- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"33.55 linear feet", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"66 boxes", "unit"=>"containers"}], "supress_display"=>true}
- unitid
-
{"value"=>"JPB 00-5", "type"=>"local_call"}
{"value"=>"20292", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1898-2003", "type"=>"inclusive", "normal"=>"1898/2003"}
{"value"=>"1920-2003", "type"=>"bulk", "normal"=>"1920/2003"}
- date_inclusive_start
-
1898
- date_inclusive_end
-
2003
- keydate
-
1898
- unittitle
-
{"value"=>"Norman Dello Joio papers"}
- repository
-
{"value"=>"<span class=\"corpname\">The New York Public Library for the Performing Arts. <span class=\"subarea\">Music Division.</span></span> <div class=\"address\"> <span class=\"addressline\">New York, New York</span></div>"}
- abstract
-
{"value"=>"Norman Dello Joio is a pianist, organist, educator and a Pulitzer Prize winning composer. The collection contains materials related to his work; including business related correspondence (from individuals and institutes), personal papers (financial, biographical, some photographs, speeches and writings), performance files (programs and other related items), musical scores, clippings, ephemera, and scrapbooks."}
- prefercite
-
{"value"=>"<p>Norman Dello Joio Papers, JPB 00-5, Music Division, The New York Public Library for the Performing Arts.</p>"}
- origination
-
{"value"=>"Dello Joio, Norman, 1913-", "type"=>"persname"}
- bioghist
-
{"value"=>"<p>Norman Dello Joio was born on January 24, 1913 in New York, where his father, his grandfather and his great grandfather were church organists. Dello Joio acquired skill as an organist and pianist at home from his father, Casimiro Dello Joio, from 1918 to 1930. He took additional organ lessons from his well-known godfather, Pietro Alessandro Yon (musical director and organist at St. Patrick’s Cathedral) during the years 1931 to 1933; and studied piano with Gaston Déthier at the Institute of Musical Art (1933 - 1938). From 1939 to 1941 he studied composition with Bernard Wagenaar at the Juilliard School of Music (1939-1941). In 1941 he enrolled in the summer class of composition led by Hindemith at the Berkshire Music Center in Tanglewood; and then continued to attend Hindemith’s courses at Yale University from 1941-1943.</p> <p>From the beginning of his career he received a number of grants and awards, and his works had regular performances. He won an Elizabeth Sprague Coolidge Award for his Piano <span class=\"title\">Trio</span> (1937), a Town Hall Composition Award for the orchestral work <span class=\"title\">Magnificat</span> (1942), and Guggenheim Fellowships (1943 and 1944). In 1945 he received a grant from the American Academy of Arts and Letters. His <span class=\"title\">Variations, Chaconne and Finale</span>, first performed by the New York Philharmonic Orchestra under Bruno Walter, won the New York Music Critics’ Circle Award for the best new orchestral piece (1948); he won a second Critics’ Circle Award (1962) for the opera <span class=\"title\">The Triumph of St. Joan</span>. The Pulitzer Prize for music was awarded to him in 1957 for <span class=\"title\">Meditations on Ecclesiastes</span> for string orchestra. On February 16, 1958, he was the subject of a CBS television documentary titled <span class=\"title\">Profile of a Composer</span>. In 1961 he was elected to the National Institute of Arts and Letters. In 1965, his music for the NBC program <span class=\"title\">The Louvre</span> won the Emmy award for outstanding television score.</p> <p>As music director for the Dance Players Company (1940 - 1943), Norman Dello Joio began to extend his influence into the world of dance. Some of his most considerable works for dance include <span class=\"title\">On Stage!</span> (1945), choreographed by Michael Kidd for Ballet Theatre, two works for Martha Graham, <span class=\"title\">Diversion of Angels</span> (1948) and <span class=\"title\">Seraphic Dialogue</span> (1955), and <span class=\"title\">There is a Time</span> (1956; a composition based on the Pulitzer Prize winning <span class=\"title\">Meditation On Ecclesiastes</span> for José Limón).</p> <p>Dello Joio taught composition and choir at Sarah Lawrence College (1945 - 1950), composition at the Mannes College of Music (1960 - 1972), and was Professor of Music and Dean of the Fine and Applied Arts School of Boston University (1972 - 1977). From 1959 until 1973, he directed the Ford Foundation’s Contemporary Music Project, which placed young composers in high schools. The purpose of the project was to make contemporary music a part of children's lives by placing composers and performers in the learning atmosphere. The project placed about ninety composers, many who successfully continued their careers.</p> <p>In 2004, at the age of 91, Dello Joio continues his endeavors for the music community.</p> <p>Sources:</p> <ul> <li>“Clippings and pamphlet” —Box 6, Folder 8 (biographical articles / items)</li> <li> “Dello Joio, Norman.” Retrieved from http://www.grovemusic.com on July 14, 2004.</li> <li> “Dello Joio Biography.” Retrieved from http://fp.enter.net/~debrat42/biography.htm on July 14, 2004.</li> <li> “Resume—handwritten”—Box 8, Folder 30</li> <li> Slonimsky, Nicolas. <span class=\"title\">Baker's Biographical Dictionary of Musicians</span>. 7th ed. New York: Schirmer Books, 1984.</li></ul>"}
- scopecontent
-
{"value"=>"<p>The papers of Norman Dello Joio (1898-2003) document his professional life from the early 1920s until 2003. The few items found within this collection that precede the dates of his life are all connected to his professional career. For example, Dello Joio most likely acquired the published music <span class=\"title\">La Passione di Cristo Secondo S Marco</span> (Box 45, Folder 14) for his further study of oratorios.</p> <p>A good amount of manuscripts that reveal the evolution of several of Dello Joio’s most notable scores are within the collection. For example, Dello Joio’s creative path to <span class=\"title\">The Triumph of St. Joan</span>, can be found within this collection under the various names it held through revision—i.e. <span class=\"title\">Triumph of Joan</span>, <span class=\"title\">Trial at Rouen</span> and, finally, <span class=\"title\">Triumph of St. Joan</span>. Furthermore, there is an extensive amount of compositional work in this collection on his 1961 opera <span class=\"title\">Blood Moon</span>. His scores, manuscripts and reproductions, make up the bulk of the collection. However, there is limited material on his award winning compositions <span class=\"title\">Meditations on Ecclesiastes</span> (José Limón’s <span class=\"title\">There is a Time</span>) and <span class=\"title\">The Louvre</span>.</p> <p>Norman Dello Joio’s papers contain few personal items; one of the few exceptions would be the correspondence he received from family members (Box 1, Folder 23-24).</p>"}
{"value"=>"<p class='list-head'>The Norman Dello Joio papers are arranged in eight series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/mus/20292#c554143'>Series I: Correspondence</a></div>\n<div class='series-date'>1930 - 1992</div>\n<div class='series-extent'>2.5 linear feet (5 boxes)</div>\n<div class='series-description'><p>This series is composed of 2 sub series: Individuals and Organizations. The first sub series contains the correspondence (letters, cards and telegrams) sent from various individuals. The second sub series contains the correspondence that Dello Joio received from (and on rare occasions sent to) organizations. The focus of the majority of letters, for either sub series, was business related.</p></div></li><li><div class='series-title'><a href='/mus/20292#c554305'>Series II: Personal Papers</a></div>\n<div class='series-date'>1920 - 2003</div>\n<div class='series-extent'>2 linear feet (4 boxes)</div>\n<div class='series-description'><p>This series contains the awards, certificates, photographs, interviews, as well as the numerous biographical and financial materials found within the collection. Proofs of several chapters for Thomas A. Bumgardner’s book <span class=\"title\">Norman Dello Joio</span> can be found within this series (Box 8, Folders 5-12).</p></div></li><li><div class='series-title'><a href='/mus/20292#c554432'>Series III: Performance Files</a></div>\n<div class='series-date'>1941 - 2003</div>\n<div class='series-extent'>3 linear feet (6 boxes)</div>\n<div class='series-description'><p>This series is composed of two sub series: Compositions and Organizations. The first sub series contains items that document the performance of individual Dello Joio compositions—i.e. leaflets, pamphlets and souvenir programs that focus on individual compositions are within this sub series. The second sub series contains items related to performances of multiple Dello Joio works for individual events sponsored by an organization.</p></div></li><li><div class='series-title'><a href='/mus/20292#c554618'>Series IV: Scores</a></div>\n<div class='series-date'>1933 - 1995</div>\n<div class='series-extent'>10 linear feet (30 boxes)</div>\n<div class='series-description'><p>This series is composed of 2 sub series: Works by Norman Dello Joio and Works by Other Artists. The first sub series includes manuscripts of scores by Dello Joio including <span class=\"title\">Air Power</span>, <span class=\"title\">Blood Moon</span> and <span class=\"title\">There is a Time</span> (<span class=\"title\">Meditations on Ecclesiastes</span>). The second sub series includes scores of artists such as Paul Hindemith and Abraham Skulsky.</p></div></li><li><div class='series-title'><a href='/mus/20292#c555095'>Series V: Clippings</a></div>\n<div class='series-date'>1944 - 2003</div>\n<div class='series-extent'>1.5 linear feet ( 3 boxes)</div>\n<div class='series-description'><p>This series consists of photocopied clippings about Norman Dello Joio compositions, organizational connections and interests.</p></div></li><li><div class='series-title'><a href='/mus/20292#c555241'>Series VI: Ephemera</a></div>\n<div class='series-date'>1937 - 1984</div>\n<div class='series-extent'>.5 linear feet (1 box)</div>\n<div class='series-description'><p>This series consists of blank postcards, brochures, pamphlets, maps and programs that have no clear connection to any file in another series.</p></div></li><li><div class='series-title'><a href='/mus/20292#c555263'>Series VII: Scrapbooks</a></div>\n<div class='series-date'>1940- 1977</div>\n<div class='series-extent'>2.17 linear feet (4 boxes)</div>\n<div class='series-description'><p>This series consists of twenty-three chronological scrapbooks filled with clippings, programs and other career related materials. For the majority of scrapbooks, there is no central theme dominating. However, two scrapbooks focus on particular subjects: St Joan material, i.e. <span class=\"title\">Triumph of S. Joan</span> and <span class=\"title\">Trial at Rouen</span>, can be found in Box 51, Folders 9-10; and material dealing with Dello Joio’s time as Dean with the Boston School of Fine and Applied Arts in Box 53, Folders 1-2.</p></div></li><li><div class='series-title'><a href='/mus/20292#c555329'>Series VIII: Oversized</a></div>\n<div class='series-date'>1940 - 1995</div>\n<div class='series-extent'>12.38 linear feet (13 boxes)</div>\n<div class='series-description'><p>This series is composed of two sub series: 1) Personal and Performance Related and 2) Scores. The first sub series contains oversized items such as honary degrees and awards connected to his personal life or performance files. The second sub series contains the oversized scores of Dello Joio, as well as those of other artists.</p></div></li></ul>\n", "type"=>"arrangement"}
- arrangement
-
{"value"=>"<p>The Norman Dello Joio Papers are divided into 8 series, 8 sub series and 2 sub-subseries.</p> <ul> <li>Series I: Correspondence, 1930-1993 <ul> <li>Sub Series 1 - Individuals, 1930 - 1992</li> <li>Sub Series 2 - Organization, 1945 - 1993</li></ul></li> <li> Series II: Personal Papers, 1920 -2003</li> <li>Series III: Performance Files, 1941 - 2003 <ul> <li>Sub Series 1 - Compositions, 1941 - 1996</li> <li>Sub Series 2 - Organizations, 1941 - 2003</li></ul></li> <li>Series IV: Scores, 1898 - 1995 <ul> <li>Sub Series 1 - Works by Norman Dello Joio, 1933 - 1995 and undated</li> <li>Sub Series 2 - Works by Other Artists, ca. 1898 - 1995</li></ul></li> <li>Series V: Clippings, 1944 - 2003</li> <li>Series VI: Ephemera, 1937 - 1984</li> <li>Series VII: Scrapbooks, 1940 - 1977</li> <li>Series VIII: Oversized, 1922 - 1995 <ul> <li> Sub Series 1 - Personal and Performance Related, 1922 - 1988</li> <li>Sub Series 2 - Scores, 1940 - 1995 <ul> <li>Sub sub series A: Scores by Other Artists, ca. 1965 - 1995</li> <li>Sub sub series B: Scores written by Norman Dello Joio, ca. 1941 - 1980</li></ul></li></ul></li></ul>", "supress_display"=>true}
- acqinfo
-
{"value"=>"<p>Norman Dello Joio donated his collection in 1998.</p>"}
- separatedmaterial
-
{"value"=>"<p>Audiovisual materials separated from archival collections are cataloged individually and can be found in the Library catalog. Search CATNYP, The New York Public Library catalog.</p> <ul> <li>Music Research Division: <ul> <li>Posters <ul> <li>Filharmonia Katowice, 1947 Jan. (very fragile; limit handling)</li> <li>Filharmonia W Lodzi, 1947 Jan. 17(very fragile; limit handling)</li> <li>Panstwpwa Filharmonia W Krakowie, 1947 Jan. 3 (very fragile; limit handling)</li> <li>Russian handwritten poster, undated</li></ul></li></ul> <ul> <li>Published Scores by Other Artists (1 item each, unless specified otherwise) <ul> <li>Berlioz, Hector—<span class=\"title\">Requiem</span>, 1880 (vocal score with piano by Leopold Damrosch)</li> <li> Britten, Benjamin—<span class=\"title\">Saint Nicolas</span>, 1948</li> <li>Carissimi, Giacomo—<span class=\"title\">Jephte</span>, 1952</li> <li>Dvorak, Antonin—<span class=\"title\">The American Flag</span>, 1975</li> <li>Einstein, Alfred, ed.—<span class=\"title\">The Golden Age of the Madrigal: Twelve Five-Part Mixed Choruses</span>, 1942</li> <li>Ivy, Charles <ul> <li> <span class=\"title\">Third Symphony</span>, 1947</li> <li> <span class=\"title\">Tone Roads No. 3</span>, 1952</li></ul></li> <li>Kouguell, Arkadie—<span class=\"title\">Wedding March No. 2</span>, undated (Cantorial Anthology publication—5 copies)</li> <li>Lang, David—<span class=\"title\">The Anvil Chorus</span>, 1991</li> <li>Mildenberg, Albert—Aria from <span class=\"title\">The Arabian Night Opera</span> in One Act, 1903 (7 copies)</li> <li>Mozart, Wolfgang Amadeus <ul> <li> <span class=\"title\">Cosi Fan Tutte</span>, undated (Leipzig, Aug. Cranz, G.m.b. H.)</li> <li> <span class=\"title\">Don Juan</span>, undated (Leipzig, Aug. Cranz, G.m.b. H.)</li> <li> <span class=\"title\">Die Enführung aus dem Serail</span>, undated (Leipzig, Aug. Cranz, G.m.b. H.)</li> <li> <span class=\"title\">Idomeneus</span>, undated (Leipzig, Aug. Cranz, G.m.b. H.)</li> <li> <span class=\"title\">The Magic Flute</span>, undated (Leipzig, Aug. Cranz, G.m.b. H.)</li> <li> <span class=\"title\">Requiem Mass</span> in vocal score, undated (H.W. Gray Co.)</li> <li> <span class=\"title\">Symphony No. 2</span>, undated (Broude Bros.)</li> <li> <span class=\"title\">Symphony No. 3</span>, undated (Broude Bros.)</li> <li> <span class=\"title\">Symphony No. 6</span>, undated (Broude Bros.)</li></ul></li> <li>Rossini, Giacomo <ul> <li> <span class=\"title\">Semiramis</span>undated (Leipzig, Aug. Cranz, G.m.b. H.)</li> <li>Tancred, undated (Leipzig, Aug. Cranz, G.m.b. H.)(2 copies)</li> <li>Wilhelm Tell, undated (Leipzig, Aug. Cranz, G.m.b. H.)</li></ul></li> <li>Vivaldi, Antonio—<span class=\"title\">Concerto in Si b Maggiore</span>, 1947</li></ul></li></ul> <ul> <li>Published Scores Written by Norman Dello Joio <ul> <li> <span class=\"title\">Adieu Mignonne, When You are Gone</span>, 1955</li> <li> <span class=\"title\">All Things Leave Me</span> (Arthur Symons), 1955 (3 copies)</li> <li> <span class=\"title\">Air</span> for Strings, 1967 (full score and part sheets—4 sets)</li> <li> <span class=\"title\">Air Power</span> a suite for symphic band (full set of sheet music), undated</li> <li> <span class=\"title\">Aria and Roulade</span>—for concert band (score and set of parts), 1984 (1 full set-score and parts; 1 set of parts only)</li> <li> <span class=\"title\">Arietta</span> for string orchestra, 1978 (2 sets of full score/parts)</li> <li> <span class=\"title\">The Assasination</span> (text adapted from poem by Robert Hillyer), 1949</li> <li> <span class=\"title\">Bagatelles</span> for harp, 1969 (5 copies)</li> <li> <span class=\"title\">The Bluebird</span> (SATB with piano), 1952 (7 copies)</li> <li> <span class=\"title\">Bright Star</span> (Light of the World) <ul> <li>For mixed voices (SATB) with piano four hands, 1971 (2 copies)</li> <li>High voice and piano, 1968 (7 copies)</li> <li>Medium voice and piano, 1968 (9 copies)</li> <li> Two part chorus and piano, 1968 (4 copies)</li></ul></li> <li> <span class=\"title\">A Christmas Carol</span> <ul> <li>For mixed voices (SATB) with piano four hands, 1971 (3 copies)</li> <li>Medium voice and piano, 1968</li> <li>SATB and piano, 1962 (4 copies)</li> <li>SSA and piano, 1965 (2 copies)</li></ul></li> <li> <span class=\"title\">Choreography</span>: three dances for string orchestra, 1972 (parts only: 2 viola, 3 violincello, 2 doublebass, and 4 each for 1st and 2nd violin)</li> <li> <span class=\"title\">Colloquies</span> concert suite for violin and piano, 1964</li> <li> <span class=\"title\">Colonial Ballads</span> for band, 1979 (4 complete band sets)</li> <li> <span class=\"title\">Come to Me My Love</span>—SATB and piano, 1973 (text based on poem <span class=\"title\">Echo</span> by Christinal Rossetti; 9 copies)</li> <li> <span class=\"title\">Concert Variants</span> for piano, 1983 (2 copies)</li> <li> <span class=\"title\">Concertante</span> for clarinet and orchestra, 1955 (2 copies)</li> <li> <span class=\"title\">Diversions</span> a set of five pieces for piano, 1975 (3 copies)</li> <li> <span class=\"title\">Dreamers</span>—for SATB and piano, 2001</li> <li> <span class=\"title\">Easthampton Sketches</span> for string orchestra, 1984</li> <li> <span class=\"title\">Evocations</span> -Part I <span class=\"title\">Visitants at Night</span> for mixed chorus and orchestra, 1947</li> <li> <span class=\"title\">Eyebright</span> (poem by J. Addington Symonds), 1954 (part of <span class=\"title\">Six Love Songs</span>; 5 copies)</li> <li> <span class=\"title\">A Fable</span> (SATB with tenor solo and piano), 1947 (5 copies)</li> <li> <span class=\"title\">Fantasia on a Gregorian Theme</span> for violin and piano, 1949 (8 copies)</li> <li> <span class=\"title\">Fantasies on an Original Theme</span> for concert band, 1994 (2 sets for band)</li> <li> <span class=\"title\">Five Images</span> <ul> <li>For orchestra, 1968 (3 copies)</li> <li> For piano four hands, 1967 (2 copies)</li></ul></li> <li> <span class=\"title\">Five Lyric Pieces for the Young Organist</span>, 1975 (3 copies)</li> <li> <span class=\"title\">God Rest Ye Merry Gentlemen</span> for mixed voices (SATB) with piano four hands, 1971 (2 copies)</li> <li> <span class=\"title\">Hark! The Herald Angels Sing</span> for mixed voices (SATB) with piano four hands, 1971 (4 copies)</li> <li> <span class=\"title\">Holy Infant’s Lullaby</span> <ul> <li>High voice and piano, 1967 (3 copies)</li> <li>Medium voice and piano, 1967 (2 copies)</li> <li>SATB and piano, 1962 (14 copies)</li> <li> SSA and piano, 1967 (5 copies)</li></ul></li> <li> <span class=\"title\">I Dreamed of a City Invincible</span> for mixed chorus (SATB) with soprano and baritone solos and keyboard, 1985 (2 copies; text suggested by a poem of Walt Whitman)</li> <li> <span class=\"title\">A Jubilant Song</span> for full chorus of women’s voices with piano, 1947 (adapted from Walt Whitman; brittle paper / pages separated from spine)</li> <li> <span class=\"title\">Lament</span>—medium voice and piano (poem by Chidiock Tichborne), 1949 (4 copies)</li> <li> <span class=\"title\">Leisure</span> SATB with piano (W.H. Davies poem))—voice and piano, 1975 (4 copies)</li> <li> <span class=\"title\">The Listeners</span> (poem by Walter de la Mare)—voice and piano, 1960 (2 copies)</li> <li> <span class=\"title\">Love Songs at Parting</span> for mixed chorus and piano, 1984</li> <li> <span class=\"title\">Lyric Fantasies</span> for viola solo and string orchestra (or string quartet), 1975 (2 scores and 1 set of parts)</li> <li> <span class=\"title\">Madrigal</span> SATB with piano, 1947 (5 copies)</li> <li> <span class=\"title\">Mass in Honor of the Blessed Virgin</span> Congregation Part, 1975</li> <li> <span class=\"title\">Mass in Honor of the Eucharist</span>, 1976 (4 copies)</li> <li> <span class=\"title\">Meeting at Night</span> (Robert Browning poem)—voice and piano, 1954 (part of <span class=\"title\">Six Love Songs</span>; 2 copies)</li> <li> <span class=\"title\">A Memory</span>TTBB chorus and piano, 1995</li> <li> <span class=\"title\">Metaphrase on lines from Shakespeare</span> for concert band, 1991 (full score)</li> <li> <span class=\"title\">The Mystic Trumpeter</span> for full chorus of mixed voices, Soprano, Tenor, Baritone Soil, and French Horn (text adapted from Walt Whitman), 1945</li> <li> <span class=\"title\">Nativity: a Christmas Canticle for the Child</span> for soloists, mixed chorus and piano, 1990 (3 copies; William Gibson text; Commissioned by the Midland Music Center)</li> <li> <span class=\"title\">New Born</span> (Lenore G. Marshall)—medium voice and piano, 1948</li> <li> <span class=\"title\">Note Left on a Doorstep</span> (poem by Lily Peter)—medium voice and piano, 1969</li> <li> <span class=\"title\">Notes from Tom Paine</span> SATB a cappella, 1975 (4 copies; commissioned by JC Penny)</li> <li> <span class=\"title\">O Come All Ye Faithful</span> for mixed voices (SATB) with piano four hands, 1971 (8 copies)</li> <li> <span class=\"title\">O Sing Unto the Lord</span>TTB with organ accompaniment, 1959 (based on <span class=\"title\">Psalm 98</span>; 2 copies)</li> <li> <span class=\"title\">The Poet’s Song</span> SATB with piano, 1974 (5 copies)</li> <li> <span class=\"title\">Prayer’s of Cardinal Newman</span> for chorus of mixed voices with piano or organ, 1962 (3 copies; text translated from the Roman Missal by John Henry Cardinal Newman)</li> <li> <span class=\"title\">Proud Music of the Storm</span> SATB and piano, 1967</li> <li> <span class=\"title\">The Psalmist’s Meditation</span>for mixed chorus and piano or organ, 1981 (2 copies)</li> <li> <span class=\"title\">The Quest</span>SATB and piano, 1991 (commissioned by the Ithaca College School of Music; 3 copies)</li> <li> <span class=\"title\">Salute to Scarlatti</span>—piano, 1981</li> <li> <span class=\"title\">Silent Night</span>for Mixed voices (SATB) with piano four hands, 1971 (7 copies)</li> <li> <span class=\"title\">Simple Sketches</span> for piano, 2001</li> <li> <span class=\"title\">Sing a Song Universal</span> for four part chorus of mixed voices and piano, 1987 (3 copies)</li> <li> <span class=\"title\">Un Sonetto di Petrarca</span> (English version by Harold Heiberg)—voice and piano, 1964</li> <li> <span class=\"title\">Song at Springtide</span> for piano duet, 1984 (2 copies)</li> <li> <span class=\"title\">Song’s End</span> SSA and piano, 1964 (7 copies)</li> <li> <span class=\"title\">Songs of Remembrance</span> (John Hall Wheelock poems)—for voice and piano, 1979</li> <li> <span class=\"title\">Songs of Walt Whitman</span>—SATB and piano <ul> <li>I. <span class=\"title\">I Sit and Look Out Upon the World</span>, 1966 (6 copies)</li> <li> II. <span class=\"title\">The Dalliance of Eagles</span>, 1966</li> <li>III. <span class=\"title\">Tears</span>, 1966</li> <li>IV. <span class=\"title\">Take Our Hand Walt Whitman</span>, 1966 (8 copies)</li></ul></li> <li> <span class=\"title\">Suite</span> for Flute and Piano: The Developing Flutist, 1972</li> <li>Two pieces from <span class=\"title\">Suite</span> for the Young string orchestra, 1984</li> <li> <span class=\"title\">Tall Kentuckian</span>—SATB with piano <ul> <li> <span class=\"title\">Somebody’s Coming</span>, 1954 (9 copies)</li> <li> <span class=\"title\">Sweet Sunny</span>, 1954 (2 copies)</li></ul></li> <li> <span class=\"title\">Three Songs of Chopin</span> <ul> <li>Complete Set, 1964</li></ul> <ul> <li>Individual Songs</li> <li> <span class=\"title\">The Lovers</span>, 1964 (4 copies; from the song Swojaki Doniec)</li> <li> <span class=\"title\">The Wish</span>, 1964 (2 copies; from the song Zyczenie)</li></ul></li> <li> <span class=\"title\">Trio</span> for flute, cello and piano, 1948</li> <li> <span class=\"title\">Vigil Strange</span> for mixed chorus and piano four hands (Walt Whitman), 1943 (5 copies)</li> <li> <span class=\"title\">Why So Pale and Wan, Fond Lover?</span>(poem by John Suckling)—voice and piano, 1954 (part of <span class=\"title\">Six Love Songs</span>; 8 copies)</li> <li> <span class=\"title\">Years of the Modern</span> SATB and piano, 1968 (3 copies; Walt Whitman)</li></ul></li></ul> <ul> <li>Three Dimensional Objects <ul> <li>A marble hinged box, undated</li> <li>A plaque addressed to Norman Dello Joio from St. Mary’s and Notre Dame Mixed Chorus expressing their appreciation, gratitude and respect, undated (needs a screw to attach music note to plaque)</li> <li>A wood carved face mask—“N515 Sepik River New Guinea” written on label on back, undated (wall decoration?)</li></ul></li></ul></li></ul> <ul> <li>Rogers and Hammerstein Archives <ul> <li>A sixty minute Maxell audio tape in mailer box addressed to Rita Vander Vliet <sp?> from Norman Dello Joio, undated</li></ul></li></ul>"}
- userestrict
-
{"value"=>"<p>For permission to publish, contact the Chief, Music Division, The New York Library for the Performing Arts.</p>"}
- langmaterial
-
{"value"=>"English"}
- processinfo
-
{"value"=>"<p>Processed by Thea Constantine; Machine-readable finding aid created by Thea Constantine.</p>"}
- extent_statement
-
33.55 linear feet (66 boxes)
- date_start
-
1898
- date_end
-
2003
- date_bulk_start
-
1920
- date_bulk_end
-
2003