- unitid
-
{"value"=>"20862", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1915-1974", "type"=>"inclusive", "normal"=>"1915/1974"}
{"value"=>"1920-1935", "type"=>"bulk", "normal"=>"1920/1935"}
- date_inclusive_start
-
1915
- date_inclusive_end
-
1974
- keydate
-
1915
- date_start
-
1915
- date_end
-
1974
- unittitle
-
{"value"=>"Opal Cooper collection"}
- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"1.4 lin. ft. (1 archival box, 3 flat boxes)"}], "supress_display"=>true}
- repository
-
{"value"=>"<span class=\"corpname\">The New York Public Library. Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division.</span> <div class=\"address\"> <span class=\"addressline\">Schomburg Center for Research in Black Culture</span> <span class=\"addressline\">515 Malcolm X Boulevard, New York, NY 10037-1801</span></div>"}
- abstract
-
{"value"=>"The records contain personal and professional papers comprised of biographical materials, letters, writings, programs, music, a scrapbook and miscellaneous items. The Personal Papers consist of various forms of identification, letters and an obituary, among other items."}
- langmaterial
-
{"value"=>"Materials in English"}
- prefercite
-
{"value"=>"<p>Opal Cooper collection, Schomburg Center for Research in Black Culture, The New York Public Library</p>"}
- origination
-
{"value"=>"Cooper, Opal, 1889?-1974", "type"=>"persname"}
- bioghist
-
{"value"=>"<p>Opal D. Cooper was a singer, pianist and actor who experienced marginal success in the United States and parts of Europe during the 1920s and 1930s. Bom in Cromwell, Kentucky (noted in some of his records as Cromwell, Ohio), one of Cooper first appearances was in the musical comedy Darkydom (book by Henry Troy, lyrics by Jesse Shipp, and music by Will Marion Cook) at the Lafayette Theater in New York City in 1915. The play also featured the comedy duo Miller and Lyles. Two years later, Cooper appealed as Madison Sparrow in the play The Rider of Dreams, written by Ridgely Torrence. One newspaper reported that Cooper was so nervous opening night that he gave a \"miserable\" performance. In later shows, his performance improved, and was generally well received as indicated by critic Louis Sherman who wrote that. Cooper as the Rider of Dreams, a mixture of poet, savage and vagabond, brought down the house time and time again\". Often described by critics as \"robust\", \"large\", or \"a bronze giant\", Cooper continued to make a name for himself by appearing at church benefits and as a featured guest in minstrel variety shows in the New York area.</p> <p>In 1918, Cooper enlisted in the United States Army, and was assigned to the 807 Pioneer International Band, which performed overseas. He rose to the rank of sergeant, and following his discharge in 1919 he remained in Europe and joined the American Legion in Paris.</p> <p>From 1920 to 1939, 'Ole' Cooper, as he was sometimes known, worked as a singer and musician in various theaters and restaurants in Paris, other parts of Europe, and in India. As a result of the lack of work due to the onset of World War II, he returned to the United States and resumed his career performing in clubs in New York City and in Hartsdale, New York.</p> <p>Cooper performed with a number of bands during his career. Before joining the service, he was a member of the James Reese Europe's Octette of Singers and Players, managed by Noble Sissle. Other bands included the Five Red Devils and the International Four which featured Sammy Richardson, Freddy Brown and Wilbur White. He also performed in a group with composer DeKoven Thompson and singer Creighton Thompson, two cast members of the aforementioned Darkydom. Throughout his career, Cooper appeared alongside prominent singers and musicians of their day, among them Abbie Mitchell, Ella Fitzgerald, W. C. Handy, C. Luckeyth \"Lucky\" Roberts, Elizabeth Welch and Sidney Easton.</p> <p>In 1949, Cooper married Cora Outten. In the late 1960s, the couple lived in the Bronx and Cooper worked as a licensed taxi driver, an occupation he held until his death in 1974.</p>"}
- custodhist
-
{"value"=>"<p>The collection was donated to the Armstead-Johnson Foundation for Theater Research by Cooper's widow, Cora. It was subsequently donated by Helen Armstead-Johnson, along with other theater related collections to the Schomburg Center.</p>"}
- scopecontent
-
{"value"=>"<p>The Opal D. Cooper Papers span the years 1918-1975, and highlight aspects of Cooper's career as a musician. Since Cooper spent much of his career performing in Paris, some of the documents are written and printed in French.</p>"}
- arrangement
-
{"value"=>"<p>Collection organized in two series: I. Personal Papers, 1930-1974; II. Professional Papers, 1901-1954</p>"}
- acqinfo
-
{"value"=>"<p>Helen Armstead-Johnson, December 1996.</p>"}
- separatedmaterial
-
{"value"=>"<p>The following items have been transferred to the Schomburg Photographs and Prints Division (December 1996):</p> <p>One folder of photographs.</p> <p>The following items have been transferred to the Schomburg Art and Artifacts Division (December 1996):</p> <p>White dress shirt, gray tie, black tuxedo jacket/pants, gray kimono, female amateur costume; jacket with (faded butterscotch), check vest, yellow pants, worn by mother of Mrs. Jackie Partington Jr. (Mom's Mabley's mother-in-law).</p>"}
- processinfo
-
{"type"=>"processing", "value"=>"<p>Steven G. Fullwood, October 2000</p>"}
{"value"=>"<p>Processed as part of the Blacks on Stage: African American Theater Arts Collections Project. Funding was provided by the National Endowment for the Humanities, and the City and State of New York.</p> <p>Processed by Steven G. Fullwood, October 2000</p>"}
- note
-
{"value"=>"Photographs transferred to the Photographs and Prints Division"}
- extent_statement
-
1.4 linear feet (1 archival box, 3 flat boxes)
- date_bulk_start
-
1920
- date_bulk_end
-
1935