National Board of Review of Motion Pictures records

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id: 4455
origination: National Board of Review of Motion Pictures (U.S.)
date statement: 1907-1971
key date: 1907
identifier (local_mss): 2100
org unit: Manuscripts and Archives Division
call number: MssCol 2100
b-number: b11959761
total components: 476
total series: 3
max depth: 5
boost queries: (none)
component layout: Default Layout
Extended MARC Fields: false
Extended Navigation: false
created: 2013-04-01 15:05:03 UTC
updated: 2026-08-16 02:22:16 UTC
status note: (missing)
Display Aeon link: true

Description data TOP

unitid: {"value"=>"2100", "type"=>"local_mss"}

{"value"=>"b11959761", "type"=>"local_b"}

{"value"=>"MssCol 2100", "type"=>"local_call"}
unitdate: {"value"=>"1907-1971", "type"=>"inclusive", "normal"=>"1907/1971"}
unittitle: {"value"=>"National Board of Review of Motion Pictures records"}
physdesc: {"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"238 boxes", "unit"=>"containers"}, {"name"=>"extent", "value"=>"133.25 linear feet", "unit"=>"linear_feet"}]}
repository: {"value"=>"The New York Public Library. Manuscripts and Archives Division.<div class=\"address\"> Stephen A. Schwarzman Building Fifth Avenue at 42nd Street, New York, NY 10018-2788</div>"}
abstract: {"value"=>"The National Board of Review of Motion Pictures (U.S.) was created in 1909 as the New York Board of Censorship of Motion Pictures to make recommendations to the Mayor's office concerning controversial films. The Board changed its name in 1916 and shifted its focus from censorship to publishing reviews and awarding achievements in film. The collection consists of correspondence and other records reflecting the Board's opposition to censorship of motion pictures and its efforts to improve the quality of films."}
langmaterial: {"value"=>"English"}

{"value"=>"Materials in English"}
prefercite: {"value"=>"National Board of Review of Motion Pictures records, Manuscripts and Archives Division, The New York Public Library"}
index: {"value"=>"<div class=\"head\">Name and Subject Index</div> <li> Academy of Motion Picture Arts and Sciences See Series I.B. Subjects Correspondence See also Series II.M. Subjects Papers: Sub-Committee Hearings on War Films</li> <li> Actualités Françaises See Series I.A. Company Correspondence: A. F. Films, Inc.</li> <li> Advertising See Series I.A. Company Correspondence: Association of Motion Picture Advertising</li> <li> A. F. Films, Inc. See Series I.A. Company Correspondence</li> <li> A. F. E. Films, Inc See Series I.A. Company Correspondence</li> <li> Aldrich, Winthrop W. See Series II.N. Writings, Speeches and Interviews</li> <li> Alleged suppression of anti-drinking motion pictures by the liquor industry See Series I.B. Subjects Correspondence: Drinking and the Movies</li> <li> American Academy of Political and Social Science See Series I.B. Subjects Correspondence</li> <li> American Civil Liberties Union See Series I.B. Subjects Correspondence: Council on Freedom from Censorship</li> <li> American Council on Education See Series I.B. Subjects Correspondence</li> <li> American Exhibitors Association See Series I.B. Subjects Correspondence</li> <li> American Federation of Labor See Series I.B. Subjects Correspondence</li> <li> American Film Center See Series I.A. Company Correspondence</li> <li> American Film Festival (American Film Library Association) See Series II.M. Subjects Papers</li> <li> American Humane Association See Series I.B. Subjects Correspondence: Cruelty to animals in the movies</li> <li> American Museum of Natural History See Series I.B. Subjects Correspondence</li> <li> American Peoples Center See Series II.M. Subjects Papers</li> <li> American Pictures, Inc. See Series I.A. Company Correspondence</li> <li> American Releasing Corporation See Series I.A. Company Correspondence</li> <li> American Red Cross See Series I.B. Subjects Correspondence</li> <li> American Society for the Prevention of Cruelty to Animals See Series I.B. Subjects Correspondence: Cruelty to animals in the movies</li> <li> American Trading Association See Series I.A. Company Correspondence</li> <li> AMKINO Corp. (Artkino Pictures, U. S. S. R.) See Series I.A. Company Correspondence</li> <li> An Activity to Develop the Best Social Uses of the Motion Pictures See Series II.M. Subjects Papers: National Board of Review of Motion Pictures. Prospectus of the work of the National Board</li> <li> Analysis and comparison of receipts and expenditures of the motion picture division of the New York State Board of Education, 1922-1933 See Series II.K. Regional Papers: New York State, folder 1</li> <li> Analysis of Municipal legislation pertaining to the censorship of Motion Pictures See Series II.M. Subjects Papers.</li> <li> Analysis of Personnel, National Board, 1920, 1921 (Statistical information based on questionnaires) See Series II.M. Subjects Papers</li> <li> Andrews, Maurice T. See Series II.N. Writings, Speeches and Interviews</li> <li> Anti-Censorship campaign in New York State See Series I.C. Regional Correspondence: New York State See Series I.B. Subjects Correspondence: Eastman Kodak Co.</li> <li> Anti-Communism See Series II.M. Subjects Papers See also Series I.J. Controversial Films: Everybody's Business</li> <li> Anti-Fascist motion pictures See Series II.M. Subjects Papers: Senate Sub-Committee Hearings on War Films</li> <li> Anti-Labor censorship See Series I.B. Subjects Correspondence: American Federation of Labor</li> <li> Anti Nazi motion pictures See Series II.M. Subjects Papers: Senate Sub-Committee Hearings on War Films</li> <li> Anti-Semitism in the motion pictures See Series II.M. Subjects Papers</li> <li> Anti-Social behavior and the motion pictures See Series I.B. Subjects Correspondence: Delinquent Behavior and the Motion Pictures</li> <li> Arbuckle Case, Roscoe See Series II.M. Subjects Papers</li> <li> Ariane Productions See Series I.A. Company Correspondence</li> <li> Arrow Pictures Corp. See Series I.A. Company Correspondence</li> <li> ARTKINO Pictures See Series I.A. Company Correspondence: Amkino Corp.</li> <li> Associated Film Audiences (Film Survey) See Series I.B. Subjects Correspondence</li> <li> Associated Motion Picture Advertisers See Series I.A. Company Correspondence</li> <li> Association of the Junior Leagues of America, Inc. See Series I.B. Subjects Correspondence</li> <li> Astor, Frank See Series I.B. Subjects Correspondence</li> <li> Astor Productions, Inc. See Series I.A. Company Correspondence</li> <li> Attack on the National Board by the chairwoman of the Better Films Committee, National Congress of Mothers and Parent- Teacher Associations, 1923, 1924 See Series I.B. Subjects Correspondence: Merriam, Mrs. Charles E.</li> <li> Attitude of High School students to motion pictures See Series I.B. Subjects Correspondence</li> <li> Attitudes of Mayors to Federal motion pictures censorship, 1916 See Series II.J. Questionnaires</li> <li> Attitudes of the public to the National Board of Review of Motion Pictures Attitudes are reflected throughout the records, but material of special interest can be found in: Regional Correspondence, Regional Papers, Questionnaires</li> <li> Authors League of America See Series I.B. Subjects Correspondence</li> <li> Azteca Films, Inc. See Series I.A. Company Correspondence</li> <li> Bagley, William C. See Series II.N. Writings, Speeches and Interviews</li> <li> Baker, Hettie Gray See Series II.N. Writings, Speeches and Interviews</li> <li> Balazs, Bela See Series II.N. Writings, Speeches and Interviews</li> <li> Banning the Birth Control Photoplay (article) See Series II.N. Writings, Speeches and Interviews: W. D. McGuire</li> <li> Barrett, Wilton A. See Series II.M. Subjects Papers See Series II.N. Writings, Speeches and Interviews, Barrett: Wilton A.</li> <li> Barry, Iris See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Museum of Modern Art</li> <li> Bauchens, Anne See Series II.N. Writings, Speeches and Interviews: Maynard, John</li> <li> Bell, Aaron See Series II.N. Writings, Speeches and Interviews</li> <li> Benefit at Carnegie Hall for the Children's Fund, National Board, 1921 See Series I.B. Subjects Correspondence</li> <li> Benoit-Levy, Jean See Series I.A. Company Correspondence</li> <li> Best Motion Pictures, 1920-1951 as selected by the National Board See Series II.M. Subjects Papers</li> <li> Better Times See Series I.B. Subjects Correspondence</li> <li> Bibliographies related to early motion pictures, 1908-1922 See Series II.M. Subjects Papers</li> <li> Big 4 Film Corp. See Series I.A. Company Correspondence</li> <li> Binder, Jacob W.</li> <li> Blackton, J. Stuart See Series II.N. Writings, Speeches and Interviews</li> <li> Block-booking controversy See Series II.M. Subjects Papers</li> <li> Board of Education, New York City See Series I.B. Subjects Correspondence: Jenkins, Henry E. Regional Correspondence: New York City, Manhattan</li> <li> Board of Foreign Missions of the Methodist Episcopal Church See Series I.B. Subjects Correspondence: Methodist Episcopal Church</li> <li> Bolton, Ray B. See Series I.B. Subjects Correspondence</li> <li> Book Week, 1923, 1924, 1938-1942 See Series I.B. Subjects Correspondence</li> <li> Books on motion pictures See Series I.B. Subjects Correspondence</li> <li> \"Boston Plan\" for regulating public amusements, c1916 See Series II.M. Subjects Papers</li> <li> Bowman, Leroy E. See Series I.B. Subjects Correspondence</li> <li> Boy Scouts of America See Series II.M. Subjects Papers</li> <li> Bradley, David See Series II.N. Writings, Speeches and Interviews</li> <li> Bray Pictures Corp. See Series I.A. Company Correspondence</li> <li> Breitinger, Fred W. See Series I.B. Subjects Correspondence</li> <li> Brenton, Cranton See Series I.B. Subjects Correspondence and Writings, Speeches and Interviews</li> <li> Brill, Abraham Arden See Series I.B. Subjects Correspondence</li> <li> British Film Institute See Series II.M. Subjects Papers See also Subjects Papers: New York Film Festival</li> <li> Bryson, Lyman See Series II.M. Subjects Papers</li> <li> Buck, Pearl See Series I.B. Subjects Correspondence: East and West Association; Correspondence and Papers of the General Assembly, National Board</li> <li> Bureau of Commercial Economics See Series I.B. Subjects Correspondence</li> <li> Bureau of Visual Instruction See Series I.B. Subjects Correspondence</li> <li> Byrd Antarctic Expedition See Series I.B. Subjects Correspondence</li> <li> Bye-Laws of the National Board of Review of Motion Pictures, Changes in the C and M Pictures, Inc. See Series II.M. Subjects Papers: Changes in the Bye-Laws of the National Board Company Correspondence</li> <li> California The bulk material relating to California are in the Regional Correspondence. Additional letters relating to the censorship issue in California are in the Subjects Correspondence: Gray, Henry David</li> <li> California Federation of Women's Clubs See Series II.M. Subjects Papers</li> <li> Cameo Screen Attractions, Inc. See Series I.A. Company Correspondence</li> <li> Camp Fire Girls See Series I.B. Subjects Correspondence</li> <li> Campaign against Will H. Hays See Series II.L. Reviews and Reports: Harrison's Reports</li> <li> Capital Film Exchange See Series I.A. Company Correspondence</li> <li> Capital Productions Co. See Series I.A. Company Correspondence</li> <li> Capitol Productions, Inc. See Series I.A. Company Correspondence</li> <li> Capra, Frank See Series I.A. Company Correspondence</li> <li> Carpenter, Frederick L. R. See Series II.N. Writings, Speeches and Interviews</li> <li> Carroll Films, Inc. See Series I.A. Company Correspondence</li> <li> Casey, John M. See Series II.N. Writings, Speeches and Interviews See also Series I.C. Regional Correspondence: Massachusetts, Boston</li> <li> Catalog of 16mm films dealing with the United Nationals, member states and related subjects, 1949 See Series II.M. Subjects Papers</li> <li> Catholic Film Service See Series I.A. Company Correspondence</li> <li> Celebrated Pictures, Inc. See Series I.A. Company Correspondence</li> <li> Censor, Motives of the (continues) See Series II.N. Writings, Speeches and Interviews: Barrett, Wilton A.</li> <li> Censor Boards, 1939, Lists of State and Local See Series II.M. Subjects Papers</li> <li> Censors For particularly interesting and informative material relating to local and state censors See Regional Correspondence: Florida, Jacksonville; Georgia, Atlanta; Massachusetts, Boston; and Rhode Island, Providence See Series II.K. Regional Papers See Series I.B. Subjects Correspondence: Binder, Jacob W. See Series II.J. Questionnaires</li> <li> Censorship, The concept of This is reflected throughout the Records, but for material of special interest see Series I.C. Regional Correspondence See Series II.K. Regional Papers See Series II.J. Questionnaires: Motion Pictures and Freedom of Expression, 1917 See Series II.I. Publications: Censorship, Pamphlets by the National Board on See Series II.M. Subjects Papers: Analysis of Municipal Legislation Pertaining to the Censorship of Motion Pictures</li> <li> Censorship, Definition of by the National Board of Censorship of Motion Pictures See Series II.M. Subjects Papers: Definition of Censorship prepared by the National Board of Censorship of Motion Pictures, 1913</li> <li> Censorship, Federal See Series I.B. Subjects Correspondence: Federal Censorship See Series II.J. Questionnaires: Attitudes of Mayors To Federal Motion Picture Censorship, 1916</li> <li> Censorship, Pamphlets by the National Board on See Series II.I. Publications</li> <li> Censorship, Popular agitation for See Series I.C. Regional Correspondence See Series II.K. Regional Papers</li> <li> Censorship at the State level See Series II.M. Subjects Papers: State Censorship of Motion Pictures See Series I.B. Subjects Correspondence: Binder, Jacob W. See Series II.K. Regional Papers See Series I.C. Regional Correspondence</li> <li> Central Film Service See Series I.A. Company Correspondence</li> <li> Centre de la Cinématographe Française See Series I.A. Company Correspondence: French Cinema Center</li> <li> Century Film Corp See Series I.A. Company Correspondence</li> <li> Change of name to National Board of Review of Motion Pictures, 1916, Explanation for See Series II.M. Subjects Papers: Papers relating to the formation and subsequent history up to 1926 of the National Board of Review of Motion Pictures, 1908-1926</li> <li> Changes in the Bye-Laws of the National Board, 1940-1949 See Series II.M. Subjects Papers</li> <li> Chaplin, Charles See Series I.A. Company Correspondence</li> <li> Cheap amusement shows in Manhattan: Preliminary Report of Investigation, 1908 See Series II.M. Subjects Papers: Papers relating to the formation and subsequent history up to 1916 of the National Board, 1908-1926</li> <li> Chestney, M. Jemison See Series II.N. Writings, Speeches and Interviews</li> <li> Child and the Cinema (article) See Series II.N. Writings, Speeches and Interviews: Gunczy, Bettina</li> <li> Children See Series I.B. Subjects Correspondence: Association of the Junior Leagues of America, Inc.; Children and the Motion Pictures; Delinquent behavior and the Motion Pictures; Hanmer, Lee F.; Kimmins, C. W.; Permanent Commission for the Prevention of Juvenile Delinquency See Series II.M. Subjects Papers: Radio, and League of Nations See Series II.N. Writings, Speeches and Interviews: Gunczy, Bettina See Series II.J. Questionnaires: Juvenile standards, 1915 See Series II.H. Printed Material: Motion Pictures - Laws, Ordinances and Regulations on Censorship, Minors and other related subjects, 1910</li> <li> Children and crime See Series I.B. Subjects Correspondence: Children and the Motion Pictures; Delinquent behavior and the motion pictures; Permanent Committee for the Prevention of Juvenile Delinquency</li> <li> Children and the Motion Pictures See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Association of the Junior Leagues of America, Inc.; Delinquent behavior and the Motion Pictures; Hanmer, Lee F.; Kimmins, C. W.; Motion Picture Research Council; and Permanent Commission for the Prevention of Juvenile Delinquency See also Subjects Papers: League of Nations and Young Reviewers See Series II.N. Writings, Speeches and Interviews: Collier, John and Gunczy, Bettina See Series II.J. Questionnaires: Juvenile standards, 1915 See Series II.H. Printed Material: Motion Pictures - Laws, ordinances and Regulations on Censorship, Minors, and other related subjects, 1920</li> <li> Children as actors See Series II.M. Subjects Papers: National Motion Picture Council (News and Comment, May 1946)</li> <li> Children's Film Library and children's Programs for Your Community See Series II.M. Subjects Papers</li> <li> China as portrayed on the American screen, 1896-1955 See Series II.M. Subjects Papers: China and India as portrayed on the American screen</li> <li> China Defense Supplies, Inc. See Series I.B. Subjects Correspondence</li> <li> Chris Phillis Productions See Series I.A. Company Correspondence</li> <li> Christian Herald See Series I.B. Subjects Correspondence</li> <li> Christian Science Monitor See Series I.B. Subjects Correspondence</li> <li> Church and Drama Association See Series I.B. Subjects Correspondence</li> <li> Churchill-Wexlet Film Productions See Series I.A. Company Correspondence</li> <li> Churchman See Series I.B. Subjects Correspondence</li> <li> Cinema Conference in Moscow in spring, 1933 See Series II.N. Writings, Speeches and Interviews: Balazs, Bela</li> <li> Cinema Engage See Series II.M. Subjects Papers</li> <li> Cinema 16 See Series I.B. Subjects Correspondence</li> <li> Cinématographe Le Roy See Series II.M. Subjects Papers: Lauste, Eugene and Le Roy, Jean A.</li> <li> Cinepix Co. See Series I.A. Company Correspondence</li> <li> Civilian Defense Volunteer Office of Greater New York See Series I.B. Subjects Correspondence</li> <li> Clas-Mohme, Inc. See Series I.A. Company Correspondence</li> <li> Cocks, Orin G. See Series I.B. Subjects Correspondence See Series II.N. Writings, Speeches and Interviews See Series II.M. Subjects Papers: Papers relating to the formation and subsequent history of the National Board of Review of Motion Pictures</li> <li> Cocteau, Jean See Series II.N. Writings, Speeches and Interviews</li> <li> Code of Fair Competition for the Motion Picture Industry, 1933 See Series II.M. Subjects Papers</li> <li> Code to Govern the Making of Motion and Talking Pictures, Motion Picture Association of America, Inc., 1930-1948 (Includes an Advertising Code for Motion Pictures, 1930-1948) See Series II.M. Subjects Papers</li> <li> Collective bargaining in the motion picture industry See Series II.M. Subjects Papers</li> <li> Collier, John See Series II.N. Writings, Speeches and Interviews</li> <li> Color in the motion pictures See Series II.M. Subjects Papers</li> <li> Columbia Pictures See Series I.A. Company Correspondence</li> <li> Columbia University See Series I.B. Subjects Correspondence</li> <li> Comedie Française See Series II.M. Subjects Papers</li> <li> Commission on the Freedom of the Press See Series I.B. Subjects Correspondence: Inglis, Ruth</li> <li> Committee of Fourteen See Series I.B. Subjects Correspondence</li> <li> Committee on Reorganization of the National Board of Censorship of Motion Pictures, 1915 See Series II.M. Subjects Papers: Reorganization of the National Board of Censorship of Motion Pictures</li> <li> Commodore Pictures Corp. See Series I.A. Company Correspondence</li> <li> Community Councils in Greater New York See Series I.B. Subjects Correspondence: Community Councils of National Defense</li> <li> Community Councils of National Defense Community Motion Picture Service See Series I.B. Subjects Correspondence Company Correspondence</li> <li> Companies submitting films to the National Board during 1916 See Series II.M. Subjects Papers</li> <li> Conditions in motion picture theaters in New York City in 1910 See Series II.M. Subjects Papers: Papers relating to the formation and subsequent history up to 1926 of the National Board, 1908-1926</li> <li> Conditions in motion pictures theaters in South Bend, Indiana in 1914 See Series II.M. Subjects Papers: Report to the Mayor of South Bend, Indiana on the motion picture theaters</li> <li> Conference of New England Mayors and other City Officials See Series II.M. Subjects Papers</li> <li> Conferences with studio executives, 1915 See Series II.C. Committee Records: Executive Committee</li> <li> Congres International du Cinématographe, 1926 See Series II.M. Subjects Papers</li> <li> Connolly, Louise See Series I.B. Subjects Correspondence See also Series I.C. Regional Correspondence: Georgia, Athens</li> <li> Consolidated Film Industry, Inc. See Series I.A. Company Correspondence</li> <li> Constitutional changes in the National Board See Series II.M. Subjects Papers: Changes in the bye-laws of the National Board, 1940-1949</li> <li> Constructive Control versus Legal Censorship (article) See Series I.B. Subjects Correspondence: Lomer, Gerhard R. Enclosure to letter of July 19, 1916</li> <li> Controversial films See Series I.J. Correspondence relating to Controversial Films</li> <li> Controversy over the alleged relationship of motion pictures to juvenile delinquency See Series I.B. Subjects Correspondence: Children and the Motion Pictures; Delinquent behavior and the motion pictures</li> <li> Cooke, Alistair See Series I.K. General Correspondence</li> <li> Cooper-Hewitt quartz light, effect on the eyes See Series I.B. Subjects Correspondence: Children and the motion pictures enclosure to letter dated July 8, 1916</li> <li> Coordinator of Inter-American Affairs See Series I.B. Subjects Correspondence</li> <li> Copyright registration for National Board of Review Magazine and its successor, New Movies, 1941-1948 See Series II.M. Subjects Papers</li> <li> Coronet Instructional Films See Series I.A. Company Correspondence</li> <li> Correspondence concerning requests for pamphlets, lists, guides, etc., 1930, 1931 See Series I.B. Subjects Correspondence</li> <li> Correspondence in response to radio broadcast of Annual Conference, 1931 See Series I.B. Subjects Correspondence</li> <li> Cowan, George See Series I.C. Regional Correspondence: Rhode Island, Providence</li> <li> Coward, Noel See Series I.A. Company Correspondence</li> <li> Crabbe, Buster See Series I.A. Company Correspondence: PRC Productions</li> <li> Craft Film Laboratories See Series I.A. Company Correspondence</li> <li> Craig, Ann Throop See Series I.B. Subjects Correspondence</li> <li> Crawford, Joan See Series I.A. Company Correspondence</li> <li> Crime-Must-Go Campaign See Series I.B. Subjects Correspondence: United States Flag Association</li> <li> Cruelty to animals in the motion pictures See Series I.B. Subjects Correspondence</li> <li> Cruelty to children in the motion pictures and the motion picture industry See Series I.B. Subjects Correspondence: Children and the Motion Pictures</li> <li> Dale, Edgar See Series II.N. Writings, Speeches and Interviews</li> <li> Daughters of the American Revolution See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Voorhorst, Bertha</li> <li> Davies, John R. See Series I.B. Subjects Correspondence</li> <li> Definition of censorship prepared by the National Board of Review of Motion Pictures See Series II.M. Subjects Papers</li> <li> De Sica, Vittorio See Correspondence and Papers of the Committee on Exceptional Films (letter dated Dec. 27, 1949)</li> <li> Delano, Frederic M. See Series I.B. Subjects Correspondence</li> <li> Delinquent behavior and the Motion Pictures See Series I.B. Subjects Correspondence</li> <li> Department of Licenses, New York City See Series I.B. Subjects Correspondence: Licenses, Department of (New York City) 1914-1921</li> <li> Deren, Maya See Series I.B. Subjects Correspondence</li> <li> Dickens, Homer See Series II.N. Writings, Speeches and Interviews</li> <li> Ditmars, Raymond L. See Series I.B. Subjects Correspondence</li> <li> Drinking and the Motion Pictures See Series I.B. Subjects Correspondence</li> <li> Dyhrenfurth, Hettie See Series I.B. Subjects Correspondence</li> <li> Early history of motion picture magazines See Series I.B. Subjects Correspondence: Saunders, Alfred H.</li> <li> Early motion picture theaters See Series II.M. Subjects Papers See also Series II.M. Subjects Papers: Papers relating to the formation and subsequent history of the National Board of Review; Report to the Mayor of South Bend, Indiana on the motion picture theaters, 1914</li> <li> East and West Association See Series I.B. Subjects Correspondence See also Series II.N. Writing, Speeches Interviews: Boyd Wolfe and Sumner Lyon Correspondence and Papers of the General Assembly of the National Board</li> <li> Eastman, George See Series I.B. Subjects Correspondence: Eastman Kodak Co.</li> <li> Eastman Kodak Co. See Series I.B. Subjects Correspondence</li> <li> Economic Cooperation Administration See Series II.M. Subjects Papers</li> <li> Ecstasy (motion picture) See Series I.J. Controversial Films See also Series I.C. Regional Correspondence: Florida, Jacksonville, 1937-1939</li> <li> Education Film Library Association See Series II.M. Subjects Papers: American Film Festival</li> <li> Eisenstein, Sergei See Series I.A. Company Correspondence See Series II.M. Subjects Papers</li> <li> English Films, Inc. See Series I.A. Company Correspondence</li> <li> Evans, Alice B. See Series I.B. Subjects Correspondence</li> <li> Evolution of the silent motion picture See Series II.M. Subjects Papers: March of the Movies</li> <li> Evolution of the \"trailer\" as a form of advertising See Series I.B. Subjects Correspondence</li> <li> Exceptional Film Committee See Series II.C. Committee Records: Committee on Exceptional Films</li> <li> Exceptional Photoplays and their directors, 1920-1947 See Series II.M. Subjects Papers</li> <li> Excerpts from newspapers relating to censorship See Series II.M. Subjects Papers</li> <li> Excerpts of correspondence, 1920-1944 See Series I.B. Subjects Correspondence</li> <li> Exhibitor (trade journal) See Series I.B. Subjects Correspondence</li> <li> Exhibitors Herald World See Series I.B. Subjects Correspondence: Motion Picture Herald</li> <li> Exhibitors Review Publishing Corp. See Series I.B. Subjects Correspondence</li> <li> Exposition of Women's Arts and Industries See Series I.B. Subjects Correspondence</li> <li> Extract from a paper concerning the psychological effects of color tints devised for use in sound motion pictures See Series II.M. Subjects Papers: Color in the Motion Picture</li> <li> Face of the Earth (screenplay) See Series II.N. Writings, Speeches and Interviews: Wolfe, Boyd, and Lyon, Sumner</li> <li> Federal censorship See Series I.B. Subjects Correspondence see also Series II.J. Questionnaires: Attitudes of Mayors towards Federal Motion Picture Censorship, 1916</li> <li> Federal Council of the Churches of Christ in America See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Stelzle, Charles</li> <li> Federal Motion Picture Council in America, Inc. See Series II.M. Subjects Papers See also Subjects Papers: National Motion Picture Council</li> <li> Federal Theatre Project See Series I.B. Subjects Correspondence: Works Progress Administration</li> <li> Federal Writers Project See Series I.B. Subjects Correspondence: Works Progress Administration</li> <li> Federation for American Childhood See Series I.B. Subjects Correspondence</li> <li> Federation for Child Study See Series I.B. Subjects Correspondence: Children and the Motion Pictures; Jersawit, Violet A.</li> <li> Film and Photo League See Series I.A. Company Correspondence See also Series I.B. Subjects Correspondence: Potamkin, Harry Alan</li> <li> Film Arts Guild See Series I.A. Company Correspondence</li> <li> Film Bureau See Series I.B. Subjects Correspondence</li> <li> Film Council of America See Series I.B. Subjects Correspondence</li> <li> Film Daily See Series I.B. Subjects Correspondence</li> <li> Film editing Film Forum See Series II.N. Writings, Speeches and Interviews: Maynard, John Subjects Papers</li> <li> Film in Vienna in 1946 See Series II.N. Writings, Speeches and Interviews: Guelich, Joseph N.</li> <li> Film Mutual Benefit Bureau See Series I.B. Subjects Correspondence: Film Bureau</li> <li> Film Society, Inc. See Series II.M. Subjects Papers</li> <li> Film Society of the Deaf See Series I.B. Subjects Correspondence</li> <li> Filmarte Theatre (New York City) See Series I.A. Company Correspondence</li> <li> Films for the Community in Wartime See Series I.B. Subjects Correspondence: Losey, Mary (related papers)</li> <li> Films in Review Magazine See Series I.B. Subjects Correspondence: Goelet, Peter; Hamilton, James Shelley; Hart, Henry; and Kamins, Bernard F. See also Series II.N. Writings, Speeches Interviews: Carpenter, Frederick</li> <li> Financial difficulties of the National Board in the l940s See Series I.B. Subjects Correspondence: Price, Joseph See Series I.A. Company Correspondence: Motion Picture Producers and Distributors of America, Inc. See Series II.D. Financial Records: Financial statements</li> <li> Financing the National Board See Series II.M. Subjects Papers</li> <li> Flaherty, Robert See Series I.A. Company Correspondence</li> <li> Folks motion picture ordinance, New York City, 1912 See Series II.K. Regional Papers: New York (State), New York City</li> <li> Ford, Richard See Series I.B. Subjects Correspondence</li> <li> Formation of the National Board of Censorship of Motion Pictures and its change of name to National Board of Review of Motion Pictures See Series II.M. Subjects Papers: Papers relating to the formation and history up to 1926 of the National Board of Review of Motion Pictures; Saunders, Alfred H.</li> <li> Formation of the National Board of Review of Motion Pictures See Series II.M. Subjects Papers: Papers relating to the formation and history up to 1926 of the National Board of Review of Motion Pictures</li> <li> Foundations See Series II.M. Subjects Papers</li> <li> Free Film See Series II.N. Writings, Speeches and Interviews</li> <li> Freedom of expression in the motion pictures Treated throughout the records, but for material of particular interest see Series II.J. Questionnaires: Freedom of Expression and the Motion Pictures, 1917</li> <li> French Cinema Center See Series I.A. Company Correspondence</li> <li> French Motion Pictures Corp. See Series I.A. Company Correspondence</li> <li> Garbo, Greta See Series II.M. Subjects Papers</li> <li> Garland, Hamlin See Series I.B. Subjects Correspondence</li> <li> General Federation of Women's Clubs See Series I.B. Subjects Correspondence: See also Subjects</li> <li> Gerstein, Evelyn See Series I.B. Subjects Correspondence</li> <li> Gessner, Robert See Series I.B. Subjects Correspondence: New York University</li> <li> Gilbert and Sullivan on the Screen (article) See Series II.M. Subjects Papers: Metropolitan Motion Picture Council</li> <li> Girard, André See Series II.M. Subjects Papers</li> <li> Girl Scouts of America See Series I.B. Subjects Correspondence</li> <li> Giroux, Robert See Series I.B. Subjects Correspondence</li> <li> Glass, Simon See Series I.B. Subjects Correspondence</li> <li> Goelet, Peter See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Kamins, Bernard F.; Hart, Henry</li> <li> Gompers, Samuel See Series I.B. Subjects Correspondence: American Federation of Labor</li> <li> Gray, Henry David See Series I.B. Subjects Correspondence</li> <li> Greater New York Federation of Churches See Series I.B. Subjects Correspondence</li> <li> Grierson, John See Series II.N. Writings, Speeches and Interviews</li> <li> Griffith, David W. See Series I.B. Subjects Correspondence</li> <li> Griffith, Richard See Series I.B. Subjects Correspondence See Series II.N. Writings, Speeches and Interviews See also Series I.B. Subjects Correspondence: Film Council of America</li> <li> Guelich, Joseph N. See Series II.N. Writings, Speeches and Interviews</li> <li> Guide for members of censoring committees of the National Board of Censorship of Motion Pictures See Series II.M. Subjects Papers: Policies and standards of the National Board of Censorship of Motion Pictures, 1912-1916</li> <li> Gunczy, Bettina See Series II.N. Writings, Speeches and Interviews See also Correspondence and Papers of the National Committee for Better films: Correspondence</li> <li> Haber, Jack See Series II.N. Writings, Speeches and Interviews</li> <li> Hadden, Richard M. See Series I.B. Subjects Correspondence: Moral Rearmament</li> <li> Hall, Edwin Trowbridge See Series I.B. Subjects Correspondence</li> <li> Hamilton, Christine See Series II.N. Writings, Speeches and Interviews</li> <li> Hamilton, James Shelley See Series I.B. Subjects Correspondence</li> <li> Handbook of Principles of Motion Picture Review prepared [by the National Board] for Directors, Actors, Scenarists, Producers, Film Editors, etc., c1917-1920 See Series II.M. Subjects Papers</li> <li> Hanmer, Lee F. See Series I.B. Subjects Correspondence</li> <li> Harmon Foundation See Series I.B. Subjects Correspondence</li> <li> Harriman, Grace See Series I.B. Subjects Correspondence</li> <li> Harris, Louis I. See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Price, Joseph</li> <li> Hart, Henry See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Goelet, Peter; Kamins, Bernard F.</li> <li> Hays, Will H. See Series I.A. Company Correspondence: Motion Picture Producers and Distributors of America See Series II.L. Reviews and Reports: Harrison's Reports</li> <li> Heidelberg, Louise See Series I.B. Subjects Correspondence</li> <li> Heston, Charlton See Series II.N. Writings, Speeches and Interviews: Bradley, David</li> <li> Heyman, Madeleine S. See Series I.B. Subjects Correspondence</li> <li> Heymann, Hattie S. See Series I.B. Subjects Correspondence</li> <li> Historical Study of the Magazine Films in Review, with an annotated index of leading articles, 1950-1959 See Series II.N. Writings, Speeches and Interviews: Carpenter, Frederick</li> <li> History of the motion picture study clubs See Series II.M. Subjects Papers: Plan for Motion Picture Study Clubs, 1931</li> <li> History of the National Board of Review of Motion Pictures See Series II.M. Subjects Papers: Papers relating to the formation and history of the National Board of Review of Motion Pictures</li> <li> History of the National Committee on Films for Young People See Papers and Correspondence of the Committee for Better Films</li> <li> Hitchcock, Peggy See Series I.B. Subjects Correspondence</li> <li> Holland, Maurice See Series I.B. Subjects Correspondence</li> <li> Hollywood 10 See Series II.M. Subjects Papers: Anti-Communism</li> <li> Homosexuality in the motion pictures See Series I.B. Subjects Correspondence: Gregory Markopoulos See Series I.J. Controversial Films Correspondence: Children of Loneliness</li> <li> Howe, Ben See Series I.B. Subjects Correspondence</li> <li> Howe, Frederick See Series I.B. Subjects Correspondence</li> <li> Howe, Quincy See Series I.B. Subjects Correspondence</li> <li> Hunter College See Series I.B. Subjects Correspondence</li> <li> Hurst, Fannie See Series I.B. Subjects Correspondence</li> <li> Huston, John See Series I.A. Company Correspondence: Warner Brothers</li> <li> Hyams, Joseph See Series II.N. Writings, Speeches and Interviews</li> <li> Immigrants at Ellis Island, Motion pictures for See Series I.B. Subjects Correspondence: Motion pictures for immigrants at Ellis Island, 1921-1923</li> <li> Ince, Thomas See Series I.A. Company Correspondence</li> <li> India as portrayed on the American screen, 1896-1955 See Series II.M. Subjects Papers: China and India as portrayed on the American screen</li> <li> Indices of selected pictures, 1940-1949 See Series II.M. Subjects Papers</li> <li> Influence of motion pictures on children See the Index entry for Children and the Motion Pictures</li> <li> Influence of motion pictures on reading habits See Series II.J. Questionnaires: Motion Pictures and Reading Habits</li> <li> Influence of radio on children See Series II.M. Subjects Papers: Radio</li> <li> Inglis, Ruth See Series I.B. Subjects Correspondence: delinquent behavior and the motion pictures</li> <li> Inquiry into the possible relationship of motion pictures to juvenile delinquency See Series I.B. Subjects Correspondence: Delinquent behavior and the motion pictures</li> <li> Institute for Adult Education (De Witt Clinton High School, New York City See Series I.B. Subjects Correspondence</li> <li> Institute of International Education See Series I.B. Subjects Correspondence</li> <li> Instituto Internazionale per La cinematografia Educativa See Series I.B. Subjects Correspondence: International Institute of Educational Cinematography</li> <li> Interchurch World Movement See Series I.B. Subjects Correspondence</li> <li> International Association of Rotary Clubs See Series I.B. Subjects Correspondence</li> <li> International Church Film Corp. See Series I.A. Company Correspondence</li> <li> International Federation of Catholic Alumnae See Series I.B. Subjects Correspondence</li> <li> International Institute of Educational Cinematography See Series I.B. Subjects Correspondence</li> <li> International Motion Pictures Congress See Series II.M. Subjects Papers: Congres International du Cinématographe, 1926</li> <li> Inter-Theatre Arts, Inc. See Series II.M. Subjects Papers</li> <li> Jacobs, Lewis See Series I.B. Subjects Correspondence</li> <li> Jenkins, Henry E. See Series I.B. Subjects Correspondence</li> <li> Jerome, P. F. See Series I.B. Subjects Correspondence</li> <li> Jersawit, Violet A. See Series I.B. Subjects Correspondence</li> <li> Johnson, Celia See Series I.A. Company Correspondence: Rank, J. Arthur</li> <li> Johnson, Van See Series II.N. Writings, Speeches and Interviews</li> <li> Joy, Jason See Series I.A. Company Correspondence: Motion Picture Producers and Distributors of America, Inc.</li> <li> Juno Films See Series I.A. Company Correspondence</li> <li> Juvenile delinquency See Series I.B. Subjects Correspondence: Delinquent behavior and the motion pictures; Permanent Committee for the Prevention of Juvenile Delinquency See also Series II.M. Subjects Papers: National conference on Prevention and Control of Juvenile Delinquency</li> <li> Kalmus See Series II.N. Writings, Speeches and Interviews</li> <li> Kamins, Bernard F. See Series I.B. Subjects Correspondence</li> <li> Kanin, Garson See Series I.A. Company Correspondence</li> <li> Kearny, Paul W. See Series II.N. Writings, Speeches and Interviews</li> <li> Kellogg, Paul See Series I.K. General Correspondence</li> <li> Kennedy, Jeremiah J. See Series I.B. Subjects Correspondence</li> <li> Kimmins, C. W. See Series I.B. Subjects Correspondence</li> <li> Kips Bay Neighborhood Association See Series I.B. Subjects Correspondence</li> <li> Kirchwey, George W. See Series I.B. Subjects Correspondence</li> <li> Klaw, Alma See Series I.B. Subjects Correspondence</li> <li> Krakauer, Siegfried See Series II.N. Writings, Speeches and Interviews</li> <li> Ladies' Homer Journal See Series I.B. Subjects Correspondence</li> <li> Lamarr, Hedy See Series II.M. Subjects Papers: Ecstasy</li> <li> Landi, Elissa See Series I.B. Subjects Correspondence</li> <li> Lane, Tamar See Series I.B. Subjects Correspondence</li> <li> Lauste, Eugene, and Le Roy, Jean A. See Series II.M. Subjects Papers</li> <li> Laws of the motion picture industry See Series II.H. Printed Material: Laws, ordinances and regulations on censorship, 1920; Motion Pictures - Laws, Ordinances and Regulations on Censorship, Minors and other related subjects, by Lucius H. Cannon</li> <li> League of Nations See Series II.M. Subjects Papers</li> <li> League of American Pen Women See Series I.B. Subjects Correspondence</li> <li> Lecture tours in behalf of the National Board of Review of Motion Pictures See Series I.C. Regional Correspondence: Alabama, North Carolina, South Carolina, and Tennessee</li> <li> Ledvinka See Series II.N. Writings, Speeches and Interviews</li> <li> Lenox Little Theatre See Series II.M. Subjects Papers</li> <li> Lerner, Joseph See Series II.N. Writings, Speeches and Interviews</li> <li> Le Roy, Jean A. See Series II.M. Subjects Papers: Lauste, Eugene and Le Roy, Jean A.</li> <li> Lewis, Orlando F. See Series I.B. Subjects Correspondence See Series II.N. Writings, Speeches and Interviews</li> <li> Leyda, Jay See Series I.B. Subjects Correspondence See also Writings, Speeches Interviews: Balasz, Bela</li> <li> Library Journal See Series I.B. Subjects Correspondence</li> <li> Library of Congress See Series I.B. Subjects Correspondence: U. S. Government, Library of Congress</li> <li> Licenses, Department of (New York City) See Series I.B. Subjects Correspondence</li> <li> Lilly, Lillian A. See Series I.B. Subjects Correspondence</li> <li> Liquor industry's alleged influence in the suppression of anti-drinking movies See Series I.B. Subjects Correspondence: Drinking and the Movies</li> <li> Little Picture House (New York City) See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Film Bureau</li> <li> Little Theatre Movement See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Little Picture House (New York City), Little Theatre of Newark, N. J., Film Bureau, and Milligan, John</li> <li> Little Theatre of Newark, N. J. See Series I.B. Subjects Correspondence</li> <li> Little Theatre of the Motion Picture Guild (Washington, D. C.) See Series I.B. Subjects Correspondence: Milligan, John</li> <li> Loew's Inc. See Series I.A. Company Correspondence</li> <li> Lomer, Gerhard R. See Series I.B. Subjects Correspondence See Series II.N. Writings, Speeches and Interviews</li> <li> Lorentz, Pare See Series I.A. Company Correspondence</li> <li> Losey, Mary See Series I.B. Subjects Correspondence See also Series II.H. Printed Material: Films for the Community in Wartime</li> <li> Lost Sheep See Series II.N. Writings, Speeches and Interviews</li> <li> Lower West Side Motion Picture Council See Series I.B. Subjects Correspondence</li> <li> Lubitsch, Ernst See Series I.A. Company Correspondence: Twentieth Century</li> <li> Luce's Press Clipping bureau See Series I.B. Subjects Correspondence</li> <li> Lyon, Sumner See Writings, Speeches Interview: Wolff, Boyd and Lyton, Sumner</li> <li> Mabee, Grace See Series I.B. Subjects Correspondence</li> <li> McAndrew, John A. See Series II.N. Writings, Speeches and Interviews</li> <li> McDowall, Roddy See Series I.A. Company Correspondence</li> <li> McGuire, W. D. See Series II.N. Writings, Speeches and Interviews</li> <li> Magnani, Anna See Series I.A. Company Correspondence</li> <li> March of Time See Series I.A. Company Correspondence</li> <li> Markopoulos, Gregory See Series I.B. Subjects Correspondence</li> <li> Martin, Everett Dean See Series I.B. Subjects Correspondence</li> <li> Master Reporting Co., Inc. See Series I.B. Subjects Correspondence</li> <li> Maynard, John See Series II.N. Writings, Speeches and Interviews</li> <li> Mayorga, Margaret See Series I.B. Subjects Correspondence</li> <li> Merriam, Mrs. Charles E. See Series I.B. Subjects Correspondence</li> <li> Methodist Episcopal Church See Series I.B. Subjects Correspondence</li> <li> Metro-Goldwyn-Mayer See Series I.A. Company Correspondence</li> <li> Metropolitan Life Insurance Co. See Series I.B. Subjects Correspondence</li> <li> Metropolitan Motion Picture Council See Series II.M. Subjects Papers</li> <li> Metropolitan Motion Picture Council (of N. Y., N. J. Conn.) See Series I.B. Subjects Correspondence</li> <li> Metropolitan Museum of Art See Series I.B. Subjects Correspondence</li> <li> Middleton, George See Series II.N. Writings, Speeches and Interviews See Series I.K. General Correspondence</li> <li> Military chaplains See Series I.B. Subjects Correspondence</li> <li> Milligan, John See Series I.B. Subjects Correspondence</li> <li> Milliken, Carl See Series I.A. Company Correspondence: Motion Picture Producers and Distributors of America, Inc.</li> <li> Mitchell, John See Series I.B. Subjects Correspondence</li> <li> Modern Art, Museum of See Series I.B. Subjects Correspondence</li> <li> Monogram Pictures Corp. See Series I.A. Company Correspondence</li> <li> Monroe, Marilyn See Series II.M. Subjects Papers</li> <li> Montague, Joseph Franklin See Series I.B. Subjects Correspondence See Series II.N. Writings, Speeches and Interviews</li> <li> Montgomery, Robert See Series I.A. Company Correspondence: Metro-Goldwyn-Mayer</li> <li> Moral Rearmament See Series I.B. Subjects Correspondence</li> <li> Moree, Edward A. See Series I.B. Subjects Correspondence</li> <li> Motion Picture and Radio (W. P. A.) See Subjects Correspondence, Works Progress Administration</li> <li> Motion Picture Association of America See Series I.A. Company Correspondence: Motion Picture Producers and Distributors of America, Inc.</li> <li> Motion Picture Chamber of Commerce of America, Inc. See Series II.M. Subjects Papers</li> <li> Motion Picture Councils and Committees See Series II.M. Subjects Papers: National Motion Picture Council, Federal Motion Picture Council in America, and Metropolitan Motion Picture Council</li> <li> Motion Picture Directory Company See Series I.B. Subjects Correspondence</li> <li> Motion Picture Division of the Federal Theatre: Cinema Club Series See Series I.B. Subjects Correspondence: Works Progress Administration</li> <li> Motion Picture Herald See Series I.B. Subjects Correspondence</li> <li> Motion Picture Industry Council See Series I.A. Company Correspondence</li> <li> Motion Picture News See Series I.B. Subjects Correspondence</li> <li> Motion Picture Patents Co. See Series I.A. Company Correspondence</li> <li> Motion Picture Producers and Distributors of America, Inc. See Series I.A. Company Correspondence See Company Papers See also Series II.M. Subjects Papers: Motion Picture Study Program</li> <li> Motion Picture Research Council See Series I.B. Subjects Correspondence</li> <li> Motion Picture Study Clubs See Papers and Correspondence of the Committee for Better Films See Series II.M. Subjects Papers: Motion Picture Study Program</li> <li> Motion Picture Study Program See Series II.M. Subjects Papers</li> <li> Motion Picture Theatre Owners of America, Inc. See Series I.B. Subjects Correspondence</li> <li> Motion picture theaters, Early See Series II.M. Subjects Papers: Early motion picture theaters</li> <li> Motion Picture Week See Series I.B. Subjects Correspondence</li> <li> Motion Picture Welfare League See Series I.B. Subjects Correspondence</li> <li> Motion Pictures: The Universal Language (article) See Series II.N. Writings, Speeches and Interviews: Sherwood, Herbert F.</li> <li> Motion pictures about prostitution See Series II.M. Subjects Papers: Policies of the National Board of Review of Motion Pictures concerning sex movies</li> <li> Motion pictures about white slavery See Series II.M. Subjects Papers: Policies of the National Board of review of Motion Pictures concerning sex movies</li> <li> Motion pictures and anti-Semitism See Series II.M. Subjects Papers: Anti-Semitism in the motion pictures</li> <li> Motion Pictures and Children's Emotions (article) See Series I.B. Subjects Correspondence: Children and the Motion Pictures</li> <li> Motion pictures and education in Germany, 1912 See Printed Material: Kinematrograph als Volks und Jugendbildungsmittel</li> <li> Motion Pictures and Freedom of Expression (article) See Series II.J. Questionnaires</li> <li> Motion Pictures and Reading Habits See Series II.J. Questionnaires</li> <li> Motion Pictures and the Child (article) See Series II.N. Writings, Speeches and Interviews: Collier, John</li> <li> Motion pictures and the child See Series I.B. Subjects Correspondence: Association of the Junior Leagues of America, Inc., Children and the Motion Pictures, Delinquent behavior and the motion pictures, Hanmer, Lee F., Kimmins, C. W., Motion Picture Research Council, and Permanent Committee for the Prevention of Juvenile Delinquency See Series II.M. Subjects Papers: League of Nations See Series II.J. Questionnaires: Juvenile standards, 1915 See Series II.H. Printed Material: Laws, Ordinances and Regulations on Censorship, Minors and other related subjects See Series II.N. Writings, Speeches and Interviews: Collier, John and Gunczy, Bettina</li> <li> Motion pictures and their effect on health See Series I.B. Subjects Correspondence: Children and the Motion Pictures</li> <li> Motion Pictures and World War I See Series I.B. Subjects Correspondence</li> <li> Motion Pictures and World War II See Series I.B. Subjects Correspondence</li> <li> Motion Pictures as a deterrent to drinking See Series I.B. Subjects Correspondence: Drinking and the Movies; Methodist Episcopal Church</li> <li> Motion pictures as a possible cause of delinquent behavior See Series I.B. Subjects Correspondence: Delinquent behavior and the motion pictures</li> <li> Motion pictures as an aid in education See Series II.M. Subjects Papers: Bibliographies related to early motion pictures, 1908-1922 (Moving pictures as an Aid in Education: A Selected Bibliography, by Mary Moran, 1922)</li> <li> Motion pictures based on books, 1919-1941 See Series I.B. Subjects Correspondence: Library Journal</li> <li> Motion pictures conference in Moscow, 1933 See Series II.N. Writings, Speeches and Interviews: Balazs, Bela</li> <li> Motion pictures dealing with venereal diseases See Series II.M. Subjects Papers</li> <li> Motion pictures for immigrants at Ellis Island, 1921-1923 See Series I.B. Subjects Correspondence</li> <li> Motion Pictures' Greatest Year Campaign See Series II.M. Subjects Papers</li> <li> Motion Pictures not Responsible for Juvenile Delinquency. Report on an Inquiry by the National Board conducted among the chief probation officers of Juvenile Courts throughout the United States See Series I.B. Subjects Correspondence: Delinquent behavior and the motion pictures (related papers)</li> <li> Motion pictures, Books on See Series I.B. Subjects Correspondence: Books on motion pictures</li> <li> Motion pictures, Reviews of See box listings for Series II.L. Reviews and Reports See Series II.E. Periodicals See Series II.C. Committee Records</li> <li> Motion pictures, Use of in social, educational and religious institutions in New York City in 1914 See Series II.J. Questionnaires: Questionnaire for Social, Educational and Religious Institutions in New York City making use of motion pictures</li> <li> Motography See Series I.B. Subjects Correspondence: Motion Picture Herald</li> <li> Movement for better films See Papers of the National Committee for Better Films</li> <li> Moving Pictures as an Aid in Education: A Selected Bibliography by Mary Moran See Series II.M. Subjects Papers: Bibliographies related to early motion pictures, 1908-1922</li> <li> Moving Picture World See Series I.B. Subjects Correspondence</li> <li> Municipal Reference Library See Series I.B. Subjects Correspondence</li> <li> Museum of Modern Art See Series I.B. Subjects Correspondence</li> <li> Museums See Series I.B. Subjects Correspondence: American Museum of Natural History, Metropolitan Museum, Museum of Modern Art, and Philadelphia Museum of Art</li> <li> Music in the motion pictures See Series I.B. Subjects Correspondence: Mabbe, Grace See Series II.N. Writings, Speeches and Interviews: Steen, Tom</li> <li> Music Publishers' Protective Association See Series I.B. Subjects Correspondence</li> <li> National Academy of Visual Instruction See Series I.B. Subjects Correspondence</li> <li> National American Council See Series I.B. Subjects Correspondence</li> <li> National Association of Book Publishers See Series I.B. Subjects Correspondence</li> <li> National Association of Community Theatres See Series I.B. Subjects Correspondence</li> <li> National Association the Motion Picture Industry See Series I.A. Company Correspondence</li> <li> National Board of Censorship of Motion Pictures. (Founded in 1909 as the New York Board of Censorship of Motion Pictures. Predecessor of the National Board of Review of Motion Pictures). See Series II.M. Subjects Papers: Definition of censorship prepared by the National Board of Censorship of Motion Pictures, 1913; Papers relating to the formation and subsequent history of the National Board of Review of Motion Pictures; Policies and Standards of the National Board of Censorship of Motion Pictures; Reorganization of the National Board of Censorship of Motion Pictures, 1915; and Reports of the National Board of Censorship, Dec. 1915-Oct. 1916: Committee Papers: Censoring Committee (National Board of Censorship)</li> <li> National Board of Review Magazine See Series II.M. Subjects Papers See Series II.E. Periodicals See also Series II.M. Subjects Papers: Subject indices of Articles in the National Board of Review Magazine (New Movies after Feb. 1942), 1940-1947</li> <li> National Catholic Welfare Conference See Series I.B. Subjects Correspondence</li> <li> National Community Center Association See Series I.B. Subjects Correspondence</li> <li> National Conference of Social Work See Series I.B. Subjects Correspondence: Children and the Motion Pictures (related papers, folder 2)</li> <li> National Conference on Family Life See Series II.M. Subjects Papers</li> <li> National Conference on Prevention and control of Juvenile Delinquency See Series II.M. Subjects Papers</li> <li> National Congress of Mothers and Parent- Teacher Associations See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Merriam, Mrs. Charles E.</li> <li> National Council for Prevention of War See Series I.B. Subjects Correspondence</li> <li> National Council of Teachers of English See Series I.B. Subjects Correspondence</li> <li> National Council on Freedom from Censorship See Series I.B. Subjects Correspondence</li> <li> National Education Association See Series I.B. Subjects Correspondence</li> <li> National Federation of Music Clubs See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence, Mabee, Grace</li> <li> National Film Cooperative See Series I.B. Subjects Correspondence</li> <li> National Film Music Council See Series I.B. Subjects Correspondence: Mabee, Grace</li> <li> National Health Council See Series I.B. Subjects Correspondence</li> <li> National Legion of Decency See Subjects Correspondence, International Federation of Catholic Alumnae</li> <li> National Motion Picture Council, National Board See Series II.M. Subjects Papers See also Series II.M. Subjects Papers: Federal Motion Picture Council in America</li> <li> National Motion Picture League See Series I.B. Subjects Correspondence: Children and the Motion Pictures</li> <li> National Non-Theatrical Motion Pictures, Inc. See Series II.M. Subjects Papers</li> <li> National Publishers Association, Inc. See Series II.M. Subjects Papers</li> <li> New England Mayors Conference See Series II.M. Subjects Papers: Conference of New England Mayors and other city officials</li> <li> New Jersey Congress of Parents and Teachers See Series I.B. Subjects Correspondence</li> <li> New Movies (magazine) See Series II.E. Periodicals: National Board of Review Magazine See Series II.M. Subjects Papers: Subject indices of articles in the National Board of Review Magazine (New Movies after Feb. 1942)</li> <li> New York Adult Education Council See Series I.B. Subjects Correspondence</li> <li> New York Child Welfare Committee See Series I.B. Subjects Correspondence: Children and Motion Pictures (1910)</li> <li> New York City Federation of Women's Clubs See Series I.B. Subjects Correspondence</li> <li> New York City Teachers' Association See Series I.B. Subjects Correspondence</li> <li> New York Drama League See Series I.B. Subjects Correspondence</li> <li> New York Film Council See Series I.B. Subjects Correspondence</li> <li> New York Film Festival See Series II.M. Subjects Papers</li> <li> New York Herald-Tribune See Series I.B. Subjects Correspondence</li> <li> New York Library Association See Series I.B. Subjects Correspondence</li> <li> New York Motion Picture Co. See Series I.A. Company Correspondence</li> <li> New York Public Library See Series I.B. Subjects Correspondence</li> <li> New York Society for the Prevention of Cruelty to Children See Series I.B. Subjects Correspondence: Children and the Motion Pictures</li> <li> New York State Federation of Music Clubs See Series I.B. Subjects Correspondence: National Federation of Music Clubs</li> <li> New York State Federation of Women's Clubs See Series I.B. Subjects Correspondence</li> <li> New York Times See Series I.B. Subjects Correspondence</li> <li> New York University See Series I.B. Subjects Correspondence: Lower West Side Motion Picture Council, Markopoulos, Gregory, and Thrasher, Frederic</li> <li> Newark (N. J.) Little Theatre See Series I.B. Subjects Correspondence: Little Theatre of Newark [NJ]</li> <li> Newark Motion Picture Guild See Series I.B. Subjects Correspondence: Little Theatre of Newark [NJ]</li> <li> Newport Festival See Series II.M. Subjects Papers</li> <li> Newspaper clipping relating to censorship See Newspaper Clippings See also Subjects Papers: Excerpts from newspapers relating to censorship</li> <li> Nichols, Dudley See Series I.A. Company Correspondence: Radio-Keith-Orpheus (RKO)</li> <li> Nicoll, Allardyce See Series I.B. Subjects Correspondence</li> <li> Nude in the motion pictures See Series II.M. Subjects Papers: See also Questionnaires: Nudity in the Motion Pictures, 1927 See Series I.J. Controversial Films Correspondence: Ecstasy, This Naked Age</li> <li> Olivier, Laurence See Series I.A. Company Correspondence</li> <li> On Throwing a Film Festival (article) See Series II.N. Writings, Speeches and Interviews: Tait, Margaret</li> <li> Open Forum National Council See Series I.B. Subjects Correspondence</li> <li> Organized Outdoor Advertising Industry: See Series I.B. Subjects Correspondence: Lillian A. Lilly</li> <li> Painting on light See Series II.M. Subjects Papers: Girard, André</li> <li> Paoletti, Henry See Series II.N. Writings, Speeches and Interviews</li> <li> Papers relating to the formation and subsequent history up to 1925 of the National Board of Review of Motion Pictures See Series II.M. Subjects Papers</li> <li> Paramount Pictures See Series I.A. Company Correspondence</li> <li> Patenting of the insignias of the National Board of Review of Motion Pictures See Series I.B. Subjects Correspondence</li> <li> Paulding, James Kirke See Series II.N. Writings, Speeches and Interviews</li> <li> Peck, Mary Gray See Series I.B. Subjects Correspondence</li> <li> People's Institute See Series II.M. Subjects Papers See also Series I.B. Subjects Correspondence: Martin, Everett Dean</li> <li> Perry, Clarence A. See Series I.B. Subjects Correspondence</li> <li> Pesonnel of the National Board of Review of Motion Pictures See Series II.M. Subjects Papers See also Series II.M. Subjects Papers: Analysis of Personnel of the National Board of Review of Motion Pictures</li> <li> Persons, W. Frank See Series I.B. Subjects Correspondence</li> <li> Pettit, Walter W. See Series I.B. Subjects Correspondence See Series II.N. Writings, Speeches and Interviews:</li> <li> Philadelphia Museum of Art See Series I.B. Subjects Correspondence</li> <li> Photographies parlantes See Series II.M. Subjects Papers</li> <li> Motion Pictures passed by the National Board of Review of Motion Pictures, June-December 1910 See Series II.M. Subjects Papers</li> <li> Pioneers of Peep (article) See Series II.N. Writings, Speeches and Interviews: Quaytman, Wilfred</li> <li> Plan for motion picture study clubs See Correspondence and Papers of the National Committee for Better Films: Plans for Motion Picture Study Clubs See Series II.M. Subjects Papers: Motion Picture Study Program</li> <li> Policies and Standards of the National Board of Censorship of Motion Pictures, 1912-1916 See Series II.M. Subjects Papers</li> <li> Policies and Standards of the National Board of Review of Motion Pictures, 1916 See Series II.M. Subjects Papers</li> <li> Policies of the National Board of Censorship of Motion Pictures concerning \"sex\" movies See Series II.M. Subjects Papers</li> <li> Portrayal of China and India on the American screen, 1896-1955 See Series II.M. Subjects Papers: China and India as Portrayed on the American Screen, by Dorothy B. Jones</li> <li> Portrayal of US Navy enlisted men in the motion pictures of the early silent period See Series I.B. Subjects Correspondence: US Government, US Navy</li> <li> Potamkin, Harry Alan See Series I.B. Subjects Correspondence</li> <li> Practical Regulation of Motion Pictures, c1919 See Series II.N. Writings, Speeches and Interviews</li> <li> President Films See Series I.A. Company Correspondence</li> <li> Price, Joseph and Price, Miriam Sutro See Series I.B. Subjects Correspondence</li> <li> Principles of selection in recommending pictures for the Selected Pictures Guide See Correspondence and Papers relating to National Board's Annual Catalogs of Selected Pictures</li> <li> Prison Association of New York See Series I.B. Subjects Correspondence: Lewis, Orlando F.</li> <li> Problem of the Moving Picture Theatre before 1916 See Series II.N. Writings, Speeches and Interviews: Lomer, Gerhard R.</li> <li> Production Code See Series II.M. Subjects Papers: Code to Govern the Making of Motion and Talking Pictures</li> <li> Projecteur Cinématographe. Le Roy et son Inventeur See Series II.M. Subjects Papers: Lauste, Eugene and Le Roy, Jean A.</li> <li> Prominent papers relating to the early development of the National Board of Review of Motion Pictures See Series II.M. Subjects Papers: Papers relating to the formation and subsequent history up to 1925 of the National Board of Review of Motion Pictures of Motion Pictures</li> <li> Propaganda motion pictures See Series I.B. Subjects Correspondence: Motion Pictures and World War I</li> <li> Proposal for the inclusion of motion pictures in the Newport Festival with the cooperation of the National Board of Review of Motion Pictures See Series II.M. Subjects Papers: Newport Festival</li> <li> Prospectus of the Nation Board of Review of Motion Pictures See Series II.M. Subjects Papers</li> <li> Prostitution See Series II.M. Subjects Papers: Policies of the National Board of Review of Motion Pictures concerning sex in motion pictures</li> <li> Psychology of color tints See Series II.M. Subjects Papers: Color in the Motion Pictures (extract from a paper)</li> <li> Public opinion about motion pictures For especially interesting material see Series II.J. Questionnaires See Series I.C. Regional Correspondence See Series II.K. Regional Papers</li> <li> Quaytman, Wilfred See Series II.N. Writings, Speeches and Interviews</li> <li> Quigley, Martin See Series II.N. Writings, Speeches and Interviews</li> <li> Quigley Publications See Series I.B. Subjects Correspondence: Motion Picture Herald</li> <li> Radio See Series II.M. Subjects Papers See Series II.M. Subjects Papers: Transcripts of Radio Broadcasts involving the National Board of Review of Motion Pictures See also Series II.H. Printed Material: Program Patterns for Young Radio Listeners; Standard of Practice for American Broadcasters; Public service Responsibility of Broadcast Licensees, 1946 See Series II.N. Writings, Speeches and Interviews: Radio scripts</li> <li> Radio-Keith-Orpheum (RKO) See Series I.A. Company Correspondence</li> <li> Rank, J. Arthur See Series I.A. Company Correspondence</li> <li> Reading habits and the motion pictures See Series II.J. Questionnaires: Motion Pictures and Reading Habits</li> <li> Redding, Josephine See Series I.B. Subjects Correspondence</li> <li> Reed, Ellery F. See Series II.N. Writings, Speeches and Interviews</li> <li> Reel and Slide Magazine See Series I.B. Subjects Correspondence</li> <li> Regional censorship in the U. S. See Series I.C. Regional Correspondence See Series II.K. Regional Papers</li> <li> Religious motion picture foundation See Series I.B. Subjects Correspondence: Harmon Foundation</li> <li> Renoir, Jean See Series I.A. Company Correspondence</li> <li> Reorganization of the National Board of Censorship of Motion Pictures, 1915 See Series II.M. Subjects Papers</li> <li> Report of the New York State Conference of Mayors appointed to make an investigation into the matter of the regulation of motion pictures, 1920 See Series II.K. Regional Papers: New York State, folder 1</li> <li> Report on an inquiry into the possible relationship of motion pictures to juvenile delinquency See Series I.B. Subjects Correspondence: Delinquent behavior and the Motion Pictures (related papers)</li> <li> Report to the Mayor of South Bend, Indiana, on the motion picture theatres of South Bend, 1914 See Series II.M. Subjects Papers</li> <li> Reports of the Censoring Committees of the National Board of Censorship of Motion Pictures See Series II.C. Committee Records: Censoring Committees, National Board of Censorship of Motion Pictures, 1909-1915</li> <li> Reports of the National Board of Censorship of Motion Pictures See Series II.M. Subjects Papers</li> <li> Republic Pictures See Series I.A. Company Correspondence</li> <li> Resolutions adopted by the National Board with reference to Official censorship in General and to the Proposed Folks Ordinance No. 89 in particular, 1912 See Series II.K. Regional Papers: New York (New York City)</li> <li> Reviewing, The principles of See Series II.C. Committee Records: Review Committee See Series II.I. Publications See Series II.M. Subjects Papers: Handbook of Principles of Motion Picture Review</li> <li> Reviews of motion pictures See Series II.C. Committee Records See Series II.E. Periodicals See Series II.L. Reviews and Reports</li> <li> Richey, H. M. See Series II.N. Writings, Speeches and Interviews</li> <li> Ringgold, Gene See Series II.N. Writings, Speeches and Interviews</li> <li> Rockefeller Foundation See Series I.B. Subjects Correspondence</li> <li> Rotha, Paul See Series I.A. Company Correspondence</li> <li> Russell Sage Foundation See Series I.B. Subjects Correspondence: Hanmer, Lee F. and Perry, Clarence A.</li> <li> Somopic Club See Series I.B. Subjects Correspondence: Heymann, Hattie S.</li> <li> Sanderson, Edward F. See Series I.B. Subjects Correspondence</li> <li> Saunders, Alfred H. See Series II.M. Subjects Papers</li> <li> Scene and situations prohibited from motion pictures during World War I See Series I.B. Subjects Correspondence: Motion Pictures and World I (related papers, Special War Bulletins)</li> <li> Schaefer, George J. See Series II.N. Writings, Speeches and Interviews</li> <li> Schary, Dore See Series I.A. Company Correspondence: Radio-Keith Orpheum</li> <li> Schools, churches and other organizations in California equipped with motion picture projectors, 1921 See Series II.M. Subjects Papers</li> <li> Selected Pictures See Series II.M. Subjects Papers: Indices of Selected Pictures, Best Motion Pictures See Series II.I. Publications See Series II.L. Reviews and Reports Correspondence and Papers relating to the National Board's Annual Catalog of Selected Pictures, 1917-1936</li> <li> Selznick, David O. See Series I.A. Company Correspondence</li> <li> Senate investigation of movie industry, 1941 See Series II.M. Subjects Papers: Senate Sub-Committee Hearings on War Films</li> <li> Senate Sub-Committee Hearings on War Films See Series II.M. Subjects Papers</li> <li> Service Bureau for Women's Organizations See Series I.B. Subjects Correspondence</li> <li> Sex motion pictures See Series II.M. Subjects Papers: Policies of the National Board of Review of Motion Pictures concerning sex motion pictures</li> <li> Sherwood, Herbert F. See Series II.N. Writings, Speeches and Interviews</li> <li> Sherwood, Robert E. See Series I.B. Subjects Correspondence</li> <li> Should realistic war films be show to children? (symposium) See Series I.B. Subjects Correspondence: Children and the Motion Pictures (related papers, folder 1</li> <li> Sidney, George See Series II.N. Writings, Speeches and Interviews</li> <li> Siritzky International Pictures Corp. See Series I.A. Company Correspondence</li> <li> Social Service Commission See Series I.B. Subjects Correspondence.</li> <li> Social Significance of the Movies (article) See Series II.N. Writings, Speeches and Interviews: Lewis, Orlando F.</li> <li> Southern Cooperative League for Education and Social Service See Series I.B. Subjects Correspondence</li> <li> Southern Sociological Congress See Series I.B. Subjects Correspondence: Southern Cooperative League for Education and Social Service</li> <li> Speakers Bureau See Series I.B. Subjects Correspondence</li> <li> Spearman, Walter See Series I.B. Subjects Correspondence</li> <li> Spigelgass, Leonard See Series I.A. Company Correspondence</li> <li> Standards for Motion Pictures for children under sixteen See Series II.J. Questionnaires: Juvenile standards, 1915</li> <li> State Care in respect of Education by Means of Films and Dispositives in Czechoslovakia (article) See Series II.N. Writings, Speeches and Interviews: Ledvinka</li> <li> State censorship of motion pictures See Series II.M. Subjects Papers See also Series II.K. Regional Papers for material dealing with censorship in individual states See Series I.C. Regional Correspondence for letters dealing with local and state censorship See Series I.B. Subjects Correspondence: Binder, Jacob W.</li> <li> Steen, Tom See Series II.N. Writings, Speeches and Interviews</li> <li> Sterner, Ralph See Series I.B. Subjects Correspondence</li> <li> Stelzle, Charles See Series I.B. Subjects Correspondence</li> <li> Stern, Seymour See Series I.B. Subjects Correspondence</li> <li> Stokes, Anson Phelps See Series I.B. Subjects Correspondence</li> <li> Sturges, Preston See Series I.A. Company Correspondence: Paramount Pictures</li> <li> Subject indices of articles in the National Board of Review Magazine, 1940-1947 (New Movies after February 1942) See Series II.M. Subjects Papers</li> <li> Suggestions for legislation for the improvement of the condition of moving picture shows in the city of New York, by Maurice Wertheim, 1910 See Series II.M. Subjects Papers, Papers relating to the formation and subsequent history of the National Board of Review of Motion Pictures, 1908-1926</li> <li> Suppression of anti-drinking films, Alleged See Series I.B. Subjects Correspondence: Drinking and the Motion Pictures</li> <li> Sutro, Lionel and Florentine See Series I.B. Subjects Correspondence</li> <li> Tait, Margaret See Series II.N. Writings, Speeches and Interviews</li> <li> Tamar Lane's Opinion. The Film Analyst (periodical) See Series I.B. Subjects Correspondence: Lane, Tamar</li> <li> Temperance, Prohibition and Public Morals, Board of See Series I.B. Subjects Correspondence: Methodist Episcopal Church</li> <li> Theaters, Early motion picture See Series II.M. Subjects Papers: Early motion picture theaters; Papers relating to the formation and subsequent history of the National Board of Review of Motion Pictures</li> <li> Thirty Years of Motion Pictures (anthology film) See Series I.B. Subjects Correspondence</li> <li> Thrasher, Frederic See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Metropolitan Motion Picture Council, New York University</li> <li> Torme, Mel See Series II.N. Writings, Speeches and Interviews</li> <li> \"Trailer\" as a form of advertising, Evolution of the See Series I.B. Subjects Correspondence: Evolution of the \"trailer\" as a form of advertising</li> <li> Transcripts of radio broadcasts involving the National Board of Review of Motion Pictures See Series II.M. Subjects Papers</li> <li> Twentieth Century Fox See Series I.A. Company Correspondence</li> <li> Twenty-five year calendar of picture progress, 1904-1929, compiled by the National Board of Review of Motion Pictures See Series II.M. Subjects Papers</li> <li> Types of Motion Pictures preferred by High school students, 1922 See Series II.J. Questionnaires: High School questionnaire</li> <li> United Artists See Series I.A. Company Correspondence</li> <li> United Council of Church Women See Series II.M. Subjects Papers</li> <li> United International Company See Series I. Correspondence</li> <li> United Manufacturers Protective Association See Series II.M. Subjects Papers</li> <li> United Nations See Series II.M. Subjects Papers</li> <li> United Pictures See Series I.A. Company Correspondence</li> <li> United States Flag Association (Crime-must-go- campaign) See Series I.B. Subjects Correspondence</li> <li> United States Government See Series I.B. Subjects Correspondence: See also Company Correspondence, Lorentz, Pare</li> <li> United Women of America See Series I.B. Subjects Correspondence</li> <li> Use of motion pictures in social, educational and religious institutions in New York City See Series II.J. Questionnaires: Questionnaire for Social, educational and Religious Institutions in N. Y. C. making use of motion pictures, 1914</li> <li> Venereal diseases, Motion pictures about See Series I.J. Controversial Films Correspondence: Damaged Goods, Damaged Lives, End of the Road, Fit to Win, Open your Eyes, Spreading Evil See Series II.M. Subjects Papers: Motion pictures dealing with venereal diseases and Policies of the National Board of Review of Motion Pictures concerning sex motion pictures</li> <li> Ventilation and sanitation in motion picture theaters in New York City, 1909 See Series II.M. Subjects Papers: Papers relating to the formation and subsequent history of the National Board of Review of Motion Pictures</li> <li> Vérité sur l'invention du film photophone See Series II.M. Subjects Papers: Lauste, Eugene and Le Roy, Jean A.</li> <li> Visual Instruction, Bureau of (New York City) See Series I.B. Subjects Correspondence: Bureau of Visual Instruction</li> <li> Vogel, Amos See Series I.B. Subjects Correspondence: Cinema 16</li> <li> Voorhorst, Bertha See Series I.B. Subjects Correspondence</li> <li> Walker, James J. See Series I.B. Subjects Correspondence</li> <li> War movies and their possible effects on children See Series I.B. Subjects Correspondence: Children and the Motion Pictures</li> <li> Ward, Frank See Series II.N. Writings, Speeches and Interviews: Quaytman, Wilfred</li> <li> Warner Brothers See Series I.A. Company Correspondence</li> <li> Weekly Official Bulletin and related papers See Series II.L. Reviews and Reports</li> <li> Weinberg, Herman G. See Series I.B. Subjects Correspondence See also Series I.B. Subjects Correspondence: Stern, Seymour</li> <li> What is meant by an exceptional pictures: (article) See Series II.N. Writings, Speeches and Interviews: Paulding, James Kirke</li> <li> Why I like the movies See Series II.M. Subjects Papers</li> <li> Williams, Talcott See Series I.B. Subjects Correspondence</li> <li> Wilson, Margaret See Series I.B. Subjects Correspondence</li> <li> Wise, Stephen See Series I.B. Subjects Correspondence</li> <li> Wolff, Boy and Lyon, Sumner See Series II.N. Writings, Speeches and Interviews</li> <li> Woman's Home Companion Motion Picture Polls See Series II.M. Subjects Papers</li> <li> Woman's Journal See Series I.B. Subjects Correspondence</li> <li> Woman's Municipal League See Series I.B. Subjects Correspondence</li> <li> Women's City Club of New York See Series I.B. Subjects Correspondence</li> <li> Work of the National Board of Review of Motion Pictures, Prospectus of the See Series II.M. Subjects Papers: National Board of Review of Motion Pictures, Prospectus of the</li> <li> Works Progress Administration See Series I.B. Subjects Correspondence</li> <li> World War I, Motion pictures and See Series I.J. Controversial Films Correspondence: Beware, Despoilers, Ordeal See Series I.B. Subjects Correspondence: Motion Pictures and World War I</li> <li> World War I. The role of the National Board of Review of Motion Pictures See Series I.J. Controversial Films Correspondence: Dawn, Ordeal See Series I.B. Subjects Correspondence: Motion Pictures and World War I</li> <li> World War I, Scenes and situations prohibited from motion pictures about See Series I.B. Subjects Correspondence: Motion Pictures and World War I (related papers, Special War Bulletins)</li> <li> World War II See Series II.M. Subjects Papers See Series II.C. Committee Records: Committee on Exceptional Photoplays See Series II.M. Subjects Papers: Senate Sub-Committee hearings See Series I.B. Subjects Correspondence: United States Government</li> <li> Wortis, S. Bernard See Series II.N. Writings, Speeches and Interviews</li> <li> Wyler, William See Series I.A. Company Correspondence: Liberty Films</li> <li> Young Men's Christian Association See Series I.K. General Correspondence See also Series I.B. Subjects Correspondence: Jerome, P. F.</li> <li> Young Reviewers See Series II.M. Subjects Papers</li> <li> Zanuck, Darryl See Series I.A. Company Correspondence: Twentieth Century Fox</li>", "type"=>"index", "structured"=>[{"sib_seq"=>0, "type"=>"head", "value"=>"Name and Subject Index"}, {"sib_seq"=>1, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Academy of Motion Picture Arts and Sciences"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}, {"type"=>"ref", "value"=>"See also Series II.M. Subjects Papers: Sub-Committee Hearings on War Films"}]}]}, {"sib_seq"=>2, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Actualités Françaises"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence: A. F. Films, Inc."}]}, {"sib_seq"=>3, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Advertising"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence: Association of Motion Picture Advertising"}]}, {"sib_seq"=>4, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"A. F. Films, Inc."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>5, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"A. F. E. Films, Inc"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>6, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Aldrich, Winthrop W."}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>7, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Alleged suppression of anti-drinking motion pictures by the liquor industry"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Drinking and the Movies"}]}, {"sib_seq"=>8, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Academy of Political and Social Science"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>9, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Civil Liberties Union"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Council on Freedom from Censorship"}]}, {"sib_seq"=>10, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Council on Education"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>11, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Exhibitors Association"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>12, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Federation of Labor"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>13, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Film Center"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>14, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Film Festival (American Film Library Association)"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>15, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Humane Association"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Cruelty to animals in the movies"}]}, {"sib_seq"=>16, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Museum of Natural History"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>17, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Peoples Center"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>18, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Pictures, Inc."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>19, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Releasing Corporation"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>20, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Red Cross"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>21, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Society for the Prevention of Cruelty to Animals"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Cruelty to animals in the movies"}]}, {"sib_seq"=>22, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"American Trading Association"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>23, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"AMKINO Corp. (Artkino Pictures, U. S. S. R.)"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>24, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"An Activity to Develop the Best Social Uses of the Motion Pictures"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: National Board of Review of Motion Pictures. Prospectus of the work of the National Board"}]}, {"sib_seq"=>25, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Analysis and comparison of receipts and expenditures of the motion picture division of the New York State Board of Education, 1922-1933"}, {"type"=>"ref", "value"=>"See Series II.K. Regional Papers: New York State, folder 1"}]}, {"sib_seq"=>26, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Analysis of Municipal legislation pertaining to the censorship of Motion Pictures"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers."}]}, {"sib_seq"=>27, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Analysis of Personnel, National Board, 1920, 1921 (Statistical information based on questionnaires)"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>28, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Andrews, Maurice T."}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>29, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Anti-Censorship campaign in New York State"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.C. Regional Correspondence: New York State"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Eastman Kodak Co."}]}]}, {"sib_seq"=>30, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Anti-Communism"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}, {"type"=>"ref", "value"=>"See also Series I.J. Controversial Films: Everybody's Business"}]}]}, {"sib_seq"=>31, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Anti-Fascist motion pictures"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Senate Sub-Committee Hearings on War Films"}]}, {"sib_seq"=>32, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Anti-Labor censorship"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: American Federation of Labor"}]}, {"sib_seq"=>33, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Anti Nazi motion pictures"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Senate Sub-Committee Hearings on War Films"}]}, {"sib_seq"=>34, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Anti-Semitism in the motion pictures"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>35, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Anti-Social behavior and the motion pictures"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Delinquent Behavior and the Motion Pictures"}]}, {"sib_seq"=>36, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Arbuckle Case, Roscoe"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>37, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Ariane Productions"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>38, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Arrow Pictures Corp."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>39, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"ARTKINO Pictures"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence: Amkino Corp."}]}, {"sib_seq"=>40, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Associated Film Audiences (Film Survey)"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>41, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Associated Motion Picture Advertisers"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>42, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Association of the Junior Leagues of America, Inc."}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>43, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Astor, Frank"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>44, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Astor Productions, Inc."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>45, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Attack on the National Board by the chairwoman of the Better Films Committee, National Congress of Mothers and Parent- Teacher Associations, 1923, 1924"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Merriam, Mrs. Charles E."}]}, {"sib_seq"=>46, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Attitude of High School students to motion pictures"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>47, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Attitudes of Mayors to Federal motion pictures censorship, 1916"}, {"type"=>"ref", "value"=>"See Series II.J. Questionnaires"}]}, {"sib_seq"=>48, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Attitudes of the public to the National Board of Review of Motion Pictures"}, {"type"=>"ref", "value"=>"Attitudes are reflected throughout the records, but material of special interest can be found in: Regional Correspondence, Regional Papers, Questionnaires"}]}, {"sib_seq"=>49, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Authors League of America"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>50, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Azteca Films, Inc."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>51, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bagley, William C."}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>52, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Baker, Hettie Gray"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>53, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Balazs, Bela"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>54, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Banning the Birth Control Photoplay (article)"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews: W. D. McGuire"}]}, {"sib_seq"=>55, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Barrett, Wilton A."}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews, Barrett: Wilton A."}]}]}, {"sib_seq"=>56, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Barry, Iris"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}, {"type"=>"ref", "value"=>"See also Series I.B. Subjects Correspondence: Museum of Modern Art"}]}]}, {"sib_seq"=>57, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bauchens, Anne"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews: Maynard, John"}]}, {"sib_seq"=>58, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bell, Aaron"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>59, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Benefit at Carnegie Hall for the Children's Fund, National Board, 1921"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>60, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Benoit-Levy, Jean"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>61, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Best Motion Pictures, 1920-1951 as selected by the National Board"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>62, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Better Times"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>63, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bibliographies related to early motion pictures, 1908-1922"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>64, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Big 4 Film Corp."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>65, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Binder, Jacob W."}]}, {"sib_seq"=>66, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Blackton, J. Stuart"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>67, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Block-booking controversy"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>68, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Board of Education, New York City"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Jenkins, Henry E. Regional Correspondence: New York City, Manhattan"}]}, {"sib_seq"=>69, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Board of Foreign Missions of the Methodist Episcopal Church"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Methodist Episcopal Church"}]}, {"sib_seq"=>70, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bolton, Ray B."}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>71, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Book Week, 1923, 1924, 1938-1942"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>72, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Books on motion pictures"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>73, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"\"Boston Plan\" for regulating public amusements, c1916"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>74, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bowman, Leroy E."}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>75, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Boy Scouts of America"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>76, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bradley, David"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>77, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bray Pictures Corp."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>78, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Breitinger, Fred W."}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>79, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Brenton, Cranton"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence and Writings, Speeches and Interviews"}]}, {"sib_seq"=>80, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Brill, Abraham Arden"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>81, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"British Film Institute"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers See also Subjects Papers: New York Film Festival"}]}, {"sib_seq"=>82, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bryson, Lyman"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>83, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Buck, Pearl"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: East and West Association; Correspondence and Papers of the General Assembly, National Board"}]}]}, {"sib_seq"=>84, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bureau of Commercial Economics"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>85, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bureau of Visual Instruction"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>86, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Byrd Antarctic Expedition"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>87, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Bye-Laws of the National Board of Review of Motion Pictures, Changes in the C and M Pictures, Inc."}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Changes in the Bye-Laws of the National Board Company Correspondence"}]}, {"sib_seq"=>88, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"California"}, {"type"=>"ref", "value"=>"The bulk material relating to California are in the Regional Correspondence. Additional letters relating to the censorship issue in California are in the Subjects Correspondence: Gray, Henry David"}]}, {"sib_seq"=>89, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"California Federation of Women's Clubs"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>90, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cameo Screen Attractions, Inc."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>91, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Camp Fire Girls"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>92, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Campaign against Will H. Hays"}, {"type"=>"ref", "value"=>"See Series II.L. Reviews and Reports: Harrison's Reports"}]}, {"sib_seq"=>93, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Capital Film Exchange"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>94, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Capital Productions Co."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>95, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Capitol Productions, Inc."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>96, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Capra, Frank"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>97, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Carpenter, Frederick L. R."}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>98, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Carroll Films, Inc."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>99, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Casey, John M."}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}, {"type"=>"ref", "value"=>"See also Series I.C. Regional Correspondence: Massachusetts, Boston"}]}, {"sib_seq"=>100, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Catalog of 16mm films dealing with the United Nationals, member states and related subjects, 1949"}, {"type"=>"ref", "value"=>"See Series II.M. 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W.; Motion Picture Research Council; and Permanent Commission for the Prevention of Juvenile Delinquency"}, {"type"=>"ref", "value"=>"See also Subjects Papers: League of Nations and Young Reviewers"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews: Collier, John and Gunczy, Bettina"}, {"type"=>"ref", "value"=>"See Series II.J. Questionnaires: Juvenile standards, 1915"}, {"type"=>"ref", "value"=>"See Series II.H. Printed Material: Motion Pictures - Laws, ordinances and Regulations on Censorship, Minors, and other related subjects, 1920"}]}]}, {"sib_seq"=>124, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Children as actors"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: National Motion Picture Council (News and Comment, May 1946)"}]}, {"sib_seq"=>125, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Children's Film Library and children's Programs for Your Community"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>126, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"China as portrayed on the American screen, 1896-1955"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: China and India as portrayed on the American screen"}]}, {"sib_seq"=>127, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"China Defense Supplies, Inc."}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>128, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Chris Phillis Productions"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>129, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Christian Herald"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>130, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Christian Science Monitor"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>131, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Church and Drama Association"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>132, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Churchill-Wexlet Film Productions"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>133, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Churchman"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>134, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cinema Conference in Moscow in spring, 1933"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews: Balazs, Bela"}]}, {"sib_seq"=>135, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cinema Engage"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>136, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cinema 16"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>137, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cinématographe Le Roy"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Lauste, Eugene and Le Roy, Jean A."}]}, {"sib_seq"=>138, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cinepix Co."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>139, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Civilian Defense Volunteer Office of Greater New York"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>140, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Clas-Mohme, Inc."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>141, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cocks, Orin G."}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Papers relating to the formation and subsequent history of the National Board of Review of Motion Pictures"}]}]}, {"sib_seq"=>142, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cocteau, Jean"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>143, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Code of Fair Competition for the Motion Picture Industry, 1933"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>144, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Code to Govern the Making of Motion and Talking Pictures, Motion Picture Association of America, Inc., 1930-1948 (Includes an Advertising Code for Motion Pictures, 1930-1948)"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>145, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Collective bargaining in the motion picture industry"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>146, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Collier, John"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>147, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Color in the motion pictures"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>148, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Columbia Pictures"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>149, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Columbia University"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>150, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Comedie Française"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>151, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Commission on the Freedom of the Press"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Inglis, Ruth"}]}, {"sib_seq"=>152, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Committee of Fourteen"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>153, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Committee on Reorganization of the National Board of Censorship of Motion Pictures, 1915"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Reorganization of the National Board of Censorship of Motion Pictures"}]}, {"sib_seq"=>154, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Commodore Pictures Corp."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>155, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Community Councils in Greater New York"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Community Councils of National Defense"}]}, {"sib_seq"=>156, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Community Councils of National Defense Community Motion Picture Service"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence Company Correspondence"}]}, {"sib_seq"=>157, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Companies submitting films to the National Board during 1916"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>158, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Conditions in motion picture theaters in New York City in 1910"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Papers relating to the formation and subsequent history up to 1926 of the National Board, 1908-1926"}]}, {"sib_seq"=>159, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Conditions in motion pictures theaters in South Bend, Indiana in 1914"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Report to the Mayor of South Bend, Indiana on the motion picture theaters"}]}, {"sib_seq"=>160, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Conference of New England Mayors and other City Officials"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>161, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Conferences with studio executives, 1915"}, {"type"=>"ref", "value"=>"See Series II.C. Committee Records: Executive Committee"}]}, {"sib_seq"=>162, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Congres International du Cinématographe, 1926"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>163, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Connolly, Louise"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}, {"type"=>"ref", "value"=>"See also Series I.C. Regional Correspondence: Georgia, Athens"}]}]}, {"sib_seq"=>164, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Consolidated Film Industry, Inc."}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>165, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Constitutional changes in the National Board"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Changes in the bye-laws of the National Board, 1940-1949"}]}, {"sib_seq"=>166, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Constructive Control versus Legal Censorship (article)"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Lomer, Gerhard R. Enclosure to letter of July 19, 1916"}]}, {"sib_seq"=>167, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Controversial films"}, {"type"=>"ref", "value"=>"See Series I.J. Correspondence relating to Controversial Films"}]}, {"sib_seq"=>168, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Controversy over the alleged relationship of motion pictures to juvenile delinquency"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Children and the Motion Pictures; Delinquent behavior and the motion pictures"}]}]}, {"sib_seq"=>169, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cooke, Alistair"}, {"type"=>"ref", "value"=>"See Series I.K. General Correspondence"}]}, {"sib_seq"=>170, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cooper-Hewitt quartz light, effect on the eyes"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Children and the motion pictures enclosure to letter dated July 8, 1916"}]}, {"sib_seq"=>171, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Coordinator of Inter-American Affairs"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>172, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Copyright registration for National Board of Review Magazine and its successor, New Movies, 1941-1948"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>173, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Coronet Instructional Films"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>174, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Correspondence concerning requests for pamphlets, lists, guides, etc., 1930, 1931"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>175, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Correspondence in response to radio broadcast of Annual Conference, 1931"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>176, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cowan, George"}, {"type"=>"ref", "value"=>"See Series I.C. Regional Correspondence: Rhode Island, Providence"}]}, {"sib_seq"=>177, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Coward, Noel"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>178, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Crabbe, Buster"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence: PRC Productions"}]}, {"sib_seq"=>179, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Craft Film Laboratories"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>180, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Craig, Ann Throop"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>181, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Crawford, Joan"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>182, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Crime-Must-Go Campaign"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: United States Flag Association"}]}, {"sib_seq"=>183, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cruelty to animals in the motion pictures"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>184, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Cruelty to children in the motion pictures and the motion picture industry"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Children and the Motion Pictures"}]}, {"sib_seq"=>185, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Dale, Edgar"}, {"type"=>"ref", "value"=>"See Series II.N. 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Subjects Papers"}]}, {"sib_seq"=>189, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"De Sica, Vittorio"}, {"type"=>"ref", "value"=>"See Correspondence and Papers of the Committee on Exceptional Films (letter dated Dec. 27, 1949)"}]}, {"sib_seq"=>190, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Delano, Frederic M."}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>191, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Delinquent behavior and the Motion Pictures"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>192, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Department of Licenses, New York City"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Licenses, Department of (New York City) 1914-1921"}]}, {"sib_seq"=>193, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Deren, Maya"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>194, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Dickens, Homer"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>195, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Ditmars, Raymond L."}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>196, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Drinking and the Motion Pictures"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>197, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Dyhrenfurth, Hettie"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>198, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Early history of motion picture magazines"}, {"type"=>"ref", "value"=>"See Series I.B. 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Writing, Speeches Interviews: Boyd Wolfe and Sumner Lyon"}, {"type"=>"ref", "value"=>"Correspondence and Papers of the General Assembly of the National Board"}]}]}, {"sib_seq"=>201, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Eastman, George"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Eastman Kodak Co."}]}, {"sib_seq"=>202, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Eastman Kodak Co."}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>203, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Economic Cooperation Administration"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>204, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Ecstasy (motion picture)"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.J. Controversial Films"}, {"type"=>"ref", "value"=>"See also Series I.C. 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Questionnaires: Attitudes of Mayors towards Federal Motion Picture Censorship, 1916"}]}]}, {"sib_seq"=>222, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Federal Council of the Churches of Christ in America"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}, {"type"=>"ref", "value"=>"See also Series I.B. Subjects Correspondence: Stelzle, Charles"}]}]}, {"sib_seq"=>223, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Federal Motion Picture Council in America, Inc."}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}, {"type"=>"ref", "value"=>"See also Subjects Papers: National Motion Picture Council"}]}]}, {"sib_seq"=>224, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Federal Theatre Project"}, {"type"=>"ref", "value"=>"See Series I.B. 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Subjects Correspondence: Children and the Motion Pictures"}]}, {"sib_seq"=>429, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Motion pictures and education in Germany, 1912"}, {"type"=>"ref", "value"=>"See Printed Material: Kinematrograph als Volks und Jugendbildungsmittel"}]}, {"sib_seq"=>430, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Motion Pictures and Freedom of Expression (article)"}, {"type"=>"ref", "value"=>"See Series II.J. Questionnaires"}]}, {"sib_seq"=>431, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Motion Pictures and Reading Habits"}, {"type"=>"ref", "value"=>"See Series II.J. Questionnaires"}]}, {"sib_seq"=>432, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Motion Pictures and the Child (article)"}, {"type"=>"ref", "value"=>"See Series II.N. 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Subjects Papers: Girard, André"}]}, {"sib_seq"=>515, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Paoletti, Henry"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>516, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Papers relating to the formation and subsequent history up to 1925 of the National Board of Review of Motion Pictures"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>517, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Paramount Pictures"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>518, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Patenting of the insignias of the National Board of Review of Motion Pictures"}, {"type"=>"ref", "value"=>"See Series I.B. 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Printed Material: Program Patterns for Young Radio Listeners; Standard of Practice for American Broadcasters; Public service Responsibility of Broadcast Licensees, 1946"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews: Radio scripts"}]}]}, {"sib_seq"=>556, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Radio-Keith-Orpheum (RKO)"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>557, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Rank, J. Arthur"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>558, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Reading habits and the motion pictures"}, {"type"=>"ref", "value"=>"See Series II.J. Questionnaires: Motion Pictures and Reading Habits"}]}, {"sib_seq"=>559, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Redding, Josephine"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>560, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Reed, Ellery F."}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>561, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Reel and Slide Magazine"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>562, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Regional censorship in the U. S."}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.C. Regional Correspondence"}, {"type"=>"ref", "value"=>"See Series II.K. Regional Papers"}]}]}, {"sib_seq"=>563, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Religious motion picture foundation"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Harmon Foundation"}]}, {"sib_seq"=>564, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Renoir, Jean"}, {"type"=>"ref", "value"=>"See Series I.A. 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Subjects Correspondence: Delinquent behavior and the Motion Pictures (related papers)"}]}, {"sib_seq"=>568, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Report to the Mayor of South Bend, Indiana, on the motion picture theatres of South Bend, 1914"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>569, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Reports of the Censoring Committees of the National Board of Censorship of Motion Pictures"}, {"type"=>"ref", "value"=>"See Series II.C. Committee Records: Censoring Committees, National Board of Censorship of Motion Pictures, 1909-1915"}]}, {"sib_seq"=>570, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Reports of the National Board of Censorship of Motion Pictures"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>571, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Republic Pictures"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>572, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Resolutions adopted by the National Board with reference to Official censorship in General and to the Proposed Folks Ordinance No. 89 in particular, 1912"}, {"type"=>"ref", "value"=>"See Series II.K. Regional Papers: New York (New York City)"}]}, {"sib_seq"=>573, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Reviewing, The principles of"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series II.C. Committee Records: Review Committee"}, {"type"=>"ref", "value"=>"See Series II.I. Publications"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Handbook of Principles of Motion Picture Review"}]}]}, {"sib_seq"=>574, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Reviews of motion pictures"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series II.C. Committee Records"}, {"type"=>"ref", "value"=>"See Series II.E. 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Subjects Correspondence: Motion Pictures and World I (related papers, Special War Bulletins)"}]}, {"sib_seq"=>584, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Schaefer, George J."}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>585, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Schary, Dore"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence: Radio-Keith Orpheum"}]}, {"sib_seq"=>586, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Schools, churches and other organizations in California equipped with motion picture projectors, 1921"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>587, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Selected Pictures"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Indices of Selected Pictures, Best Motion Pictures"}, {"type"=>"ref", "value"=>"See Series II.I. 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Regional Correspondence for letters dealing with local and state censorship"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Binder, Jacob W."}]}]}, {"sib_seq"=>608, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Steen, Tom"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>609, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Sterner, Ralph"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>610, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Stelzle, Charles"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>611, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Stern, Seymour"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>612, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Stokes, Anson Phelps"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>613, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Sturges, Preston"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence: Paramount Pictures"}]}, {"sib_seq"=>614, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Subject indices of articles in the National Board of Review Magazine, 1940-1947 (New Movies after February 1942)"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>615, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Suggestions for legislation for the improvement of the condition of moving picture shows in the city of New York, by Maurice Wertheim, 1910"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers, Papers relating to the formation and subsequent history of the National Board of Review of Motion Pictures, 1908-1926"}]}, {"sib_seq"=>616, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Suppression of anti-drinking films, Alleged"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Drinking and the Motion Pictures"}]}, {"sib_seq"=>617, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Sutro, Lionel and Florentine"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>618, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Tait, Margaret"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>619, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Tamar Lane's Opinion. The Film Analyst (periodical)"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Lane, Tamar"}]}, {"sib_seq"=>620, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Temperance, Prohibition and Public Morals, Board of"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Methodist Episcopal Church"}]}, {"sib_seq"=>621, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Theaters, Early motion picture"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Early motion picture theaters; Papers relating to the formation and subsequent history of the National Board of Review of Motion Pictures"}]}]}, {"sib_seq"=>622, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Thirty Years of Motion Pictures (anthology film)"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>623, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Thrasher, Frederic"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}, {"type"=>"ref", "value"=>"See also Series I.B. Subjects Correspondence: Metropolitan Motion Picture Council, New York University"}]}]}, {"sib_seq"=>624, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Torme, Mel"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}]}, {"sib_seq"=>625, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"\"Trailer\" as a form of advertising, Evolution of the"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Evolution of the \"trailer\" as a form of advertising"}]}, {"sib_seq"=>626, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Transcripts of radio broadcasts involving the National Board of Review of Motion Pictures"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>627, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Twentieth Century Fox"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>628, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Twenty-five year calendar of picture progress, 1904-1929, compiled by the National Board of Review of Motion Pictures"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>629, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Types of Motion Pictures preferred by High school students, 1922"}, {"type"=>"ref", "value"=>"See Series II.J. Questionnaires: High School questionnaire"}]}, {"sib_seq"=>630, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"United Artists"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>631, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"United Council of Church Women"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>632, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"United International Company"}, {"type"=>"ref", "value"=>"See Series I. Correspondence"}]}, {"sib_seq"=>633, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"United Manufacturers Protective Association"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>634, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"United Nations"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>635, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"United Pictures"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>636, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"United States Flag Association (Crime-must-go- campaign)"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>637, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"United States Government"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: See also Company Correspondence, Lorentz, Pare"}]}, {"sib_seq"=>638, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"United Women of America"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>639, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Use of motion pictures in social, educational and religious institutions in New York City"}, {"type"=>"ref", "value"=>"See Series II.J. Questionnaires: Questionnaire for Social, educational and Religious Institutions in N. Y. C. making use of motion pictures, 1914"}]}, {"sib_seq"=>640, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Venereal diseases, Motion pictures about"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.J. Controversial Films Correspondence: Damaged Goods, Damaged Lives, End of the Road, Fit to Win, Open your Eyes, Spreading Evil"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Motion pictures dealing with venereal diseases and Policies of the National Board of Review of Motion Pictures concerning sex motion pictures"}]}]}, {"sib_seq"=>641, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Ventilation and sanitation in motion picture theaters in New York City, 1909"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Papers relating to the formation and subsequent history of the National Board of Review of Motion Pictures"}]}, {"sib_seq"=>642, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Vérité sur l'invention du film photophone"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Lauste, Eugene and Le Roy, Jean A."}]}, {"sib_seq"=>643, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Visual Instruction, Bureau of (New York City)"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Bureau of Visual Instruction"}]}, {"sib_seq"=>644, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Vogel, Amos"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Cinema 16"}]}, {"sib_seq"=>645, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Voorhorst, Bertha"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>646, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Walker, James J."}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>647, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"War movies and their possible effects on children"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Children and the Motion Pictures"}]}, {"sib_seq"=>648, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Ward, Frank"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews: Quaytman, Wilfred"}]}, {"sib_seq"=>649, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Warner Brothers"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence"}]}, {"sib_seq"=>650, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Weekly Official Bulletin and related papers"}, {"type"=>"ref", "value"=>"See Series II.L. Reviews and Reports"}]}, {"sib_seq"=>651, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Weinberg, Herman G."}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}, {"type"=>"ref", "value"=>"See also Series I.B. Subjects Correspondence: Stern, Seymour"}]}]}, {"sib_seq"=>652, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"What is meant by an exceptional pictures: (article)"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews: Paulding, James Kirke"}]}, {"sib_seq"=>653, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Why I like the movies"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>654, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Williams, Talcott"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>655, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Wilson, Margaret"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>656, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Wise, Stephen"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>657, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Wolff, Boy and Lyon, Sumner"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>658, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Woman's Home Companion Motion Picture Polls"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>659, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Woman's Journal"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>660, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Woman's Municipal League"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>661, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Women's City Club of New York"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>662, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Work of the National Board of Review of Motion Pictures, Prospectus of the"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: National Board of Review of Motion Pictures, Prospectus of the"}]}, {"sib_seq"=>663, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Works Progress Administration"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence"}]}, {"sib_seq"=>664, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"World War I, Motion pictures and"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.J. Controversial Films Correspondence: Beware, Despoilers, Ordeal"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Motion Pictures and World War I"}]}]}, {"sib_seq"=>665, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"World War I. The role of the National Board of Review of Motion Pictures"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.J. Controversial Films Correspondence: Dawn, Ordeal"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Motion Pictures and World War I"}]}]}, {"sib_seq"=>666, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"World War I, Scenes and situations prohibited from motion pictures about"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: Motion Pictures and World War I (related papers, Special War Bulletins)"}]}, {"sib_seq"=>667, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"World War II"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}, {"type"=>"ref", "value"=>"See Series II.C. Committee Records: Committee on Exceptional Photoplays"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers: Senate Sub-Committee hearings"}, {"type"=>"ref", "value"=>"See Series I.B. Subjects Correspondence: United States Government"}]}]}, {"sib_seq"=>668, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Wortis, S. Bernard"}, {"type"=>"ref", "value"=>"See Series II.N. Writings, Speeches and Interviews"}]}, {"sib_seq"=>669, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Wyler, William"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence: Liberty Films"}]}, {"sib_seq"=>670, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Young Men's Christian Association"}, {"type"=>"ptrgrp", "value"=>[{"type"=>"ref", "value"=>"See Series I.K. General Correspondence"}, {"type"=>"ref", "value"=>"See also Series I.B. Subjects Correspondence: Jerome, P. F."}]}]}, {"sib_seq"=>671, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Young Reviewers"}, {"type"=>"ref", "value"=>"See Series II.M. Subjects Papers"}]}, {"sib_seq"=>672, "type"=>"indexentry", "value"=>[{"type"=>"name", "value"=>"Zanuck, Darryl"}, {"type"=>"ref", "value"=>"See Series I.A. Company Correspondence: Twentieth Century Fox"}]}]}
origination: {"value"=>"National Board of Review of Motion Pictures (U.S.)", "type"=>"corpname"}
bioghist: {"value"=>"The National Board of Review of Motion Pictures was initially a committee composed of fourteen prominent persons from the fields of social work, religion, and education, brought together in 1909 by Charles Sprague Smith under the auspices of the People's Institute of New York to make recommendations to the Mayor's office concerning controversial films. Over the next five years the committee expanded its work and changed its name several times: to New York Board of Censorship of Motion Pictures, National Board of Censorship of Motion Pictures, and finally in 1916, to National Board of Review of Motion Pictures. The last change in name reflected the Board's opposition to censorship as a way of dealing with controversial motion pictures, and was an expression of its belief that no one had the right to dictate standards of morality. In a very large measure the change in name was a much-needed vote of confidence in the motion picture industry and a public indication of support for the artistic potential of the new medium at a time when it was under attack from all sides. Organizational History In 1908, a year before the creation of the National Board of Review of Motion Pictures, American Biograph offered one of its actors the chance to direct his first motion picture. The actor, D. W. Griffith, one of the towering artists of the silent film, dryly remarked to his wife: \"In a way it's nice, but, you know we can't go on forever and not tell our friends and relatives how we are earning our living.\" (The Movies, Griffith and Mayer, Simon Schuster, New York.) Thanks to the rapid technological improvements made since the 1890s when Thomas Edison developed the Kinetograph recorder and the Kinetoscope viewer, Griffith would soon have the means with which to make his great motion pictures. The Kinetoscope, the formal name for the dearly loved and maligned \"peep show, offered thirteen-second scraps of dances and prize fights in the essentially male environment of the penny arcades (The Kinetoscope could record but not project. In this mechanism the illusion of movement was created by turning a crank which ran the film between a light bulb and a magnifying glass located under an aperture through which the film was watched by a single viewer.) In the same year, 1894, the Lumière brothers demonstrated their Cinématograph, a combination camera-printer-projector. This was followed by George Eastman's introduction of the first motion picture film. Made from long strips of strong and flexible celluloid coated with a light-sensitive emulsion, the new film also had rows of sprocket holes on each side, expressly made to resist tearing in the film's high speed passage through the recording camera or projector. In 1896, film technology took another leap forward with the introduction of Thomas Armat's star-wheel, or Geneva Cross, an essential device which, by moving the images many times a second past the lens in a continuous succession of stops, rests, and starts at each frame, overcame the problem of wear and tear on film caused by a continuous spinning/pulling motion of the cog wheels. Despite the absence of an industry-wide standard projection speed, these improvements ushered in the age of projection where the moving frames were beamed onto a smooth wall or a rectangular screen in front of a seated mixed audience. This made it possible to extend the time-span and complexity of motion pictures, thus opening up new possibilities for the immature arts of screenwriting, cinematography, and editing. By 1908, there had been many decisive advances in the fundamental technology of the motion pictures; but there were only a few signs of comparable progress in content. The pioneering years between Edwin Porter's, The Great Train Robbery of 1903, and Robert Wiene's influential The Cabinet of Dr. Caligari filmed in 1919, saw a meshing of technology and artistic ambition which established the foundations of the unique grammar and basic production values and techniques-the means of the motion pictures. But the majority of motion pictures of the formative years, \"tear-jerkers\" or \"two hanky shows\" as they came to be known, were based on sentimental Victorian stage melodramas, pulp fiction, and the reports of crimes and court cases published daily in the yellow press. Social workers active in the crowded immigrant and working-class neighborhoods of New York were more concerned with the improvised and transient theaters which could be easily set up in small rooms in crowded, dark, and badly ventilated tenement buildings. The middle classes looked upon them as illicit dens of prostitution, criminal activity, and rowdy, immoral behavior. Public health officials feared that these unmanageable theaters would be breeding grounds for numerous communicable diseases. And then there was the constant fear of fire even though New York's Fire Department permitted the use of only the Edison and Powell projectors, which were considered safe when properly used and maintained. In a report prepared in 1908 by a joint committee of the People's Institute and the Women's Municipal League these popular movable theaters were condemned as hangouts for unemployed idlers and the homeless poor. On Christmas Eve, 1908, the opening round in the censorship contest which would shape the motion pictures of the next three decades, took place in New York, the capital of the youthful motion picture industry. Pursued by reformers, Mayor George McClellan responded to the growing public outcry against the motion pictures by closing all the theaters. The shockwave that followed the mayor's action had barely finished rippling through the industry when the city's motion picture exhibitors closed ranks and secured a court injunction reopening the theaters. The motion picture exhibitors later attributed the mayor's actions to pressure from owners of \"legitimate\" or live, stage shows, particularly burlesque and vaudeville, which were threatened with the loss of their working class audiences to the unless the drawing power of the motion pictures could be reversed by some means. The exhibitors could not follow up this legal success by blocking the passage of the City Ordinance of January 9, 1909, which made it unlawful to admit into the motion picture theaters children under sixteen that were not accompanied by an adult. Eight days before the passage of the ordinance it was announced that the seven leading American motion picture production companies (Biograph, Essanay, Kalem, Kleine, Lubin, Selig, and Vitagraph.) and two French companies, Pathé and Méliès, had merged to form the Motion Picture Patents Company. The company immediately announced that, under the patents laws of the United States, Great Britain, France, Germany, and Italy, only it had the right to photograph, develop, and print motion pictures, and that no one else would ever be granted a license to do so. (The Motion Picture Patents Company gave the appearance of controlling all the aspects of the motion picture industry, i. e. production, distribution, and exhibition, but it could not really enforce its regulations.) In effect the Motion Picture Patents Company declared that it alone was the motion picture industry. This unmatched international monopoly set off epic legal battles which dragged on until 1917 when the Motion Picture Patents Company was ordered by the court to discontinue its unlawful acts, including the use of physical intimidation or \"dirty tricks\" against independent exhibitors. The victors were William Fox, Carl Laemmle and other independent producers, exhibitors and distributors. Another outcome was the National Board of Review of Motion Pictures. Represented by engineer and lawyer Jeremiah Kennedy, the Motion Picture Patents Company in March 1909 prevailed on reformer Charles Sprague Smith of the People's Institute, a social welfare and educational organization, to establish an ad hoc committee comprised of fourteen social workers, educators, and clergymen, to watch over the motion pictures. This committee was understood by its members to be only a local response to what actually were nation-wide problems. The committee was later described as having been, \"a crystallization of a thought and a movement.\" The affiliation of the National Board and the People's Institute continued until it was dissolved in 1922 by mutual agreement. Initially called The New York Board of Censorship of Motion Pictures, the committee prepared and submitted to Mayor McClellan's office a report on each film that it reviewed. Almost immediately the organization changed its name to the National Board of Censorship of Motion Pictures and proposed taking the place of the local boards in the big cities. By June of 1909 the National Board of Censorship of Motion Pictures had become administratively independent of the People's Institute, but continued to be financially reliant until 1914 by which time it was making recommendations on almost 90% of the motion pictures produced in the United States. Not long after 1914 it achieved complete independence by establishing a fee for reviewing the motion pictures submitted to it by the production companies. In 1916 the National Board of Censorship of Motion Pictures changed its name to National Board of Review of Motion Pictures. In a letter written in 1948 to the President of the New York City Council, Richard Griffith, referring to this last change of name, states that the \"Board's members had come to find the powers delegated to them repugnant to their conception of freedom of expression\", and that they had decided that, \"neither they nor anyone else had the right to dictate standards of morality....\" In effect, the change in name reflected a rejection by the National Board of its predecessors' past as a censor. After the change the National Board based its reviews on the established fundamental aesthetic principles of the theater and literature. Like its predecessors, the National Board never had power of enforcement. Prior to 1916 it had relied on the police and the courts for enforcement. But even before 1916 the National Board's predecessors had in the main depended on the cooperation of the industry. The coming of sound in the late 1920s accelerated the National Board's final change from critic to independent arbiter of taste and educator of the public. The latter development is not surprising, given the National Board's roots in the Progressive Era social reform movement from which it emerged in 1909. Encouraged by the exhibitors, it had expanded its work to include sending reports on films to other communities in New York State, and later to cities and towns throughout the country. In order to deal with a variety of new responsibilities, the original committee of fourteen evolved into a large organization composed of numerous committees. The General Committee, or governing body, was made up of thirty members that were prominent in social welfare work and other professions in New York. A Review Committee was created which superseded the original Committee of Censorship, and was comprised of one hundred and fifty persons residing in or near New York. The members of this committee were divided into sections, one section meeting each morning or afternoon to review the films submitted to it and classify them by age groups. The Advisory Committee was composed of influential people across the country who responded to questionnaires sent to them regarding reaction in their communities to motion pictures. The administrative work of the National Board was carried out by an Executive committee appointed from the membership of the General Committee. The Executive Committee also acted as a court of appeal whenever the decision of the Review Committee was disputed. In addition to these committees there were also formed the National Committee for Better Films, which, in its periodical, Photoplay Guide, brought the more popular types of motion pictures to the attention of the exhibitors and public. The Committee on Exceptional Photoplays, comprised of students, teachers, and critics, issued the influential Exceptional Photoplays, a bulletin in which artistically ambitious films were sympathetically evaluated. These two important committees were staunchly opposed to censorship, which they viewed as a violation of first amendment rights and as a serious obstacle to the artistic development of the motion picture industry. The National Board believed that the quality of motion pictures would be improved by encouraging the participation of the public in the critical process. At the heart of the National Board's position was the conviction that the support and guidance of free and open public organizations like it, was a realistic and democratic alternative to political interference which tended to be harsh. Over the years the functions and responsibilities of committees were changed, expanded, combined, or discontinued, and new concerns were met by forming new committees such as the National Committee on Films for Young People and the Schools' Motion Picture Committee. These committees published weekly bulletins of selected motion pictures, and also prepared lists of motion pictures chosen and classified according to the needs of different audiences and age groups. In many communities outside New York, however, ad hoc watchdog societies were being formed, usually in schools and churches, to exert pressure on local officials to ban motion pictures of which they disapproved. Underlying this action was the fear that as long as it was financed by the same industry whose product it judged the National Board could not be effective, and the Review Committee had to deny the charge that it was a cloak behind which immoral motion pictures were being made and that it lacked complete freedom of action. By 1917 many of these watchdog committees had been superseded, frequently by quasi-censorship in the form of regulatory supervision. Although they may not have been specifically authorized to do so, in some instances the police were empowered as \"guardians of the public morals\" to informally inspect motion pictures. In most communities, however, censorship came within the jurisdiction of the mayor's office, or the office of the commissioner of public safety or public welfare. The actual duties of censorship of the motion pictures (and legitimate theaters, vaudeville, burlesque) and the related advertising-which often was merely sexually suggestive and having little to do with the actual motion picture-were normally entrusted to an appointed official. These officials were never called censors, but, licensers of amusements, or by some similar euphemistic title. Many of these officials were aware of the economic importance of the motion picture industry, receptive to its cultural potential, and sensitive to the problems and dangers of censorship. As regulation of motion pictures was only one of their responsibilities many licensing officials came to rely on the National Board for evaluation, guidance, and information. In turn, the National Board valued them as potential allies and important conduits of public opinion. Initially competitors, in time many local censors became supporters of the National Board and its policy of praising the motion pictures that conformed to its aesthetic standards, and simply ignoring those that did not. In time an informal coalition formed which managed for years to slow down the movement towards a nation-wide political censorship at the federal or state level. Municipal ordinances were seldom clear about what was meant by key, and over-used, descriptive words such as obscene, indecent, and immoral. As a consequence, the who was responsible for enforcing the ordinance often had to interpret it as well. For advocates of censorship--and especially the industry itself--a knotty problem was compounded when disagreements arose at different political levels on what was actually taking place on the screen, and how this related to local regulations. The problem was not just one of choosing the right descriptive words. The pluralistic nature of American society made serious disagreement inevitable whenever ordinances defined what was objectionable in a motion picture, and often resulted in a motion picture being suppressed in one town and exhibited in another nearby town. Despite increasing signs of public concern the industry continued to make motion pictures that were considered offensive enough to censor or ban outright. By 1921 support for political censorship had led to strong censorship bills being introduced in many states. The National Board worked to counteract these political measures, and in New York State was especially active in opposing the Lusk Bill. A principle objection to this bill was that it did not provide for the education of the industry. It was also the opinion of the National Board that the three censors created by the bill would be overwhelmed by the sheer number of motion pictures they would have to look at. The Board felt that this would leave little time or inclination for critical appraisal and rational judgment, and as a result, good pictures might be obscured by the bad. The National Board contrasted with this form of censorship its own reviewing committee now composed of over two hundred members. The National Board argued that it was fundamental to the democratic process that the people recognize their responsibilities and be active in their own behalf, and not to rely on government to do what they could and should do for themselves. In a letter of commiseration written by W. E. McGuire, Executive Secretary of the National Board, wrote that, \"State Boards of Censorship are not representative bodies seeking to reflect public opinion but rather pseudo guardians of other people's morals, expressing their own individual opinion... with a view to the publication of an annual report which will show how bad motion pictures are -in the opinion of the censors- thus asking for continuation of their jobs. A state censor can not afford to say that pictures are good. If he did it would be an argument for the abolition of his position.\" In 1922 the former Postmaster-General Will Hays became the president of the Motion Picture Producers and Distributors of America, in fact the virtual czar of the motion picture industry. The National Board frequently protested that it acted in close cooperation with the Motion Picture Producers and Distributors of America; but their antithetical positions on film censorship were irreconcilable. When sound arrived in 1928 it brought with it a new problem: the question of spoken dialogue. Before sound it had been relatively easy and cheap to remove or alter offensive sub-titles-although changes often modified and falsified the intended meaning of the action-but to remove or change offensive spoken dialogue was could be even more destructive of the sense and continuity of the action. In addition, the cost of reshooting or reediting was a constant source of conflict between producers and censors. So, as it had to in an industry on the verge of artistic maturity, the question arose of the intent of the makers of the motion picture, and whether a freedom should be granted a Murnau, Pabst, Vidor, von Stroheim, Keaton, Chaplin, Ince, or Griffith that would not be allowed a less serious director? Which led inevitably to another question: What constitutes seriousness? These were questions with which the National Board had begun concerning itself. It stressed that a discriminating public would be the best arbiter of what was good and what was bad in the motion pictures, and began to emphasize as its primary responsibility the education of the viewing public rather than the guidance of the industry. The monthly National Board of Review Magazine (which now combined, Exceptional Photoplays, Film Progress, and Monthly Photoplay Guide) became a more important medium of criticism and information than it had been. In it attention was given only to motion pictures which were considered by the grass-roots reviewers to have achieved distinction. The economic calamity of 1929 brought a new awareness and perception of reality to the studios of Hollywood. It also caused changes in style and content in the motion pictures. The naiveté that marked the motion pictures of the twenties was shattered. Better able to express this new awareness were the unemployed New York actors, directors, and writers who flocked to Hollywood looking for work. They brought to the motion picture industry a caliber of dramatic training hitherto unknown to Hollywood. Many also brought with them a social consciousness that would radically inform the motion pictures of the thirties and set the stage for the anti-communist witch hunts of the forties and fifties. In response to the formation of a Roman Catholic pressure group, the National Legion of Decency, Hays appointed Joseph Breen in 1934 to enforce the revised Motion Picture Production Code which had been written in 1930 but had been largely ignored. The Motion Picture Producers and Distributors of America agreed to bar any motion picture not passed by Breen. The National Board's opinion of the Code had been expressed in 1930 by Barrett in a letter to the Boston censor: \"The code is absurd and ridiculous... it would reduce all pictures to pap and you may be sure the producers are not going to do this since they have to cater to an audience made more mature by the talking film.\" In a landmark decision in 1952 involving alleged blasphemy in Roberto Rossellini's The Miracle, the motion pictures were ruled by the U. S. Supreme Court to be a \"significant medium for the communication of ideas.\" This decision reversed the 1915 Supreme Court ruling that motion pictures were, \"business, pure and simple\", and extended to the motion picture the protection of the First Amendment. In 1953 Otto Preminger's controversial film The Moon is Blue was released without the seal of approval of the Motion Picture Producers and Distributors of America. The Motion Picture Production Code was gradually liberalized and, in 1968, abandoned in favor of a voluntary system. Always in financial difficulty, during the 1940s and 1950s the National Board struggled against insolvency. The reviewing fees on which it depended had dwindled and it had little voluntary help from an industry now grown powerful and skeptical of the importance of the role played by the National Board. Its relationship to the industry shaken, the National Board also found that its image as an arbiter of taste had been eroded, and by the 1970s its activities had been reduced to publishing the internationally influential periodical, Films in Review, as the successor to the National Board of Review Magazine. The National Board of Review continues to bestow annual awards honoring achievement in film."}
scopecontent: {"value"=>"Records reflecting the National Board's opposition to censorship and it efforts to improve the quality of motion pictures. Includes correspondence, 1910-circa 1970 with motion picture companies, agencies, distributors, directors, actors, field representatives, censors, community officials, schools, motion picture study groups, women's clubs, fraternal organizations, newspapers, and individuals interested in motion pictures and the question of censorship; correspondence and papers, 1946-1949, of the General Assembly of the National Committee for Better Films; papers of the Board of Directors; Committee Papers; financial accounts; writings by staff-members and others; speeches, interviews, and lectures; periodicals; questionnaires about motion pictures; investigators' reports and reviews including capsule reviews of circa 40,000 motion pictures; a few photographs, clippings; ephemera; and miscellany."}

{"value"=>"The National Board of Review of Motion Pictures records are arranged in three series:\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/mss/2100#c1186912'>I. Correspondence</a></div>\n</li><li><div class='series-title'><a href='/mss/2100#c1187198'>II. Papers</a></div>\n</li><li><div class='series-title'><a href='/mss/2100#c1187325'>Review and Rating Cards</a></div>\n</li></ul>\n", "type"=>"arrangement"}
acqinfo: {"value"=>"National Board of Review of Motion Pictures"}
processinfo: {"value"=>"Richard Salvato and Cherie Meyers 1984"}
relatedmaterial: {"value"=>"Publications of the National Board of Review are available at New York Public Library's Library for the Performing Arts."}
revisiondesc: {"value"=>"Card file boxes renumbered by Allison Hughes and Tal Nadan", "date"=>"2026 January"}
date_start: 1907
keydate: 1907
date_end: 1971
date_inclusive_start: 1907
date_inclusive_end: 1971
extent_statement: 133.25 linear feet (238 boxes)

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National Board of Review of Motion Pictures records

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