Michael Stewart Papers

id
4292
origination
Stewart, Michael, 1929-1987
date statement
1948-1987
key date
1948
identifier (local_mss)
21317
org unit
Billy Rose Theatre Division
call number
*T-Mss 1990-018
b-number
b11974872
total components
492
total series
11
max depth
3
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:05:00 UTC
updated
2026-01-20 20:09:08 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

physdesc
{"format"=>"simple", "value"=>"46.7 linear feet (129 boxes)"}
unitid
{"value"=>"*T-Mss 1990-018", "type"=>"local_call"}
{"value"=>"21317", "type"=>"local_mss"}
unittitle
{"value"=>"Michael Stewart Papers"}
repository
{"value"=>"The New York Public Library for the Performing Arts. Billy Rose Theatre Division."}
abstract
{"value"=>"Michael Stewart (nee Rubin), librettist, lyricist, playwright, and novelist, was born in New York City, where he attended Queens College. He received a Master of Fine Arts in drama from Yale in 1953. Prior to his work on Broadway, Stewart wrote for television and contributed sketches and lyrics to revues. His first effort on Broadway, <span class=\"title\">Bye Bye Birdie</span>, opened in 1960 and won Stewart his first Tony as its author. During his career in the musical theater Stewart also worked on <span class=\"title\">Carnival!</span>, <span class=\"title\">Hello, Dolly!</span>, <span class=\"title\"> 42nd Street</span>, <span class=\"title\">George M!</span>, <span class=\"title\">Barnum</span>, <span class=\"title\">I Love My Wife</span>, <span class=\"title\">Mack and Mabel</span>, and <span class=\"title\">The Grand Tour</span> . Among his collaborators were the writer Mark Bramble, and the composers Cy Coleman, Jerry Herman, Bob Merrill and Jule Styne. The papers are for the most part made up of drafts and scripts of Stewart's works (his major productions, as well as works that were not produced) They also include correspondence, programs, clippings, scrapbooks, appointment books, examples of Stewart's work for television and film projects, and his fiction writing."}
prefercite
{"value"=>"<p>Michael Stewart Papers, *T-Mss 1990-018, Billy Rose Theatre Division, The New York Public Library for the Performing Arts</p>"}
origination
{"value"=>"Stewart, Michael, 1929-1987", "type"=>"persname"}
bioghist
{"value"=>"<p><span class=\"persname\">Michael Stewart</span>, librettist, lyricist, playwright, and novelist was born Myron Rubin on August 1, 1924 in New York City. He attended Queens College and received a Master of Fine Arts in drama from Yale in 1953.</p> <p>During the 1950's he contributed sketches and lyrics to revues, among them: <span class=\"title\">Razzle Dazzle</span> (at the Edison Theater), <span class=\"title\">The Shoestring Revue</span> (1955), <span class=\"title\">The Littlest Revue</span> (1956) and <span class=\"title\">Shoestring '57</span>. He also wrote for television, most notably for Sid Caesar's <span class=\"title\">Your Show of Shows</span>, where he collaborated with Mel Brooks, Neil and Danny Simon and Carl Reiner.</p> <p>In 1954 Stewart met Charles Strouse and Lee Adams, and embarked on a career in the musical theater, to which he contributed some of the major Broadway successes of the sixties, seventies and eighties. With Strouse and Adams, Stewart eventually began work on a musical which opened on Broadway in 1960 as <span class=\"title\">Bye Bye Birdie</span>. <span class=\"title\">Birdie</span> ran for 607 performances and won Stewart his first Tony as the author. It was also the start of Stewart's relationship with Gower Champion, who directed and choreographed. Later the two would work together on <span class=\"title\">Carnival!</span>, <span class=\"title\">Hello, Dolly!</span> and <span class=\"title\">42nd Street</span>.</p> <p>Stewart's second Tony (1964) was for <span class=\"title\">Hello, Dolly!</span>, directed and choreographed by Gower Champion, with music and lyrics by Jerry Herman. Jerry Herman also worked with Stewart on the <span class=\"title\">Grand Tour</span> and <span class=\"title\">Mack & Mabel</span>. Another frequent collaborator was Mark Bramble. Together they wrote the librettos for <span class=\"title\">Elizabeth and Essex</span>, <span class=\"title\">42nd Street</span>, the <span class=\"title\">Grand Tour</span> and <span class=\"title\">Pieces of Eight</span>. Bramble wrote the book for <span class=\"title\">Barnum</span>, and Stewart the lyrics. Among Stewart's other collaborators were Cy Coleman (<span class=\"title\">Barnum</span>, <span class=\"title\">I Love My Wife</span>, <span class=\"title\">Nothing But the Truth</span> and <span class=\"title\">Seesaw</span>), Bob Merrill (<span class=\"title\">Carnival!</span>) and Jule Styne (<span class=\"title\">Pieces of Eight</span>)</p> <p>In addition to writing for the musical theater Stewart wrote plays ( <span class=\"title\">D.</span> and <span class=\"title\">Those That Play the Clowns</span>) He also wrote for television, worked at times on movie projects and published one novel (<span class=\"title\">Belle</span>)</p>"}
custodhist
{"value"=>"<p>The Michael Stewart papers were donated to the Billy Rose Theatre Division by Francine Pascal and Mark Bramble in 1990. Additional materials were donated between 1995 and 2001.</p>"}
scopecontent
{"value"=>"<p>The Michael Stewart Papers span the years 1948-1987 and include drafts, correspondence, rehearsal notes, appointment books, clippings and contracts, reflecting the full range of Stewart's work as a writer and lyricist. The collection contains material from all of Stewart's major productions and from his unproduced work. Also represented are examples of Stewart's work for television and film projects, his fiction writing, sketches for revues, and early one act plays, some written while he was still a student. The bulk of the collection is made up of drafts of Stewart's writings and the focus of the papers is on the evolution of the plays from draft to finished work. Correspondence is mostly related to business concerns regarding royalties, copyright, and arrangements for foreign productions, but there are occasional letters from colleagues including <span class=\"persname\">Gower Champion</span>, <span class=\"persname\">Jacques Charon</span>, <span class=\"persname\">Alfred Drake</span>, <span class=\"persname\">Tammy Grimes</span>, <span class=\"persname\">Dolores Gray</span>, <span class=\"persname\">Jerry Herman</span>, <span class=\"persname\">Lainie Kazan</span>, <span class=\"persname\">Nedda Harrigan Logan</span>, <span class=\"persname\">Bibi Osterwald</span> and <span class=\"persname\">Max Showalter</span>. Also included are scrapbooks for many of the productions that contain clippings, photographs, notes from friends and colleagues, and other ephemera.</p>"}
{"value"=>"<p class='list-head'>The Michael Stewart Papers are arranged in eleven series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/the/21317#c295848'>Series I: Plays</a></div>\n<div class='series-date'>ca. 1960-1986</div>\n<div class='series-extent'>85 boxes</div>\n<div class='series-description'><p>This series makes up the bulk of the collection and represent Stewart's major works, as well as other plays and musicals for which there was a large amount of material. This series is for the most part made up of scripts in draft form. Also included are correspondence, contracts, programs, audition schedules and information on foreign productions. There is no personal correspondence.</p></div></li><li><div class='series-title'><a href='/the/21317#c296201'>Series II: Revues and Sketches</a></div>\n<div class='series-date'>ca. 1949-1957</div>\n<div class='series-extent'>2 boxes</div>\n<div class='series-description'><p>The revues and sketches series includes drafts of miscellaneous sketches, lyrics, and monologue material, as well as files pertaining to titled revues that were produced. During the 1950's Stewart worked with many writers, composers and actors who, like Stewart, went on to successful careers in the theater. Among the revues that were produced are: <span class=\"title\">Alive and Kicking</span> (1949-50) to which Stewart contributed a sketch and lyrics, <span class=\"title\">Come What May</span> with music by Leo Schumer, Shelley Mowell and others, and lyrics and sketches by Stewart, <span class=\"title\">Razzle Dazzle</span> (1951) with music by Leo Schumer, Shelley Mowell, James Reed Lawlor, Bernice Kroll, and Irma Jurist, and sketches and lyrics by Michael Stewart, <span class=\"title\">The Shoestring Revue</span> (1955) with sketches mostly by Stewart, Sheldon Harnick and Richard F. Maury, <span class=\"title\">The Littlest Revue</span> (1956) for which Stewart wrote sketches and <span class=\"title\">Shoestring '57</span> (1957) to which Stewart contributed lyrics. Other contributors to <span class=\"title\">The Littlest Revue</span> and <span class=\"title\">Shoestring '57</span> (both presented by Ben Bagley) included Ogden Nash and Vernon Duke, John Latouche, Sheldon Harnick, John Strauss, Sidney Shaw and Michael Brown, Nat Hiken, Billy Friedberg, Eudora Welty, George Baxt, Robert Emmett, Bud McCreery, Alan Mannings and Robert Van Scoyk, Moose Charlat, and Lee Adams. Among the actors in these revues were: Joel Gray, Tammy Grimes, Dorothy Greener, Larry Storch, Paul Mazursky, and Dody Goodman. These files (for works which were produced) include programs and clippings. The files for <span class=\"title\">Come What May</span> also include several letters. The miscellaneous sketches are unsorted although some contain titles.</p></div></li><li><div class='series-title'><a href='/the/21317#c296214'>Series III: Early Works</a></div>\n<div class='series-date'>ca. 1948-1954</div>\n<div class='series-extent'>2 boxes</div>\n<div class='series-description'><p>Early works include plays written by Stewart as well as files relating to early efforts at directing. Many of the files are undated, but the earliest produced work appears to be Gwendolyn with music by Berenice Kroll and book and lyrics by Myron Rubin (Michael Stewart) This was presented in 1948 by students from the Drama Department at Yale. In 1948 Stewart also wrote (book and lyrics) and directed <span class=\"title\">Tele-Belle in Hollywood</span>, a musical play, for the New Haven Telephone Society. The music was by Leo Schumer. Several files for <span class=\"title\">Tunis, Anyone?</span>(1954) include pages from the script, a rehearsal schedule, a program and clippings. This show, presented by the Princeton University Triangle Club, was directed by Stewart.</p></div></li><li><div class='series-title'><a href='/the/21317#c296234'>Series IV: Lyrics</a></div>\n<div class='series-extent'>1 box</div>\n<div class='series-description'><p>These lyrics, written by Stewart are not identified by production, although some of them are titled. They include various drafts, mostly typescript. The series is unsorted.</p></div></li><li><div class='series-title'><a href='/the/21317#c296236'>Series V: Television and Film Productions</a></div>\n<div class='series-date'>ca. 1954-1977</div>\n<div class='series-extent'>3 boxes</div>\n<div class='series-description'><p>Television and film productions include material relating to Stewart's efforts in these areas. The series contains outlines for television series and pilots, sketches for television including <span class=\"title\">The Red Buttons Show</span>, drafts of screenplays (which do not appear to have been produced), a limited amount of correspondence and several scripts for <span class=\"title\">The Polly Bergen Show</span>. Although Stewart wrote for Sid Caesar's <span class=\"title\">Your Show of Shows</span>, none of these scripts were found in the collection.</p></div></li><li><div class='series-title'><a href='/the/21317#c296255'>Series VI: Stories and Novels</a></div>\n<div class='series-date'>ca. 1975-1982</div>\n<div class='series-extent'>3 boxes</div>\n<div class='series-description'><p>In addition to his work as a playwright, Stewart was a published novelist. Files for his novel <span class=\"title\">Belle</span>, published in 1977, include drafts, reviews and a small amount of correspondence. Also included in the series are drafts of his unpublished novels, <span class=\"title\">Fawne of Schleswig-Holstein</span> and <span class=\"title\">Sex and the Older Girl</span>, and a few miscellaneous short pieces. There are many drafts of <span class=\"title\">Fawne of Schleswig-Holstein</span>, none of which are dated.</p></div></li><li><div class='series-title'><a href='/the/21317#c296264'>Series VII: Projects</a></div>\n<div class='series-date'>ca. 1961-1985</div>\n<div class='series-extent'>18 folders</div>\n<div class='series-description'><p>These files are arranged by project name and include information on various projects that Stewart may have been considering. They include a letter about a Louis Armstrong project, correspondence relating to the adaptation of the play <span class=\"title\">Betsy</span> by Douglas Home, outlines for a proposed Barry Manilow show, research material for a show based on the life of Marie Dressler, and scripts which Stewart may have been considering for adaptation.</p></div></li><li><div class='series-title'><a href='/the/21317#c296283'>Series VIII: Lectures and Tributes</a></div>\n<div class='series-date'>ca. 1979-1987</div>\n<div class='series-extent'>6 folders</div>\n<div class='series-description'><p>The series includes the Cunard Line's QE2 shipboard entertainment programs which document Stewart's participation, his handwritten notes for a Swiss Radio broadcast about George Gershwin, lectures about Phineas T. Barnum and Stewart's career, Stewart's tributes to Harry Rigby and Sid Caesar, and Frank Diaz' tribute to Jerry Dodge.</p></div></li><li><div class='series-title'><a href='/the/21317#c296290'>Series IX: Personal Papers</a></div>\n<div class='series-date'>ca. 1948-1984</div>\n<div class='series-extent'>15 folders</div>\n<div class='series-description'><p>Personal papers include a copy of Stewart's resume, contact sheets of personal photos (possibly of Stewart's home in France), an award presented to Stewart's friend Jerry Dodge for his performance in <span class=\"title\">Funny Face</span>, programs for Queen's College Playshop and Yale productions in which Stewart had roles, his junior high school autograph book, legal papers documenting his name change from Rubin to Robinson, one folder of miscellaneous correspondence, two folders of contracts for various revues, songs and special material, Tony nominations for <span class=\"title\">I Love My Wife</span>, <span class=\"title\">Barnum</span>, <span class=\"title\">42nd Street</span>, and <span class=\"title\">Harrigan 'n Hart</span>, the Drama-Logue award and Grammy nomination for <span class=\"title\">Barnum</span>, souvenir buttons for <span class=\"title\">42nd Street</span>, <span class=\"title\">The Grand Tour</span> and <span class=\"title\">I Love My Wife</span>, and a folder of miscellany.</p></div></li><li><div class='series-title'><a href='/the/21317#c296304'>Series X: Appointment and Account Books</a></div>\n<div class='series-date'>1953-1986</div>\n<div class='series-extent'>3 boxes</div>\n<div class='series-description'><p>Appointment books span the years. Three books are undated and two of these include a few notes for <span class=\"title\">Hello, Dolly!</span> and notes for a film [Box 106, Folder 2]. Account books list expenses and some sources of income for 1953-1956.</p></div></li><li><div class='series-title'><a href='/the/21317#c296316'>Series XI: Scrapbooks</a></div>\n<div class='series-date'>1961-1984</div>\n<div class='series-extent'>23 boxes</div>\n<div class='series-description'><p>The scrapbooks contain clippings, opening night wishes, photographs, and ephemera. The shows represented are:<span class=\"title\"> The Amazons</span>, Barnum, <span class=\"title\">Carnival!</span>, <span class=\"title\">Elizabeth and Essex</span>, <span class=\"title\">42nd Street</span>, <span class=\"title\">George M!</span>, <span class=\"title\">The Grand Tour</span>, <span class=\"title\">Harrigan 'n Hart</span>, <span class=\"title\">Hello, Dolly!</span>, <span class=\"title\">I Love My Wife</span>, <span class=\"title\">Mack & Mabel</span>, <span class=\"title\">Those That Play the Clowns</span> and Michael Stewart's novel <span class=\"title\">Belle</span>.</p></div></li></ul>\n", "type"=>"arrangement"}
arrangement
{"value"=>"<p>The collection is organized into 11 series and 29 sub-series. They are: <ul> <li>Series I : Plays <ul> <li> Sub-series 1 - <span class=\"title\">The Amazons</span></li> <li>Sub-series 2 - <span class=\"title\">Anything Goes</span></li> <li>Sub-series 3 - <span class=\"title\">Arsenic and Old Lace</span></li> <li>Sub-series 4 - <span class=\"title\">Barnum</span></li> <li>Sub-series 5 - <span class=\"title\">Bring Back Birdie</span></li> <li>Sub-series 6 - <span class=\"title\">Bye Bye Birdie</span></li> <li>Sub-series 7 - <span class=\"title\">Candide</span></li> <li>Sub-series 8 - <span class=\"title\">Carnival!</span></li> <li>Sub-series 9 - <span class=\"title\">D.</span></li> <li>Sub-series 10 - <span class=\"title\">Elizabeth & Essex</span></li> <li>Sub-series 11 - <span class=\"title\">42nd Street</span></li> <li>Sub-series 12 - <span class=\"title\">George M!</span></li> <li>Sub-series 13 - <span class=\"title\">The Grand Tour</span></li> <li>Sub-series 14 - <span class=\"title\">Harrigan 'n Hart</span></li> <li>Sub-series 15 - <span class=\"title\">Hello, Dolly!</span></li> <li>Sub-series 16 - <span class=\"title\">High Button Shoes</span></li> <li>Sub-series 17 - <span class=\"title\">Hot Spot</span></li> <li>Sub-series 18 - <span class=\"title\">How Do You Do I Love You</span></li> <li>Sub-series 19 - <span class=\"title\">I Love My Wife</span></li> <li>Sub-series 20 - <span class=\"title\">Mack & Mabel</span></li> <li>Sub-series 21 - <span class=\"title\">Nothing But the Truth</span></li> <li>Sub-series 22 - <span class=\"title\">One of the Girls</span></li> <li>Sub-series 23 - <span class=\"title\">Pal Joey</span></li> <li>Sub-series 24 - <span class=\"title\">Pieces of Eight</span></li> <li>Sub-series 25 - <span class=\"title\">Seesaw</span></li> <li>Sub-series 26 - <span class=\"title\">Solomon Grundy</span></li> <li>Sub-series 27 - <span class=\"title\">Those That Play the Clowns</span></li> <li>Sub-series 28 - <span class=\"title\">The Three Musketeers</span></li> <li>Sub-series 29 - Miscellaneous Plays (A-Z)</li></ul></li> <li>Series II: Revues and Sketches</li> <li>Series III: Early Works</li> <li>Series IV: Lyrics</li> <li>Series V: Television and Film Productions</li> <li>Series VI: Stories and Novels</li> <li>Series VII: Projects</li> <li>Series VIII: Lectures and Tributes</li> <li>Series IX: Personal Papers</li> <li>Series X: Appointment and Account Books</li> <li>Series XI: Scrapbooks</li></ul></p>", "supress_display"=>true}
separatedmaterial
{"value"=>"<p>Audiovisual materials separated from archival collections are cataloged individually and can be found in the Library catalog. Search CATNYP, The New York Public Library catalog.</p> <ul> <li> BOX 1 <ul> <li> <span class=\"title\">The Amazons</span>: (Music by John Addison, lyrics by David Heneker, book by Michael Stewart based on the play by Sir Arthur W. Pinero) 3 folders - all photocopies</li> <li> <span class=\"title\">Barnum</span>: (Music by Cy Coleman, lyrics by Michael Stewart and book by Mark Bramble) Published book of music, sheet music, photocopied scores and conductor's score in two volumes</li> <li> <span class=\"title\">Bye Bye Birdie</span>: (Music by Charles Strouse, lyrics by Lee Adams, book by Michael Stewart) 1 volume - conductor's score 3 pieces of sheet music</li> <li> <span class=\"title\">Carnival!</span>: (Music and lyrics by Bob Merrill, book by Michael Stewart) 2 volumes - conductor's score</li> <li> <span class=\"title\">Chicago</span>: One page. This does not appear to be from a Stewart show.</li> <li> <span class=\"title\">Elizabeth and Essex</span>: (Music by Doug Katsaros, lyrics by Richard Engquist and book by Michael Stewart and Mark Bramble, based on the play <span class=\"title\">Elizabeth the Queen</span> by Maxwell Anderson) Photocopy of \"As You Are\"</li> <li> <span class=\"title\">42nd Street</span>: (Music by Harry Warren, lyrics by Al Dubin) 1 published book of vocal selections, 2 folders of photocopies and a few published sheets of Harry Warren songs.</li> <li> <span class=\"title\">The Grand Tour</span>: (Music and lyrics by Jerry Herman, book by Michael Stewart and Mark Bramble) 1 volume, published, of vocal selections</li> <li> <span class=\"title\">Harrigan 'n Hart</span>: (Music by Max Showalter, lyrics by Peter Walker, original songs by David Braham and Edward Harrigan, book by Michael Stewart based on material compiled by Nedda Harrigan Logan, and <span class=\"title\">The Merry Pranksters</span> by E.J. Kahn, Jr.) 3 binders and 1 folder of music by Showalter and also by Braham</li></ul></li> <li> BOX 2 <ul> <li> <span class=\"title\">George M!</span>: (Music by George M. Cohan; book by Michael Stewart and Fran & John Pascal; lyric and musical revisions by Mary Cohan) 1 carton of material of Cohan songs including sheet music, photocopies, the conductor's score for <span class=\"title\">45 Minutes from Broadway</span>, and a \"Microfilm of Songs\"</li></ul></li> <li>BOX 3 <ul> <li> <span class=\"title\">Hello, Dolly!</span>: (Music and lyrics by Jerry Herman, book by Michael Stewart) 1 volume - conductor's score 1 published volume - vocal selections</li> <li> <span class=\"title\">I Love My Wife</span>: (Music by Cy Coleman, book and lyrics by Michael Stewart) 1 holograph 1 photocopy 1 published volume - vocal selections</li> <li> <span class=\"title\">Pieces of Eight</span>: (Music by Jule Styne, lyrics by Susan Birkenhead, book by Michael Stewart and Mark Bramble, based on <span class=\"title\">Treasure Island</span> by Robert Louis Stevenson) 1 folder of music</li> <li> <span class=\"title\">Solomon Grundy</span>: (Music by Shelley Mowell, book and lyrics by Michael Stewart) 1 binder and three folders</li> <li> <span class=\"title\">The Three Musketeers</span>: (Music by Rudolf Friml, lyrics by P.G. Wodehouse and Clifford Grey, new version by Mark Bramble) 2 large folders, scores and revised versions, also songs from other Friml works</li> <li>Miscellany: 1 large folder, miscellaneous music not identified by production, mainly holographs, some by Stewart and Shelley Mowell</li></ul></li></ul> <ul> <li> <span class=\"title\"> Chicago</span> - 1 cassette (not identified by show, may be by Stephen Bates whose name appears on the tape)</li> <li>The Clock Song 6/25/87 - 1 cassette (not identified by show title)</li> <li> <span class=\"title\">D.</span> 10/10/79 - 2 cassettes Acts I & II - Three Muses Theatre</li> <li> <span class=\"title\">George M!</span> - 4 singles (45 rpm) (music by George M. Cohan)</li> <li>I Want To Hear a Yankee Doodle Tune - Joel Grey (2 copies)</li> <li> Rose - Vaughn Monroe (2 copies)</li> <li> <span class=\"title\">Harrigan & Hart</span> - 12 cassettes & 3 5-inch reels (New music by Max Showalter; lyrics by Peter Walker; also original songs by Edward Harrigan and David Braham) - Opening night at the Longacre Theatre - 1/31/85; Other cassettes do not list contents The 3 five-inch reels are songs by Edward Harrigan and David Braham</li> <li> <span class=\"title\"> I Love My Wife</span> - 14 10-inch discs (Music by Cy Coleman; lyrics by Michael Stewart) The Blessing (not used in the show) So the Life Goes (not used in the show) Married Couple Seeks Married Couple By Threes A Movers Life Love Revolution Free (2 copies) We're Still Friends Being Loves on Christmas Eve Someone Wonderful I Missed Hey There Good Times I Love My Wife Everybody Today is Turning On</li> <li> <span class=\"title\"> Nothing But The Truth</span> - 8 cassettes (Music by Cy Coleman; lyrics by Michael Stewart; earlier efforts may have included Doug Katsaros as the composer; the show probably never reached production)</li> <li> <span class=\"title\"> Seesaw</span> - 6 10-inch discs (Music by Cy Coleman; lyrics by Dorothy Fields) Highly Emotional State Big Fat Heart I'm Way Ahead Seesaw Ride Out the Storm - Vers. 1 Ride Out the Storm - Vers. 2</li> <li> <span class=\"title\">Treasure Island</span> - 6 cassettes (Play opened as <span class=\"title\">Pieces of Eight</span>; music by Jule Styne, lyrics by Susan Birkenhead, book by Michael Stewart and Mark Bramble)</li> <li> Untitled musical melodrama, ca. 1950's - 1 3-inch tape</li> <li> <span class=\"title\">George M!</span> - 3 12-inch discs</li> <li>A George M. Sampler - Peter Howard plays George M</li> <li>Songs - various</li> <li>Bits of songs sung by me</li> <li>Cohan songs - 2 12-inch discs, 4 10-inch discs</li> <li>10-inch discs <ul> <li>Only If It's Love - Kenneth Nelson/Passe - Virginia Bradley</li> <li>I Just Want To Be Married - E.H. Morris</li> <li>Rock and Roll Lullaby (3 copies)</li> <li>Cha Cha Cha</li></ul></li> <li>Capitol Records demo - Stan Kenton, Les Paul, Nat \"King\" Cole, Joe \"Fingers\" Carr, The Strings of Stordahl, Ray Anthony, Gordon MacRae/Prokofiev, Ravel, Chopin, Bruch, Schubert</li> <li>Animals - 1 10-inch disc</li> <li>Pat Carroll - 1 12-inch disc -Public School Speech (autographed)/Rapunzel</li> <li>The Imogene Coca Show - 1 12-inch disc</li> <li>Paris Ballet/Opening song</li> <li>1 10-inch disc and 1 12-inch disc with no labels</li> <li>What A Funny Boy He Is - audiotape</li></ul> <ul> <li>2 5-inch reels of super 8 film labeled Vandergriff add-on and Vandergriff #3</li></ul> <ul> <li>Portraits and snapshots <ul> <li>Michael Stewart- 57(B file);13 negatives</li> <li> Jerry Dodge - 1 (A file); 35 (B file); 16 (C file)</li></ul></li> <li> Production photographs <ul> <li> Barnum - 3 (B file)</li> <li>The Beautiful People - 1 (B file)</li> <li>Cabaret - 11 (B file)</li> <li>George M! - 1 (B file)</li> <li>How to Succeed in Business Without Really Trying - 2 (B file)</li> <li>John Brown's Body - 3 (B file)</li> <li>Little Mary Sunshine - 1 (B file)</li> <li>A Midsummer Night's Dream - 3 (B file)</li> <li>The Sap of Life - 1 (B file)</li> <li>Take Me Along - 1 (B file)</li> <li>West Side Story - 3 (A file) & 1 (B file)</li></ul></li> <li>Friedman-Abeles Photographs <ul> <li> A Midsummer Night's Dream - 1 (C file)</li> <li>The Shoemaker's Holiday - 1 (C file)</li> <li>Those That Play the Clowns - 2 (C file)</li></ul></li></ul> <ul> <li> <span class=\"title\">The Grand Tour</span> - Palace Theatre, NYC - 2 posters [1 was removed from a scrapbook]</li> <li> <span class=\"title\">Hello, Dolly!</span> - Theatre Royal Drury Lane, London - 2 posters</li> <li> <span class=\"title\"> I Love My Wife</span> - His Majesty's Theatre, London - 1 poster [removed from scrapbook]</li> <li> <span class=\"title\"> Mack & Mabel</span> - Piccadilly Theatre, London - 1 poster</li> <li> <span class=\"title\">Those That Play the Clowns</span>[<span class=\"title\">Ceux qui font les Clowns</span>] - Paris production - 1 poster [removed from scrapbook]</li></ul>"}
processinfo
{"value"=>"<p>Processed by Francesca Pitaro and Staff.</p>"}
{"value"=>"<p>The materials arrived in good condition and all sound and video materials were transferred to the Rodgers and Hammerstein Archives of Recorded Sound and Theatre on Film and Tape. The collection was processed and cataloged in 1994. New materials were added and the finding aid updated as they arrived.</p> <p>Many of Stewart's early works, especially the play <span class=\"title\">Solomon Grundy</span> and the novel, <span class=\"title\">Fawne of Schleswig-Holstein</span>, and many sketches and lyrics, were typed or carbon copies on very brittle paper. These have been photocopied onto acid-free paper for preservation purposes.</p>"}
accessrestrict
{"value"=>"<p>Photocopying prohibited.</p>"}
userestrict
{"value"=>"<p>For permission to publish, contact the Curator, Billy Rose Theatre Division.</p>"}
unitdate
{"value"=>"1948-1987", "type"=>"inclusive", "normal"=>"1948/1987"}
date_inclusive_start
1948
date_inclusive_end
1987
acqinfo
{"accession_number"=>"THE Mss 1990-018"}
{"date"=>"12/11/1990", "source"=>"Mark Bramble and Fran Pascal", "address"=>"See donor file", "method"=>"Gift", "extent"=>"37.7 o", "value"=>"Gift, Mark Bramble and Fran Pascal, 12/11/1990"}
relatedmaterial
{"value"=>"<p>Michael Stewart papers, scores and sound recordings</p>", "type"=>"host"}
keydate
1948
date_start
1948
date_end
1987

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