Adolph S. Tomars Oscar Hammerstein I research papers

id
4744
origination
Tomars, Adolph S. (Adolph Siegfried), 1908-1985
date statement
1878-1980
key date
1878
identifier (local_mss)
20318
org unit
Music Division
call number
JPB 03-8
b-number
b16098346
total components
172
total series
4
max depth
5
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:05:07 UTC
updated
2026-08-16 02:17:48 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

physdesc
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"3 linear feet", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"6 boxes", "unit"=>"containers"}], "supress_display"=>true}
unitid
{"value"=>"JPB 03-8", "type"=>"local_call"}
{"value"=>"20318", "type"=>"local_mss"}
unitdate
{"value"=>"1878-1980", "type"=>"inclusive", "normal"=>"1878/1980"}
date_inclusive_start
1878
date_inclusive_end
1980
keydate
1878
unittitle
{"value"=>"Adolph S. Tomars Oscar Hammerstein I research papers"}
repository
{"value"=>"<span class=\"corpname\">The New York Public Library for the Performing Arts. <span class=\"subarea\">Music Division.</span></span> <div class=\"address\"> <span class=\"addressline\">New York, New York</span></div>"}
abstract
{"value"=>"The papers consist mostly of clippings and notes on the career of Oscar Hammerstein I, compiled by Adolph S. Tomars."}
langmaterial
{"value"=>"English"}
prefercite
{"value"=>"<p>Adolph S. Tomars Oscar Hammerstein I Research Papers, JPB 03-8. Music Division, The New York Public Library for the Performing Arts.</p>"}
origination
{"value"=>"Tomars, Adolph S. (Adolph Siegfried), 1908-1985", "type"=>"persname"}
bioghist
{"value"=>"<p>Adolph S. Tomars, a sociologist and educator, was born on Feb. 2, 1908 in New York City to Semion and Rose Tomars. He received his B.A., M.A., and Ph.D. from Columbia University. Tomars married the former Regina Rubinoff in 1932; they had one daughter, Adrea Ruth. He was a member of the City College of New York faculty and later became chairman of the Sociology Department there. Tomars also taught at New York University and Hofstra University. In 1959, he received a Guggenheim fellowship. He was the author of the book, <span class=\"title\">Introduction to the Sociology of Art</span>, published in 1940. He died in New York City in March 1985.</p> <p>Opera stage director, impresario, and onetime concert singer, Semion Tomars, was born in Bobruisk, Russia around 1876. He sang in Russia, Vienna, and London before coming to the Metropolitan Opera Company at the turn of the century. After 1908, Semion Tomars was stage manager for the opera productions of Oscar Hammerstein I at the Manhattan Opera House and the London Opera House. He was associated with Hammerstein until the latter’s death. Semion Tomars also directed productions for the Chicago-Philadelphia Opera Company, the Century Opera Company, and the Society of American Singers. He directed his own companies in London and New York, including the National Opera Guild in 1927, whose mission was to produce opera in English. His wife, Rose, was a Polish born soprano who performed in Steinway Hall in 1934. Semion Tomars died of a heart attack in 1943.</p> <p>Oscar Hammerstein I, theatrical manager and impresario, inventor, and composer, was born in Berlin on August 1, 1846. Running away to New York at the age of sixteen, he found work in the cigarmaking industry. Hammerstein began to invent devices related to cigarmaking and is said to have made over $1,000,000 from his inventions. He also edited (some sources say founded) the <span class=\"title\">United States Tobacco Journal</span>, which he successfully ran until 1885. His first theatrical venture was writing three one-act comedies in German; these were produced by a New York City local theater in 1868.</p> <p>In 1870, Hammerstein became lessee and manager of the Stadt Theatre (later the Windsor) in New York City. The Harlem Opera House was the first theater he built; it was completed in 1880. Here he produced operas in English, to artistic and financial failure. Among Hammerstein’s other theaters were the Columbus Theatre (1890?), Olympia Music Hall (1895), Victoria Music Hall (1899), and the Republic (1900). He was also part owner of Koster and Bial’s vaudeville house, as well as other theaters.</p> <p>To realize his ambition of presenting grand opera in English at popular prices, Hammerstein built the Manhattan Opera House on Thirty-fourth Street in 1906, competing with the Metropolitan Opera House. Hammerstein also built the Philadelphia Opera House in 1908. In 1910, he was paid a large sum (reports vary between $1,000,000 and $2,000,000) by the Metropolitan Opera to cease producing opera in New York and Philadelphia for ten years. Hammerstein then went to England, where he opened the London Opera House in 1911. It failed after its first and only season. He returned to New York and built the American Opera House in 1912, but was legally prevented from producing opera there. Hammerstein renamed the theater the Lexington Theatre and presented popular entertainments in it. Hammerstein was married three times and had four sons and two daughters. He died August 1, 1919 in Lenox Hill Hospital due to complications from diabetes.</p>"}
scopecontent
{"value"=>"<p>These research materials consist primarily of clippings and notes compiled by Adolph S. Tomars, son of Semion Tomars, who was an associate of Oscar Hammerstein I. The purpose of the research is unclear. There are a small number of photographs, programs, and letters mostly relating to Hammerstein’s theaters. A large portion of the subject files cover subjects such as opera, music, and theater, and includes clippings on personalities from the era of Oscar Hammerstein I, or of those who performed in his theaters. There are also a few production materials relating to opera companies with which Semion Tomars was associated.</p> <p>Also included are materials relating to Oscar Hammerstein I’s career, such as descriptions published by the U. S. Patent Office of his numerous inventions. There are also handwritten notes, probably by Semion Tomars, giving his impressions and recollections of Hammerstein.</p>"}
{"value"=>"<p class='list-head'>The Adolph S. Tomars Oscar Hammerstein I research papers are arranged in four series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/mus/20318#c563488'>Series I: Research Notes</a></div>\n<div class='series-date'>undated</div>\n<div class='series-extent'>.5 boxes</div>\n<div class='series-description'><p>The research notes consist of transcriptions largely from British newspapers and books, made by Adolph S. and Regina Tomars at the Newspaper Library of the British Museum. The notes cover Hammerstein’s involvement with the London Opera House from 1910 to 1913. There are also several clippings on the London Opera House in the Oversized series.</p></div></li><li><div class='series-title'><a href='/mus/20318#c563491'>Series II: Oscar Hammerstein I Career Files, and</a></div>\n<div class='series-date'>1878 - 1977</div>\n<div class='series-extent'>2 boxes</div>\n<div class='series-description'><p>This series contains U. S Patent Office printed descriptions of Hammerstein’s inventions, most of which relate to cigarmaking, but also include descriptions of wash basins, an exhibition building, a fire extinguishing device, a necktie, and a method of subway ventilation. Included in this series are handwritten notes, probably by Semion Tomars, that give his recollections and impressions of Hammerstein. There are also three letters to Manhattan Opera House subscribers, several programs and clippings on Hammerstein, his theaters, and the Hammerstein family.</p></div></li><li><div class='series-title'><a href='/mus/20318#c563584'>Series III: Subject Files, and</a></div>\n<div class='series-date'>1906 - 1980</div>\n</li><li><div class='series-title'><a href='/mus/20318#c563650'>Series IV: Oversized</a></div>\n<div class='series-date'>1897 - 1951</div>\n<div class='series-extent'>1 12\" x 16\" box</div>\n</li></ul>\n", "type"=>"arrangement"}
arrangement
{"value"=>"<p> <ul> <li>Series I: Research Notes</li> <li>Series II: Oscar Hammerstein I Career Files</li> <li>Series III: Subject Files</li> <li>Series IV: Oversized</li></ul></p>", "supress_display"=>true}
acqinfo
{"value"=>"<p>The Adolph S. Tomars Oscar Hammerstein I Research Papers were donated to the Music Division in 1986 and 1988 by Regina Tomars.</p>"}
userestrict
{"value"=>"<p>For permission to publish, contact the Chief, Music Division.</p>"}
processinfo
{"value"=>"<p>Processed by Camille Croce Dee; Machine-readable finding aid created by Camille Croce Dee.</p>"}
extent_statement
3 linear feet (6 boxes)
date_start
1878
date_end
1980

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