- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"37.5 linear feet", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"51 boxes", "unit"=>"containers"}], "supress_display"=>true}
- unitid
-
{"value"=>"JPB 06-5", "type"=>"local_call"}
{"value"=>"20332", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1856-1970", "type"=>"inclusive", "normal"=>"1856/1970"}
- date_inclusive_start
-
1856
- date_inclusive_end
-
1970
- keydate
-
1856
- unittitle
-
{"value"=>"Mendelssohn Glee Club papers"}
- repository
-
{"value"=>"<span class=\"corpname\">The New York Public Library. <span class=\"subarea\">Music Division.</span></span> <div class=\"address\"><span class=\"addressline\">New York, New York</span></div>"}
- abstract
-
{"value"=>"The Mendelssohn Glee club is the oldest singing organization still current and the second oldest musical organization in the United States. The collection includes many scrapbooks, along with administrative files, correspondence, ledgers, photographs, publicity material, and vocal scores"}
- prefercite
-
{"value"=>"<p>Mendelssohn Glee Club Papers, Music Division, The New York Public Library.</p>"}
- origination
-
{"value"=>"Mendelssohn Glee Club (New York, N.Y.)", "type"=>"corpname"}
- bioghist
-
{"value"=>"<p>The Mendelssohn Glee Club is the oldest singing organization still current and the second oldest musical organization in the United States. Originally, the club began as an amateur singing group of men and women in 1865. The group quickly disbanded in 1866, but the men decided to continue as a male voice group. During the first few years, the club had to endure many challenges. In the fall of 1866, the men decided to lease the rooms above a book trade salesroom in Clinton Hall. The rooms were dimly lit, insufficiently heated, and often wet from leaks in the ceiling, yet the club rehearsed there for ten years and the first three concerts were held in the room. The second season, 1867 - 1869, began with a new conductor, Joseph Mosenthal. His style of conducting was infamous, but the success of the club in the early years was due to Mosenthal's strict approach at rehearsals. He would shout, pound the bare floor with his foot, throw his baton into a corner, and turn his back on the chorus, and after a short while, he would retrieve his baton and rehearsals would begin again. Mosenthal conducted the club for the next twenty-nine years. Beginning in 1871, the club gained popular appeal. They traveled to Boston for a performance and received wide critical acclaim. Shortly after, The Apollo Club, The Boston Symphony, The Orpheus Club, and the Philadelphia Orchestra, formed along the lines of the Mendelssohn Glee Club. Each group commuted to each other's cities, increasing the popularity for male chorus activity. The admissions process became very restrictive at this time. Potential members had to wait ten years to be admitted as an associated member and each active member was only allowed six tickets for each of the three annual concerts. Even dress codes had to be strictly adhered and members or guests were otherwise turned away at the door. The club's success led to the construction of a new concert hall financed by Alfred Corning Clark, with a 1,100-seat auditorium, quarters for the members, a rehearsal hall, committee rooms, library, smoking room, and above the auditorium were three floors of bachelor apartments. The first concert at Mendelssohn Hall was on December 6, 1892. Unfortunately, the club experienced a series of setbacks after the construction of Mendelssohn Hall. In 1896, Joseph Mosenthal and Alfred Corning Clark died. With the passing of Clark, the club was in danger of losing the hall, a scant four years after it was built. Clark's widow permitted the club to use the hall and leased the rooms above the building for revenue, but after her death, the building was sold in 1911. Despite these challenges, the club is still in existence. Over the years, there have been a few notable members, such as Herbert Witherspoon, an operatic and concert basso, who joined the Metropolitan Opera in 1908 and later became the general manager. Also a notable conductor of the MGC was Cesare Sodero (1934 to 1947) who later became the principal conductor of Verdi operas at the Met.</p>"}
- scopecontent
-
{"value"=>"<p>Ledgers and scrapbooks make up a large part of the Mendelssohn Glee Club papers. The material chronicles the first amateur years of the club, and its evolution into a popular men's singing organization. The correspondence files address membership approval and future plans for the club. Through the administrative files, which include constitutional amendments, by-laws, constitutions, concert preparations, membership approval, reports, and minutes of meetings, there is a wealth of information about the club's activities. Categorized as publicity material, the clippings, photographs, and programs, archive the club's popularity from 1884 - 1969. The vocal scores highlight music referenced in the club's library, rehearsals, and performances. There are 2 boxes of oversized material.</p>"}
{"value"=>"<p class='list-head'>The Mendelssohn Glee Club papers are arranged in seven series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/mus/20332#c587404'>Series I: Correspondence</a></div>\n<div class='series-date'>1867 - 1970, Undated</div>\n<div class='series-description'><p>The correspondence files address membership approval and future plans for the club.</p></div></li><li><div class='series-title'><a href='/mus/20332#c587486'>Series II: Administrative Files</a></div>\n<div class='series-date'>1862 - 1969</div>\n<div class='series-description'><p>The administrative files include constitutional amendments, by-laws, constitutions, concert preparations, membership approval, reports, and minutes of meetings. There is a wealth of information about the club's activities. Most note-worthy are the series of reports that highlight the club's activity from 1868 - 1968.</p></div></li><li><div class='series-title'><a href='/mus/20332#c587545'>Series III: Publicity Material</a></div>\n<div class='series-date'>1884 - 1969, Undated</div>\n<div class='series-description'><p>This series includes: clippings, photographs, and programs and provides information about the club's concerts and tours.</p></div></li><li><div class='series-title'><a href='/mus/20332#c587582'>Series IV: Vocal Scores</a></div>\n<div class='series-date'>1890 - Undated</div>\n<div class='series-description'><p>The vocal scores highlight music referenced in the club's performances.</p></div></li><li><div class='series-title'><a href='/mus/20332#c587659'>Series V: Ledgers</a></div>\n<div class='series-date'>1867 - 1917</div>\n<div class='series-description'><p>The material chronicles the founding years of the club and its evolution into a popular men's singing club. A wealth of information can be found within the meeting minutes, and reports by the secretary and treasurer. The constitution and by-law amendments illustrate the club's main goals and objectives during its foundation.</p></div></li><li><div class='series-title'><a href='/mus/20332#c587668'>Series VI: Scrapbooks</a></div>\n<div class='series-date'>1856 - 1957</div>\n<div class='series-description'><p>The material chronicles the founding years of the club and its evolution into a popular men's singing club. There can be found a large number of clippings, correspondence, performances and information on key members of the MGC. In particular, one scrapbook is worthy of mention: Box 36 is a photo scrapbook of members of the MGC, presented to the club by R.H. Halstead, May 13th, 1884. It includes all members of the club from 1861 to 1884.</p></div></li><li><div class='series-title'><a href='/mus/20332#c587687'>Series VII: Oversized Material</a></div>\n<div class='series-date'>1966 - Undated</div>\n<div class='series-description'><p>The series contains 2 group photographs and 1 vocal score.</p></div></li></ul>\n", "type"=>"arrangement"}
- arrangement
-
{"value"=>"<p>The Mendelssohn Glee Club Papers are organized in the following series:</p> <ul> <li>Series I: Correspondence, 1867 - 1970, Undated</li> <li>Series II: Administrative Files, 1862 - 1969</li> <li>Series III: Publicity Material, 1884 - 1969, Undated</li> <li>Series IV: Vocal Scores, 1890 - Undated</li> <li>Series V: Ledgers, 1867 - 1917</li> <li>Series VI: Scrapbooks, 1856 - 1957</li> <li>Series VII: Oversized Material, 1966 - Undated</li></ul>", "supress_display"=>true}
- processinfo
-
{"value"=>"<p>Processed by Shaneeza Aziz; machine readable finding aid created by FAKER.</p>"}
- extent_statement
-
37.5 linear feet (51 boxes)
- date_start
-
1856
- date_end
-
1970