Opera in Germany / S. William Brady

Description data TOP

unitid

{"value"=>"JPB 97-47", "type"=>"local_call"}

{"value"=>"20201", "type"=>"local_mss"}

unittitle

{"value"=>"Opera in Germany / S. William Brady"}

unitdate

{"value"=>"1901", "type"=>"inclusive", "normal"=>"1901"}

physdesc

{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"1 item ([63] p., bound)"}, {"name"=>"dimensions", "value"=>"19 cm"}], "supress_display"=>true}

date_inclusive_start

1901

date_inclusive_end

1901

origination

{"value"=>"Brady, S. William", "type"=>"persname"}

bioghist

{"value"=>"<p>S. William Brady (1878-1957), also known as William S. Brady, was an American voice teacher and coach. With a studio in New York, he taught well-known singers at the Metropolitan Opera as well as concert and musical comedy singers. For many years he taught in Europe in the summer months. He also composed several operettas and wrote poetry.</p>"}

scopecontent

{"value"=>"<p>Diary of operas seen during Brady's European trip in 1901. The longest section, on Germany, consists of mounted programs for and comments in ink about Der Barbier von Bagdad, Cavalleria Rusticana, Der Afrikanerin, Bastien und Bastienne, Der Entfürung aus dem Serail, Der Prophet, Rigoletto, Mignon, Falstaff, Rienzi, Der Mikado, Siegfried, Götterdämmerung, and Carmen. A shorter section on Florence Italy, March 1901, discusses Aida, Mefistofele, Un Ballo in Maschera, Il Trillo del Diavolo (Falchi), Tosca, La Traviata, and the Geisha ; it includes only one program, laid in, for Il Trillo. A final short section, on Paris, discusses Astarte, L'Ouragan, Mireille, La Basoche, Lakmé, Le Chalet, Les Noces de Jeannette, and Carmen ; it includes no programs. Brady's criticism touches on the compositions, but concentrates chiefly on the singing.</p>"}

acqinfo

{"accession_number"=>"MUS"}

{"date"=>"06/21/96", "source"=>"Robinson, Nancy M", "address"=>"Guthrie Annex II, Box 351630, Seattle, WA 98195-1630", "method"=>"Gift", "value"=>"Gift, Robinson, Nancy M, 06/21/96"}

note

{"value"=>"<p>Title from inside front cover</p>", "encodinganalog"=>"500"}

{"value"=>"<p>Accompanied by letter from Speight Jenkins, Seattle, to Nancy M. Robinson, Seattle, 1991 Feb. 1 (TLS, photocopy), and by letter from Nancy M. Robinson, Seattle, to Charles Eubanks, New York, 1996 June 9</p>", "encodinganalog"=>"500"}

abstract

{"value"=>"Diary of operas seen during Brady's European trip in 1901. The longest section, on Germany, consists of mounted programs for and comments in ink about Der Barbier von Bagdad, Cavalleria Rusticana, Der Afrikanerin, Bastien und Bastienne, Der Entfürung aus dem Serail, Der Prophet, Rigoletto, Mignon, Falstaff, Rienzi, Der Mikado, Siegfried, Götterdämmerung, and Carmen. A shorter section on Florence Italy, March 1901, discusses Aida, Mefistofele, Un Ballo in Maschera, Il Trillo del Diavolo (Falchi), Tosca, La Traviata, and the Geisha ; it includes only one program, laid in, for Il Trillo. A final short section, on Paris, discusses Astarte, L'Ouragan, Mireille, La Basoche, Lakmé, Le Chalet, Les Noces de Jeannette, and Carmen ; it includes no programs. Brady's criticism touches on the compositions, but concentrates chiefly on the singing."}

langmaterial_code

eng

ger

ita

keydate

1901

langmaterial

{"value"=>"In English ; programs in German or Italian"}

prefercite

{"value"=>"Opera in Germany / S. William Brady, Music Division, The New York Public Library"}

extent_statement

1 item ([63] p. bound), 19 cm; 1 item ([63] p. bound), 19 cm

date_start

1901

date_end

1901

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