Melvin Dixon papers

Description data TOP

unitid

{"value"=>"20894", "type"=>"local_mss"}

unittitle

{"value"=>"Melvin Dixon papers"}

unitdate

{"value"=>"1962-1992", "type"=>"inclusive", "normal"=>"1962/1992"}

physdesc

{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"18 lin. ft."}], "supress_display"=>true}

date_inclusive_start

1962

date_inclusive_end

1992

origination

{"value"=>"Dixon, Melvin, 1950-1992", "type"=>"persname"}

bioghist

{"value"=>"<p>Melvin Dixon, widely praised as a novelist, translator and literary critic, published poetry that portrayed both his interior explorations and world travels. Born in Stamford, Connecticut in 1950, Dixon was graduated from Wesleyan University in 1971 in American Studies, and earned an MA in 1973 and a Ph.D. in 1975 from Boston University.</p><p>Both in his published and unpublished writings, Dixon wrote openly about his homosexuality. James Baldwin's influence is seen in Dixon's two novels, \"Trouble the Water\" (1989, winner of the Nilon Award for Excellence in Minority Fiction) and \"Vanishing Rooms\" (1991). In the latter, Dixon wrote about homophobia and racism in New York City's Greenwich Village. His first book of poems, \"Change of Territory\" (1983) spoke of the historic northward migration of African Americans from the southern United States and the enforced journeys of African slavery. His final volume of poems, \"Love's Instruments\" (1995) published after his death from an AIDS-related illness in 1992, serves as a tribute to other gay men with this disease. As an active spokesman for gay communities and issues, Dixon integrated the complexities of gay identity and lifestyle into his work while communicating what it meant to be a black man.</p><p>As a writer, Dixon embraced both scholarship and creativity. He wrote poems, short stories, novels, essays, critical studies, and translations from French. Seeking his literary heritage, he traveled to the Caribbean, Africa and Europe, researching the Haitian poet and novelist Jacques Roumain, Leopold Senghor, the poet and former president of Senegal, and Richard Wright in Paris. His translations include Roumain's poems, Genevieve Fabre's \"Drumbeats, Mass, and Metaphor: Contemporary Afro-American Theatre\" (1983), and \"The Collected Poetry by Leopold Sedar Senghor\" (1991). He also wrote a critical study of African-American literature entitled \"Ride Out the Wilderness\" (1987).</p><p>Dixon was an Assistant Professor at Williams College (1976-1980), and a Professor of English at Queens College of the City University of New York (1980-1992). He also taught at the Graduate Center (CUNY), Fordham University and Columbia University. Dixon received a number of awards and fellowships including a Fulbright lectureship in Senegal (1985-1986). His long-term partner was Richard Horovitz.</p><p>Some of the correspondence and other material are written in French.</p>"}

scopecontent

{"value"=>"<p>The Melvin Dixon papers consist primarily of manuscripts, correspondence, notes, and journals reflecting his experiences as a black gay writer. Most of the collection is comprised of manuscript drafts of Dixon's published works \"Trouble the Water,\" \"Vanishing Rooms,\" \"Ride Out the Wilderness,\" \"Change of Territory,\" as well as drafts for incomplete novels and stories, the fiction he called \"works in progress,\" and short stories, poetry and plays, both published and unpublished. In addition, there are drafts and other material for Dixon's translations of \"The Collected Poetry by Leopold Sedar Senghor,\" Genevieve Fabre's \"Drumbeats, Masks and Metaphors,\" and works by the Haitian writer Jacques Roumain. Some essays and academic papers he presented are also included in collection.|||The personal papers include biographical information and an interview conducted by Charles Rowell (1990). Of particular interest are detailed journals he maintained revealing his innermost thoughts as a black man, a homosexual, a writer, and his attempts to understand his own creative processes. Dixon kept separate journals during his undergraduate years describing his experiences with La Mama Experimental Theatre in New York City, and his journeys to Europe and Senegal, as well as his years in the United States. He also discussed his relationship with friends and colleagues and his battle with AIDS (1969-1991).|||All of the correspondence is incoming. The personal correspondence is primarily from his friends and a few from his family (1962-1991). The friends with whom he corresponded for many years include Richard Horovitz, his partner, and James L. Grier III. The professional correspondence is from his colleagues in Paris, Senegal and elsewhere, other writers, professors and publishers (1969-1992). Letters discuss his writings, and colleagues' professional activities, acceptances or rejections by publishers, and related matters. Among his correspondents are the writers Michel and Genevieve Fabre, Ronald Fair, Hoyt Fuller, Michael Harper, Gayl Jones, Didier Malaquin, and Robert Stepto.|||Additionally, there are subject files on African-American authors, and conferences Dixon attended, gay life, and other topics which interested Dixon. College course material contains syllabi, lecture notes and news clippings. There are also correspondence, proposals, research papers and articles from Harvard University's William E.B. Du Bois Institute for Afro-American Research and an international conference it sponsored in 1990 entitled \"History and Memory in Afro-American Culture.\" Index cards contain notes about black writers and journals, as well as African religious systems, African-American music and slavery.</p>"}

acqinfo

{"accession_number"=>"SCM 93-11"}

{"accession_number"=>"SCM 95-12, SCM 96-19"}

{"accession_number"=>"SCM 93-11; 95-12; 96-19"}

{"date"=>"1993", "source"=>"Melvin Dixon Estate", "method"=>"Gift", "value"=>"Gift, Melvin Dixon Estate, 1993"}

{"date"=>"1995", "source"=>"Melvin Dixon Estate", "method"=>"Gift (1995-1996)", "value"=>"Gift (1995-1996), Melvin Dixon Estate, 1995"}

{"date"=>"1995", "source"=>"Melvin Dixon Estate", "method"=>"Gift (1995-1996)", "value"=>"Gift (1995-1996), Melvin Dixon Estate, 1995"}

note

{"value"=>"<p>Published material transferred to General Research and Reference Division</p>", "encodinganalog"=>"500"}

{"value"=>"<p>Photographs transferred to Photographs and Prints Division</p>", "encodinganalog"=>"500"}

abstract

{"value"=>"The Melvin Dixon papers consist primarily of manuscripts, correspondence, notes, and journals reflecting his experiences as a black gay writer. Most of the collection is comprised of manuscript drafts of Dixon's published works \"Trouble the Water,\" \"Vanishing Rooms,\" \"Ride Out the Wilderness,\" \"Change of Territory,\" as well as drafts for incomplete novels and stories, the fiction he called \"works in progress,\" and short stories, poetry and plays, both published and unpublished. In addition, there are drafts and other material for Dixon's translations of \"The Collected Poetry by Leopold Sedar Senghor,\" Genevieve Fabre's \"Drumbeats, Masks and Metaphors,\" and works by the Haitian writer Jacques Roumain. Some essays and academic papers he presented are also included in collection."}

keydate

1962

prefercite

{"value"=>"Melvin Dixon papers, Schomburg Center for Research in Black Culture, The New York Public Library"}

extent_statement

18 linear feet

date_start

1962

date_end

1992

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