class=\"title\">Concertino</span>; Floor Series; <span class=\"title\">La Malinche</span>; <span class=\"title\">There is a Time</span>; T.V. Singapore; <span class=\"title\">Farewell</span>; <span class=\"title\">Cassandra</span>; <span class=\"title\">Mosaic</span>; 27 Tapes</li> <li> <span class=\"title\">Concertino</span>, 1976 Apr. 26</li> <li> <span class=\"title\">Concertino</span>, 1991 Dec. 13; 1976 Apr. 26- 2 copies</li> <li>Connecticut Dance Theatre, 1980</li> <li>Dance on Interview, 1984 Jan. 8; N.B.C. Interview, 1976 Dec. 23; Eye on Dance; Lecture; Schools, 1976</li> <li>Day on Earth- 3 Tapes</li> <li>Dramatic Focus, 1989 Oct 24; Dynamics, 1989 Nov. 14</li> <li>Dreams</li> <li>Dub of Symphony for Strings Dynamics, 1989 Nov. 21, 28</li> <li>Errand into Maze; Cave of the Heart; Act of Light</li> <li>The Farewell (Young, Love)- 2 copies</li> <li>The Farewell; Cassandra, 1972, 1989- 5 Copies</li> <li>Flamenco, Bunrako, Dance and Culture, Javanese</li> <li>Floor Series; <span class=\"title\">Solitary Songs</span>, Berio, and Crickets</li> <li>Focus Class- Inner Focus; Body- Focus, 1988 Sept. 29/Oct. 6</li> <li>Focus- Directional; Area Focus, 1989 Sept. 9-12</li> <li>Focus-Directional, 1989 Sept. 12; Area Focus, 1989 Sept. 19</li> <li>Focus-Discussion (Review), 1989 Apr. 27</li> <li>Focus Review, 1989 Apr. 27</li> <li>Graham- Errand into the Maze; Cave of the Heart; Act of Light</li> <li>Improvs: Long Cloth, 1991 Apr. 9; Body Focus, 1991 Oct. 10</li> <li> Interview- Michio Ito</li> <li>Jacobs Pillow, 1991 July 14/19</li> <li>Julliard Dance Ensemble, spring 1992 Apr. 6</li> <li>Klesner Music</li> <li>The Language of Dance (<span class=\"title\">There is a Time</span>), 1959</li> <li>Levels; Skirts, ca. 1989 Feb. 9,10, 23</li> <li>Long Cloth- Improvs; Body Focus, 1991 Apr. 9/Oct. 10</li> <li>Long Cloth, 1990 Apr. 17; P.K. Improv; Personal Props, 1990 Apr. 24</li> <li>Luther- Limon, Jose, 1986 Oct. 26</li> <li>Magnetic Focus, 1989 Sept. 26; Inner Focus, 1989 Oct. 3</li> <li>Magnetic Focus; Inner Focus, 1989 Sept. 26/ Oct 3</li> <li> <span class=\"title\">La Malinche</span>- 1962, 1967, & 1971</li> <li>Margot Fonteyn Story</li> <li>Martha Graham, 1994 May 13; 1991 Apr. 2</li> <li>Modern Solos Class, 1996 Mar. 21</li> <li> <span class=\"title\">Moor’s Pavane</span>, <span class=\"title\">Barren Sceptre</span>, Floor Series, PK-Intro-<span class=\"title\">Farewell</span>, 1981 Jan. 16</li> <li> <span class=\"title\">The Moor’s Pavane</span>- 3 Tapes</li> <li> <span class=\"title\">The Moor’s Pavane</span>, <span class=\"title\">Solitary Song</span>, The Language of Dance, <span class=\"title\">The Farewell</span>, 2001 Sept. 6</li> <li>Movement Texture, 1989 Nov. 28; Dec 5</li> <li>N.Y.P.L. Performing Arts Dance Collection- <span class=\"title\">La Malinche</span> and <span class=\"title\">The Story of Mankind</span>Excerpts, 1993 Oct. 1</li> <li>Parachute, 1989 Mar. 23/ Cloth Short Pieces, 1989 Apr. 6</li> <li>Pauline Koner: Interview and Award Ceremony, 1988 June 14-15; 2 copies</li> <li>Pergolesi <span class=\"title\">Concertino</span>, 1976</li> <li>Pilobolos- Pieces; Esplanade Taylor, 1979 May 9</li> <li> <span class=\"title\">Poeme</span>- 2 copies</li> <li>Purcell- Abdelazer- Mahler Gordians- Side A; Interview- Sorell, 1989 Jan. 10</li> <li>Reflections of Palestine</li> <li>Ribbons, 1990 Jan. 30; Elastics, 1990 Feb. 13</li> <li>Ribbons; Elastics, 1990 Jan. 30/Feb. 13</li> <li> <span class=\"title\">Ritmo Jondo</span>- Doris Humphrey</li> <li> <span class=\"title\">Ruins and Visions</span>- 2 copies</li> <li> <span class=\"title\">The Shining Dark</span> II, 1957- 2 copies</li> <li>Skirts, 1989 Feb.23; Long Cloth, Mar. 9; Ribbons, Mar. 16</li> <li> <span class=\"title\">Solitary Songs</span>, 1989 Dec. 2</li> <li>Stephanie Ballard Spring 1998</li> <li>T.V. Singapore</li> <li>T.V. Singapore Lecture</li> <li>Three Dances of Martha Curtis</li> <li>Weight- Isolation; Dynamic Changes; Fans, 1989 Jan. 12/ Jan. 26</li> <li>Weight, 1989 Jan. 12; Isolation (Review); Dynamic Changes; Fans, 1989 Jan. 26</li> <li>Weight, 1990 Jan. 9; Stillness; Fans, 1990 Jan. 16</li> <li>Weight-Stillness; Fans, 1990 Jan. 9-16</li> <li>Weight-Studies, 1990 Dec. 18; Movement Texture, 1991 Jan. 15</li> <li>Wingborne;<span class=\"title\"> La Malinche</span></li> <li>Unidentified Tapes- 4 Copies</li></ul>"}
- processinfo
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{"value"=>"<p>Processed by Thea Constantine; Machine-readable finding aid created by Thea Constantine.</p>"}
- accessrestrict
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{"value"=>"<p>Some collections held by the Dance, Music, Recorded Sound, and Theatre Divisions at the New York Public Library for the Performing Arts are held off-site and must be requested in advance. Please check the collection records in the NYPL's online catalog for detailed location information. For general guidance about requesting offsite materials, please consult: https://www.nypl.org/about/locations/lpa/requesting-archival-materials Photocopying prohibited.</p>"}
- userestrict
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{"value"=>"<p>For permission to publish, contact the Curator, Jerome Robbins Dance Division.</p>"}
- date_start
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1905
- keydate
-
1905
- date_end
-
2000
- date_inclusive_start
-
1905
- date_inclusive_end
-
2000